Manuscript codex., This translation is by humanist scholar Leonardo Bruni. Probably made from a manuscript brought to Italy by Chrysoloras., Collation: Small folio in quires I-II__, III__., Decoration: 2 initials in red with very fine blue tracery, and in blue with red tracery. f1r [initial large majuscule red 'Q']UI LAUDANT SACTITUTEM TUAM/ bearissime pater opus certe bonum ac pium agere/ pergunt. [TRANSLATION] THOSE WHO PRAISE YOUR HOLINESS, most blessed father, certainly continue to drive the good and pious work. f1r [Superscript marginal addendum in cursive hand] Platonis Phaedon, sive de animo in Leonardo Arentino (latine redditum) f1v [Initial Blue 'I'] PSE affuisti o Pheton ea die qua Socrates venenum bibit in carcere. An ab alio quodam audivisti. [TRANSLATION] Oh Phaeton, were you yourself present on this day when Socrates drinks poison in prison, or did you hear from someone else?, Binding: Contemporary binding of gray linen with olive morocco back with title in gilt: PHAEDON E VERS. LEON ARENTI., Script: upright humanistic Roman hand with much abbreviation.
Manuscript codex. The properties of herbs: hexameter poem on medicinal uses of herbs, written in the late 11th century under the pseudonym of Macer (with reference to the Roman poet and naturalist Aemilius Licinius Macer, d. 16 BC). The French physician Odo de Meung-sur-Loire, known as Odo Magdunensis, has been suggested as the real author, as his name is mentioned in a 12th-century copy of the text (Dresden, Sa_chsische Landesbibliothek - Staats- und Universitätsbibliothek, Dc. 160, f. 37v, explicit) and a number of later manuscripts. The epithet 'Floridus' was added to the name by scribes from the 13th century onwards (Wellcome Library). The text draws from classical and early medieval sources, Pliny (23-79 AD) and Walafrid Strabo (d. 849) in particular. Cited for the first time by Sigebertus Gemblacensis (d. 1112), the poem circulated widely in Europe, both in Latin and in vernacular translations, for the following five centuries, with the number of hexameter lines varying greatly (Wellcome library). The poem is one of the earliest Western documents proving a medieval revival of interest in botany., Collation: Three quires of 8. Catchwords on f. 8b, f. 16b., Decoration: Illuminated capital 'H' on first recto: Brownish-purple with white highlights on raised gold square, filled with foliage in blue and pink, with green foliate extensions and 9 scattered raised gold dots outlined with ink. Four Lombardic capitals, three in red and four in blue; some unfilled capital spaces. Gothic ornamental capitals (same ink and size as script) starts each line. First five divisions have headings in red., Binding: Gray-green paper and brown morocco leather spine over boards. Leather is blind-tooled with four pairs of horizontal lines, each bracketed by a small gold dot. Spine labeled MACER lengthwise in gold. Paper pastedowns and four paper flyleaves at front and back., Script: Rounded Gothic book minuscule in brown ink with rubrication.
Manuscript codex. Justinus the historian [was] of unknown date, but not later than 300 or 400 AD. His work is taken from the Historiae Philippicae of Progus Pompeius ... writing the history of Macedonian monarchy ... Justin's work is not so much an abridgment as a selection of those parts [of Trogus' history] which seemed to him most worthy of being generally known--Edward Sandford Burgess notes., Includes two pages of written notes by Edward Sandford Burgess on Justinus and his text, and notes on the veneration of Cicero's texts by later scholars., Collation (Cicero): 50 leaves, Quires of 10 + 2 front flyleaves. No page headings, numbers, signatures. Catchwords in middle lower margin at end of quires., Collation (Justinus): 69 leaves, quires of 10 except last of 9. Catchwords in middle lower margin at end of quires. No page headings, numbers, signatures., Binding: Both works bound together in grained brown morocco over heavy boards. Spine has six panels with gold stamped letters: Argumenta Tullii, Justini Historia, M. S. in chart. Interior covers have gold fillet border with fleurons at corners. Flyleaves have watermark J. Whatman, 1833., Script: Cicero manuscript written in Humanistic minuscule in brown ink; smaller script in Justinus manuscript.
Manuscript codex. Summary: Scholastic philosophy is at first influenced by Platonism through the mediation of St. Augustine from the 13th Century ... by Aristotle's philosophy ... The Stagirite became the official philosopher ... Toward the middle of the fifteenth century [scholasticism] succumbs to the secular and liberal reaction inaugurated by the Renaissance. Weber's History of Philosophy, pp. 202, 239. The Organon, or instrument of philosophy was earnestly studied before and after the dominance of Aristotelian metaphysics under scholasticism. Aristotle is the real founder of logic, and his system of deductive logic, in the opinion of Weber, constitutes his ... claim to fame., Collation: Quarto (228 x 175 mm) in quires of 8 (except vii^4, viii^2, xi^6, xv-xvii^6, xviii^10, xix^6, xxiii^6, xxiv^10, xxv-vi^6, xxv-vi^6, xxviii^4, xxxv^1, xxxvii^4, xli-ii^4, xlvi^10)(to compliment these exceptions ff. 171-172, ff. 187-188, f245 had been removed before writing). No rubrication; no signatures. Catchwords only before missing pages. Four sets of numeration, to reflect the four books in this volume., Decoration: Line diagrams in same black ink on f21v (Diagram describing the rules of argument oppositions) & f32r (Matrix concerning the methods of forming an arguement)., Binding: Vellum over boards 235 x 176 mm, showing 3 raised bands labelled Aristotles XVe siede MSS. With page edges dressed en rouge. Attempted binding repair with at least 4 bands of reused parchment, with text, strapped between interior board and spine., Script: Humanistic cursive in a single hand.
