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1. Vase

Description: Chinese artwork from the Murray Warner Collection of Oriental Art

2. Tiger Banner [said to be one of a pair representing one Chinese zodiac animal, used during processions at the Temple of Heaven]

Tiger Banner [said to be one of a pair representing one Chinese zodiac animal, used during processions at the Temple of Heaven]

Description: Chinese textile from the Murray Warner Collection of Oriental Art

3. Priest Robe (Kesa)

Priest Robe (Kesa)

Description: Japanese textile from the Murray Warner Collection of Oriental Art. Hairpin (MWCH9:75) is dated to the Qing dynasty.

4. Embroidered Hanging

Embroidered Hanging

Description: Chinese textile from the Murray Warner Collection of Oriental Art

5. Our Lady Tickvinskaja Hodegetria Eleus (Our Lady of Grace)

Our Lady Tickvinskaja Hodegetria Eleus (Our Lady of Grace)

Description: Copy of a Russian painting. Murray Warner Collection of Oriental Art

6. Calendar Icon for November (Saints and Holidays of November)

Calendar Icon for November (Saints and Holidays of November)

Description: Russian paintings, with copies of originals from various centuries, from the Murray Warner Collection of Oriental Art

7. Our Lady of Vladimir (Holy Virgin) (Vladimir Mother of God)

Our Lady of Vladimir (Holy Virgin) (Vladimir Mother of God)

Description: Copy of a 16th century Russian painting. Murray Warner Collection of Oriental Art

8. Calendar Icon for April (Saints and Holidays of April)

Calendar Icon for April (Saints and Holidays of April)

Description: Russian painting from the Murray Warner Collection of Oriental Art

9. Lumberman's Sashiko

Lumberman's Sashiko

Description: Japanese textile from the Murray Warner Collection of Oriental Art

10. Vase

Description: Chinese artwork from the Murray Warner Collection of Oriental Art

11. Futon Cover

Description: Japanese textile from the Murray Warner Collection of Oriental Art

12. Vase

Description: Chinese artwork from the Murray Warner Collection of Oriental Art

13. Priest Robe (Kesa)

Priest Robe (Kesa)

Description: Japanese textile from the Murray Warner Collection of Oriental Art

14. Throne Rug

Description: Chinese textile from the Murray Warner Collection of Oriental Art

15. Futon Cover

Description: Japanese textile from the Murray Warner Collection of Oriental Art

16. Hanging from old Obi

Hanging from old Obi

Description: Japanese textile from the Murray Warner Collection of Oriental Art

17. Futon Cover

Description: Japanese textile from the Murray Warner Collection of Oriental Art

18. Vase

Description: Chinese artwork from the Murray Warner Collection of Oriental Art

19. Our Lady Tickvinskaja Hodegetria Eleus (Our Lady of Grace)

Our Lady Tickvinskaja Hodegetria Eleus (Our Lady of Grace)

Description: Copy of a Russian painting. Murray Warner Collection of Oriental Art

20. Three Stoles

Description: Japanese textiles from the Murray Warner Collection of Oriental Art. Stole (MWJ44:4) is from the late 18th century). Stole (MWJ44:5) is from the 18th century. Stole (MWJ44:6) is from ca. 1777.

21. Our Lady Tickvinskaja Hodegetria Eleus (Our Lady of Grace)

Our Lady Tickvinskaja Hodegetria Eleus (Our Lady of Grace)

Description: Copy of a Russian painting. Murray Warner Collection of Oriental Art

22. Gift Cloth (Fukusa), Gift Cloth (Fukusa), Gift Cloth (Fukusa) [and unidentified piece]

Gift Cloth (Fukusa), Gift Cloth (Fukusa), Gift Cloth (Fukusa) [and unidentified piece]

Description: Japanese textiles from the Murray Warner Collection of Oriental Art. Gift Cloth (Fukusa) (MWJ40:1) is dated to ca. 1777. Gift Cloth (Fukusa) (MWJ40:2) is dated to ca. 1775. Gift Cloth (Fukusa) (MWJ40:3) is undated.

23. Gift Cloth (Uchishiki), Gift Cloth and Stole

Gift Cloth (Uchishiki), Gift Cloth and Stole

Description: Japanese textiles from the Murray Warner Collection of Oriental Art. Gift Cloth (Uchishiki) (MWJ40:53) is from the late 18th century, Edo period. The Gift Cloth (MWJ40:54) and Stole (MWJ44:11) are undated.

24. Futon Panel (Futonji) with Design of Crane and Pine

Futon Panel (Futonji) with Design of Crane and Pine

Description: Japanese textile from the Murray Warner Collection of Oriental Art

25. Our Lady Tickvinskaja Hodegetria Eleus (Our Lady of Grace)

Our Lady Tickvinskaja Hodegetria Eleus (Our Lady of Grace)

Description: Copy of a Russian painting. Murray Warner Collection of Oriental Art

26. Tapestry

Description: Chinese textile from the Murray Warner Collection of Oriental Art

27. Inkstone Box and Writing Table

Inkstone Box and Writing Table

Description: Japanese artworks from the Murray Warner Collection of Oriental Art. Both the Inkstone Box (MWJ8:82) and the Writing Table (MWJ8:83) are from ca. 1780, the Edo (Tokugawa) period (1615-1868).

