Outrigger No. 2

Title
Outrigger No. 2
LC Subject
Textile crafts Featherwork Feathers Art, Modern--Japanese influences Dyes and dyeing mixed media fiber art
Alternative
Outrigger
Creator
Kuo, Susanna Campbell
Description
Outrigger No. 2 juxtaposes natural elements (quills) with man-made elements (sails, kites) that represent flight. This view represents the presentation and context of the piece. Susanna Kuo; outrigger no.2; 1980; 22x22x3 inches; peacock quills; katazome (stencil resist dyeing) on silk; acrylic; case. in 1962, Kuo graduated from Lewis and Clark College in Portland, Oregon. She holds an M.A. in English literature from Mount Holyoke College and a Ph.D. in English literature and folklore from indiana University. Kuo is one of the authors of "Carved Paper: The Art of the Japanese Stencil," published in 1998. The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Location
State of Oregon Publishing and Distribution >> Marion County >> Oregon >> United States Marion County >> Oregon >> United States
Street Address
550 Airport Rd. S. E., Salem Oregon
Award Date
1980
Identifier
1980_salem_print-plant_10_a01
Item Locator
KUO: 81-2
Accession Number
1980_salem_print-plant_10_a01
Rights
In Copyright
Dc Rights Holder
Kuo, Susanna Campbell
Type
Image
Format
image/tiff
Measurements
22 x 22 x 3 inches
Material
Textile art; Fiber art; Mixed media armature of peacock quills sewn with a silk twist to a square of feather-patterned silk/technique for dyeing silk: ""katazome"" (Japanese stencil-resist-dyeing)
Set
Oregon Percent for Art
Primary Set
Oregon Percent for Art
Relation
1981 Salem Oregon State Printing Plant 1980_salem_print-plant
Has Version
slide; color
Institution
Oregon Arts Commission University of Oregon
Note
west wing, small conference room
Color Space
RGB
Biographical Information
I am interested in the geometric and rhythmic basis of repeat patterns. This piece is a synthesis of two kinds of structures: the organic form and fluid geometry of quills and the more rigid framework underlying man-made airfoils such as sails and kites. With the help of an N. E. A. crafts project grant, I am presently studying examples of stencils and katazome-dyed textiles in museum collections on the West Coast andin the spring, will travel to Taiwan and Japan to continue this research. The silk in the piece is dyed by measn of the katazome process. (Kuo, 1980)