The background of this piece is divided in half. The top portion is light brown and the bottom portion is an off-white. A rendering of a crumpled and torn piece of paper occupies the top two-thirds of the picture plane, and the bottom of the paper interects the division between brown space and off-white space slightly. The paper contains a dotted, red outline of a square and an indiscernable, shadey-gray shape. Below the crumpled and torn paper, in the off-white space, there is a sweeping line of what appears to be a blue paint dribble that rests above a horizontally oriented, skinny rectangle that is broken down into alternating squares of black and yellow., Paper Square; Scott McIntire; graphite on paper; Pendelton State Office Building, http://www.scottmcintire.com, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A molded plastic form comprised of two independently bowed white forms that meet in the middle. Along their juncture a smaller, metallic bowed form that comes to a point on the bottom end inerrupts the two white forms., Intervenor; John Casey; white form; vacuum form plastic; Pendelton State Office Building, john@bunnywax.com, http://www.bunnywax.com/, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
This is one of two images of the same piece. Irregularities between the pieces may reflect a difference in the source material. <br><br>A color rendering of what appears to be the repeated mirroring and fragmentation of a beach scene reflected in the water. The piece is formally divided in near-half. Below the meridian of the piece is a blue section with what appears to be the sihouette of the mirrored beach scene. Above the meridian of the piece is a skyscape with clouds and a pink line running through six rectangles of varying sizes and orientations that contain ghosted fragments of the same beach scene in the lower portion of the piece., Seal Beach; Lyle Matoush; litho; Pendelton State Office Building, Internet resources on Lyle Matoush: Mail Tribune Online (4/28/00 issue) http://archive.mailtribune.com/archive/2000/april/042800n4.htm <br>Southern Oregon University: http://emeritus.sou.edu/News.asp?NewsID=26, http://emeritus.sou.edu/News.asp?NewsID=26; http://archive.mailtribune.com/archive/2000/april/042800n4.htm, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A series of five panel paintings depicting variations upon the theme of migratory waterfowl combined with cloud shapes and sweeping, arching lines., Untitled; John Jay Cruson; mixed media on wood; 5 x 5 feet; 1979; Pendelton Cafeteria State Office Building, Jon Jay Cruson is a N.W. artist who grinds, draws, etches, and pulls his own prints from the lithographic stone - on a hand cranked late 1800's press. He is one of the few lithographic printmakers that has his own studio - and does the complete printing process by himself. He is also noted on the West Coast for his paintings. (Unknown, 1987), http://www.wlotus.com/JonJayCruson/default.htm, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A series of five panel paintings depicting variations upon the theme of migratory waterfowl combined with cloud shapes and sweeping, arching lines., Untitled; John Jay Cruson; paintings; 1979; Pendelton State Office Building, Jon Jay Cruson is a N.W. artist who grinds, draws, etches, and pulls his own prints from the lithographic stone - on a hand cranked late 1800's press. He is one of the few lithographic printmakers that has his own studio - and does the complete printing process by himself. He is also noted on the West Coast for his paintings. (Unknown, 1987), http://www.wlotus.com/JonJayCruson/default.htm, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A black-and-white textile weaving that hangs from a hoop covered in what appears to be white yarn. A length of black fringe extends from the bottom of the weaving past the hoop. A section of brown material is stretched across the horizontal axis of the hoop, and what appear to be feathers hang from the bottom of it. Other patches of what appear to be feathers and possibly other natural materials are affixed to the main section of the weaving., Untitled weaving; Vera Simonton; 26 x 26 inches; Pendelton State Office Building, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A black-and-white drawing of repeated triangular shapes combined with black marks that resemble waves., Woman/Vanities; Laura Ross-Paul; graphite on paper; Pendelton State Office Building, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=221, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A pastel rendering of leafy plant matter that takes up the entire picture plane over a black background., Stalked Out; Sherrie Wolf; watercolor; 28 x 40 inches; '78; sold 1% for Art Pendelton, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), http://www.sherriewolfstudio.com/, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
This is one of two images of the same piece. Irregularities between the pieces may reflect a difference in the source material.<br><br>A color rendering of what appears to be the repeated mirroring and fragmentation of a beach scene. The piece is formally divided into nearly half. Below the meridian of the piece is a blue section with what appears to be the silhouette of the mirrored beach scene. Above the meridian of the piece is a skyscape with clouds and a pink line running through six rectangles of varying sizes and orientations that contain ghosted fragments of the same beach scene in the lower portion of the piece., Seal Beach super scene; L. Matoush; litho-intalgio, Internet resources on Lyle Matoush: Mail Tribune Online (4/28/00 issue) http://archive.mailtribune.com/archive/2000/april/042800n4.htm <br>Southern Oregon University: http://emeritus.sou.edu/News.asp?NewsID=26, http://emeritus.sou.edu/News.asp?NewsID=26; http://archive.mailtribune.com/archive/2000/april/042800n4.htm, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