28. Vase

Description: Chinese artwork from the Murray Warner Collection of Oriental Art

29. Our Lady Tickvinskaja Hodegetria Eleus (Our Lady of Grace)

Our Lady Tickvinskaja Hodegetria Eleus (Our Lady of Grace)

Description: Copy of a Russian painting. Murray Warner Collection of Oriental Art

30. Three Gift Cloths and a Gift Cloth (Uchishiki)

Three Gift Cloths and a Gift Cloth (Uchishiki)

Description: Japanese textiles from the Murray Warner Collection of Oriental Art. The Gift Cloth (Uchishiki) (MWJ40:66) is from the late 18th century, Edo period (1615-1858). The Gift Cloths are undated.

31. Futon Cover

Description: Japanese textile from the Murray Warner Collection of Oriental Art

32. Quadripartite Glorification of Our Lady (Quadripartite Icon of the Virgin Mary)

Quadripartite Glorification of Our Lady (Quadripartite Icon of the Virgin Mary)

Description: Copy of a 10th century Russian painting. Murray Warner Collection of Oriental Art

33. Three Obi

Description: Japanese textiles from the Murray Warner Collection of Oriental Art. Obi (MWJ44:7) is from the late 18th century, Edo Period (1615-1858). Obi (MWJ44:8) is from the Meiji period (1868-1912). Obi (MWJ44:9) is undated.

34. Brocade Textile Fragment

Brocade Textile Fragment

Description: Chinese textile from the Murray Warner Collection of Oriental Art

35. Pericles, copy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

36. Pericles, copy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

37. Pericles, copy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

38. Lizard Killer, copy

Lizard Killer, copy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

39. Lizard Killer, copy

Lizard Killer, copy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

40. Sword, Sword Cover(s), and two Chests of Drawers (two-piece)

Sword, Sword Cover(s), and two Chests of Drawers (two-piece)

Description: Japanese artworks from the Murray Warner Collection of Oriental Art. Sword (MWJ62:41a-f) by Khinonji is undated, but the scabbard is from 1780. The Sword Cover(s) (MWJ40:55a-f) are undated and by an unknown artist. Both Chests of Drawers (MWJ13:8a, MWJ13:8b) are from the Edo period (1615-1868) with the drawing by Yusei and lacquerwork by Koma Yasutaku.

41. Women's Manners and Customs

Women's Manners and Customs

Description: from "Women's Manners and Customs" Signed by: Gessho (Kaisuke) Red Seal below name. Women enjoying the evening cool at Shijo Bridge in Kyoto. Woman in foreground is burning an incense stick called "Senko." From this comes a word "Senkodai" which means time change for "geisha girl". Two paper gardent lanterns are lighted illustrating an early evening hour.

42. Leaf from an Arabic manuscript astronomical table [001]

Leaf from an Arabic manuscript astronomical table [001]

Description: One leaf (two pages) from a manuscript astronomical table, also known as a Zij, measuring and recording the movement of the constellations, the fixed stars, and the longitudes and latitudes for certain cities in the Muslim world. Compiled by the astronomer Ibn al-Raffa. On wove machine made paper. Recto: 18 rows and 10 columns to the page, in black, red, and blue ink, within ruled borders. Verso: 19 rows and 8 columns to the page, in black, red, and blue ink, within ruled borders., Manuscript document., Title devised by cataloger., Date and place of production from bookdealer's description., Collation: Paper, single sheet, two pages., Origin: North Africa., Layout: Tabular data., Lettering: Unidentified script., Binding: Disbound.

43. Leaf from an Arabic manuscript astronomical table [002]

Leaf from an Arabic manuscript astronomical table [002]

Description: One leaf (two pages) from a manuscript astronomical table, also known as a Zij, measuring and recording the movement of the constellations, the fixed stars, and the longitudes and latitudes for certain cities in the Muslim world. Compiled by the astronomer Ibn al-Raffa. On wove machine made paper. Recto: 18 rows and 10 columns to the page, in black, red, and blue ink, within ruled borders. Verso: 19 rows and 8 columns to the page, in black, red, and blue ink, within ruled borders., Manuscript document., Title devised by cataloger., Date and place of production from bookdealer's description., Collation: Paper, single sheet, two pages., Origin: North Africa., Layout: Tabular data., Lettering: Unidentified script., Binding: Disbound.

