This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
A black and white photgraph of what appears to be organic forms atop beach sand., Claire Trotter, Calligraphy, Photography, 8 x 10 inches mounted, 14 x 18 inches, Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
A black and white photograph of what appears to be organic forms atop beach sand., Claire Trotter, Calligraphy, Photography, 8 x 10 inches mounted, 14 x 18 inches, Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
A painting depicting a view of the southern Willamete valley from atop Mount Pisgah near Eugene, Oregon., Grey Willamete, oil, 1984/85, Liepe, 41 x 55 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
A black and white photograph depicting what appear to be some sort of grasses bent by the wind over either water or sand., Claire Trotter, Calligraphy, Photography, 8 x 10 inches mounted, 14 x 18 inches, Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
A color photograph depicting a grouping of huts with a row of seagulls in the foreground and backed with a bleak sky that obscures the ridgeline of a mountain., F.P. Biggs, Changing Huts, cibachrome print, 29 x 32 inches, framed, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org