Manuscript document. Title devised by cataloger., Collation: Parchment, single leaf, 2 pages., Decoration: Every other line begins with a decorated initial in alternating blue and red pigment. The initials have the opposite color for flourish. The blue flourish either has faded or was never applied and the under-drawing remains in light pink. The text is in black ink. Recto has CCX in the top right and a random pen marking in the right margin. Verso has - 70 - beneath the final line of text., Binding: disbound., Lettering: Written in Italian Gothic Rotunda script.
Manuscript codex., This translation is by humanist scholar Leonardo Bruni. Probably made from a manuscript brought to Italy by Chrysoloras., Collation: Small folio in quires I-II__, III__., Decoration: 2 initials in red with very fine blue tracery, and in blue with red tracery. f1r [initial large majuscule red 'Q']UI LAUDANT SACTITUTEM TUAM/ bearissime pater opus certe bonum ac pium agere/ pergunt. [TRANSLATION] THOSE WHO PRAISE YOUR HOLINESS, most blessed father, certainly continue to drive the good and pious work. f1r [Superscript marginal addendum in cursive hand] Platonis Phaedon, sive de animo in Leonardo Arentino (latine redditum) f1v [Initial Blue 'I'] PSE affuisti o Pheton ea die qua Socrates venenum bibit in carcere. An ab alio quodam audivisti. [TRANSLATION] Oh Phaeton, were you yourself present on this day when Socrates drinks poison in prison, or did you hear from someone else?, Binding: Contemporary binding of gray linen with olive morocco back with title in gilt: PHAEDON E VERS. LEON ARENTI., Script: upright humanistic Roman hand with much abbreviation.
Manuscript leaf (two pages) from book of hours. Title devised by cataloger., Collation: Parchment, single sheet., Lettering: Written in a Gothic hand., Decoration: extensive floral border, gold initials, and line decoration., Binding: Unbound.
Manuscript codex. Title devised by cataloger. Item consists of two summaries of Livy's History of Rome. The variant title, Epitome de Tito Livio Bellorum Omnium Annorum DCO, is from Loeb., Collation: Parchment, fol. i (parchment) + 164 + i (ruled but blank) ; 1-9__ 10_ 11-16__ ; vertical catchwords at foot of the final verso of each quire. Penciled folio numeration in later hand., Origin: Italy. Coat of Arms has been described as of the De Haye family., Script: Humanistic book hand., Decoration: 3 levels. I. f1r: full page border in green, blue, gold, red, fuchsia, brown and flesh. With illuminated capitals containing profile image of each Author; 5 scene medallions of the Foundation of Rome & 7 portrait medallions with profiles of Roman Kings, 1 additional medallion showing frontal bust of Jesus. II. f19v, 42r, 67r contain 4x3 cm illuminated capital with extensive flourishing decoration and golden orbs. III. Gilt Capital for each chapter upon azure, green and fuchsia square, with white highlights, each with a single vine extending up to 9 cm vertically and accompanied by a single orb with black spindles in the margin. Rubrication throughout; gold illuminations; presence of lapis lazuli., Binding: Original brown morocco over wooden boards, 6x3 cm arabesque centerpiece and paneled by a 25 mm rectangular border at a margin of 2 cm, as well as an outer border of blind fillets, the backstrip is in 7 panels, crossed by diagonal lines extended into point on each cover. Remnants of four hasps, 2 on front edge, and one on top and bottom. Silk head and tailbands.
Manuscript document, Collation: A single leaf, having been pasted onto a piece of paper therefore showing only its recto, introduced by 5 lines of rubrication in its left column., Decoration: Borders include variety of gilt floral and serif, as well as illustrations of the last supper of Jesus, with 13 guests, an angel displays arms of argent chevron upon azure base. Other decoration is a decorated green majuscule 'B' upon gilt square containing an image of a cloaked man praying., Binding: Disbound., Script: Much abbreviated early gothic bookhand. The 'g' is portrayed with a crossbar extending through ascenders. Contains many, less-frequent ligatures.
Manuscript document, Collation: Parchment, single sheet., Decoration: Initials in red and blue, some with white linework and burnished gold; rubricated; three or four words struck through in red on verso., Lettering: Textura.