44. Two leaves from an illuminated manuscript containing prayers of Muhammad [002]

Two leaves from an illuminated manuscript containing prayers of Muhammad [002]

Description: Two leaves (four pages) from a late 18th/early19th century Arabic and Persian manuscript on paper. Each leaf has on one side seven lines written in nadkhi script in black ink, with interlinear Persian translation, surrounded by 22 lines written diagonally in outer margins in nada'liq script, primarily in black ink, with significant words and sentences in red; and on the other side three lines of Arabic text, with interlinear Persian translation within broad, richly illuminated arabesque margins in blue, turquoise, orange, and two shades of gold. The text comes from one of the prayers of Muhammad from the hadith. A hadith consists of the accounts of words, deeds, or silent approval of Muhammad during the period of his preaching. The primary text loosely translates to: Lord, I am fighting with you, and I am trying with you., Manuscript document., Title devised by cataloger., Date and place of production from bookdealer's description., Collation: Paper, two sheets, four pages., Origin: North India., Layout: Single column of 7 lines, with interlinear translation; 22 lines written diagonally in outer margins., Lettering: Nadkhi script with Sura headings; Nada'liq script., Decoration: Significant words and sentences picked out in red, double interlinear gold rules, interlinear Persian translation in red ink, arabesque margins in blue, turquoise, orange, and two shades of gold., Binding: Disbound.

45. Two leaves from an illuminated manuscript containing prayers of Muhammad.[004]

Two leaves from an illuminated manuscript containing prayers of Muhammad.[004]

Description: Two leaves (four pages) from a late 18th/early19th century Arabic and Persian manuscript on paper. Each leaf has on one side seven lines written in nadkhi script in black ink, with interlinear Persian translation, surrounded by 22 lines written diagonally in outer margins in nada'liq script, primarily in black ink, with significant words and sentences in red; and on the other side three lines of Arabic text, with interlinear Persian translation within broad, richly illuminated arabesque margins in blue, turquoise, orange, and two shades of gold. The text comes from one of the prayers of Muhammad from the hadith. A hadith consists of the accounts of words, deeds, or silent approval of Muhammad during the period of his preaching. The primary text loosely translates to: Lord, I am fighting with you, and I am trying with you., Manuscript document., Title devised by cataloger., Date and place of production from bookdealer's description., Collation: Paper, two sheets, four pages., Origin: North India., Layout: Single column of 7 lines, with interlinear translation; 22 lines written diagonally in outer margins., Lettering: Nadkhi script with Sura headings; Nada'liq script., Decoration: Significant words and sentences picked out in red, double interlinear gold rules, interlinear Persian translation in red ink, arabesque margins in blue, turquoise, orange, and two shades of gold., Binding: Disbound., Shelfmark: Eugene, OR, Special Collections and University Archives, University of Oregon, MS 135., Cite as: Two leaves from an illuminated manuscript containing prayers of Muhammad. Special Collections and University Archives, University of Oregon Libraries, Eugene, OR 97403-1299.

46. Two leaves from an illuminated manuscript containing prayers of Muhammad [003]

Two leaves from an illuminated manuscript containing prayers of Muhammad [003]

Description: Two leaves (four pages) from a late 18th/early19th century Arabic and Persian manuscript on paper. Each leaf has on one side seven lines written in nadkhi script in black ink, with interlinear Persian translation, surrounded by 22 lines written diagonally in outer margins in nada'liq script, primarily in black ink, with significant words and sentences in red; and on the other side three lines of Arabic text, with interlinear Persian translation within broad, richly illuminated arabesque margins in blue, turquoise, orange, and two shades of gold. The text comes from one of the prayers of Muhammad from the hadith. A hadith consists of the accounts of words, deeds, or silent approval of Muhammad during the period of his preaching. The primary text loosely translates to: Lord, I am fighting with you, and I am trying with you., Manuscript document., Title devised by cataloger., Date and place of production from bookdealer's description., Collation: Paper, two sheets, four pages., Origin: North India., Layout: Single column of 7 lines, with interlinear translation; 22 lines written diagonally in outer margins., Lettering: Nadkhi script with Sura headings; Nada'liq script., Decoration: Significant words and sentences picked out in red, double interlinear gold rules, interlinear Persian translation in red ink, arabesque margins in blue, turquoise, orange, and two shades of gold., Binding: Disbound.

47. Two leaves from an illuminated manuscript containing prayers of Muhammad [001]

Two leaves from an illuminated manuscript containing prayers of Muhammad [001]

Description: Two leaves (four pages) from a late 18th/early19th century Arabic and Persian manuscript on paper. Each leaf has on one side seven lines written in nadkhi script in black ink, with interlinear Persian translation, surrounded by 22 lines written diagonally in outer margins in nada'liq script, primarily in black ink, with significant words and sentences in red; and on the other side three lines of Arabic text, with interlinear Persian translation within broad, richly illuminated arabesque margins in blue, turquoise, orange, and two shades of gold. The text comes from one of the prayers of Muhammad from the hadith. A hadith consists of the accounts of words, deeds, or silent approval of Muhammad during the period of his preaching. The primary text loosely translates to: Lord, I am fighting with you, and I am trying with you., Manuscript document., Title devised by cataloger., Date and place of production from bookdealer's description., Collation: Paper, two sheets, four pages., Origin: North India., Layout: Single column of 7 lines, with interlinear translation; 22 lines written diagonally in outer margins., Lettering: Nadkhi script with Sura headings; Nada'liq script., Decoration: Significant words and sentences picked out in red, double interlinear gold rules, interlinear Persian translation in red ink, arabesque margins in blue, turquoise, orange, and two shades of gold., Binding: Disbound.