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Description: A three-dimensional composition of a floral form utilizing a mixture of materials, such as feathers, clay and glaze on a mirror surface. The piece is housed in what appears to be a plexiglas box., Ken Shores; fetish #13; capital building h-2; portland, See http://www.broderickgallery.com/KenShores.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: A portrait of a Native American, whose face is starkly divided in shadow, is rendered in periwinkle tones and contained in a square bordered by a cross-hatched pattern. Three black feathers with maroon arrows pointing downward extend from the bottom of the cross-hatch pattern., Fragment #5 - Medicine Crow; serigraph; Marilyn Higginson; commerce bldg, http://www.artharveststudiotour.org/2006/pages/artists/marilyn_higginson.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: Outrigger No. 2 juxtaposes natural elements (quills) with man-made elements (sails, kites) that represent flight. This view represents the presentation and context of the piece., Susanna Kuo; outrigger no.2; 1980; 22x22x3 inches; peacock quills; katazome (stencil resist dyeing) on silk; acrylic; case., in 1962, Kuo graduated from Lewis and Clark College in Portland, Oregon. She holds an M.A. in English literature from Mount Holyoke College and a Ph.D. in English literature and folklore from indiana University. Kuo is one of the authors of "Carved Paper: The Art of the Japanese Stencil," published in 1998., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: Outrigger No. 2 juxtaposes natural elements (quills) with man-made elements (sails, kites) that represent flight. This view is a detail of the larger piece., Susanna Kuo; outrigger no. 2; 1980; 1980; state printing plant, in 1962, Kuo graduated from Lewis and Clark College in Portland, Oregon. She holds an M.A. in English literature from Mount Holyoke College and a Ph.D. in English literature and folklore from indiana University. Kuo is one of the authors of "Carved Paper: The Art of the Japanese Stencil," published in 1998., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: A three-dimensional composition of a floral form utilizing a mixture of materials, such as feathers, clay and glaze on a mirror surface. The piece is housed in what appears to be a plexiglas box., Ken Shores; fetish #13-4; state capital vol III, See http://www.broderickgallery.com/KenShores.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: A relief representation of a round face with closed eyes wearing an elaborate, woven headpiece that exists in three-dimensional space. What appears to be fiberous materials compose the headpiece and the suggestion of hair. White feathers are attached to the bottom of the strands that hang down the farthest., sousa; linen astrich man; 24.34 inches; $450; pendleton, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts (now known as Arts East). You may view their website at http://www.artseast.org/

Description: A group of Native American men, identified as members of the Umatilla tribe, ride horses along a row of trees and tipis. The men wear regalia, including feathered headdresses. In the background is a line of deciduous trees in full leaf.

Description: Young Indian male in native dress (bare-chested, wearing feathered headdress, woolen leggings, hair in long braids) is seated in front of a display of woolen blankets. In his left hand he holds a long pipe with perhaps a beaded bag hanging down from it. In his right hand he holds an implement of some kind, perhaps with ceremonial significance. At his feet, there is a quiver of arrows.

Description: Fourteen Native American men on horeback are riding through an encampment. All are wearing some sort of headdress and tribal costume. Some are carrying staffs with feather adornment. The horses have beaded harnesses. They are riding through a meadow edged by a line of trees where people stand watching. There are five tipis spaced along the tree line on the meadow. On the opposite side of the photo is a photographer dressed in European-American clothing and a camera. Some of the people watching are wearing cowboy hats and are wrapped in blankets.

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