This piece presents a three-dimensional, black head and neck form. A mask of orange, red, and white paint covers the face. Thin, white vertical lines extend down the forhead, but they are contained by a horizontal bisector. Eyebrows are suggested by two rows alternating white dots. Another row of alternating, light orange dots bisects the area extending from the middle of the nose, and thin lines similar to the ones on the forehead extend down over the rest of the face. Two orange circles, bordered with alternating white and red dots and covered in thin white lines. The orange lips are outlined in red., Phyllis Yes; Untitled Head; 1989; mixed media; U of O Science Complex, http://www.lclark.edu/~yes/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This painted construction employs paint to dimensionally break the confines of a rectangular frame. Thick swirls of blue, white, and pink define an interior, geometric space rendered in gold, dark blue, red, and yellow as well as thin, black lines., George D. Green; Same Old Forest Blues; U of O Science Complex, (1996 press release from Oregon Economic Development Department, Salem, OR) George Green has, for the past twenty years, been a leader in the development of new forms of tromp l'oeil illusionism (painting with photographically realistic detail). Green has had over 50 national and international solo exhibitions and is represented in 44 museum collections including the Guggenheim Museum, the Chicago Art Institute, The Denver Art Museum, the Los Angeles County Museum, and the Detroit Institute of the Arts. He has been represented by the Meyerson Nowinski Gallery in Seattle, and the Louis K. Meisel Gallery in New York City. George Green was born in Portland, Oregon in 1943., http://www.bernarduccimeisel.com/artistImages.php?id_artist=8, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
An installation view of Mike Pease's six drawings. Clockwise from the top left: Ebeltoft; Korcula; Willamete Valley Farm; Aegina; Land's End; and Arhus., http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This drawing highlighted with watercolors depicts a panoramic view of a densely packed section of light-colored, flat-topped builidngs. Some of the buildings have awnings in red or mauve, and green foliage breaks up the architecture., graphite pencil, watercolor; 1987, http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This view presents context for George Green's painted construction that employs paint to dimensionally break the confines of a rectangular frame. Thick swirls of blue, white, and pink define an interior, geometric space rendered in gold, dark blue, red, and yellow as well as thin, black lines., George Green; Some Old Forest Blues; U. of OR Sci. Complex II, http://www.bernarduccimeisel.com/artistImages.php?id_artist=8, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
Mixed media, still life piece of two lemons on a plate, a blue and yellow vase with leaves coming out of it, and part of an architectural structure on the left side. The plate of lemons appears to be set on a black and white striped tablecloth., Monotype; 24x31; 1989, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This piece depicts a voyeuristic young woman with black hair who peers through a window onto a scene of a family sitting in front of a television with poor reception. One child stares, wide-eyed, at the television set, while the parents sit in front of it passed out with a baby crawling at their feet on the floor. The voyeuristic girl wears a strange collection of charms and bracelets made from animals while biting into a large, red strawberry., Claudia Cave; How Sweet It Tasted; U of O Science Complex, Claudia Cave, a Salem painter, studied art at Western Oregon State University and University of Idaho and has participated in many regional exhibitions. Ms. Cave's mixed media paintings are carefully rendered excursions into the world of psychological archetypes. In 'How Sweet It Tasted' Ms. Cave explores memory and the recesses of the mind in a meticulous, albeit cartoon-like, mixed media painting. (Information provided by OAC documentation.), http://www.zeekgallery.com/dynamic/artist.asp?ArtistID=80, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This piece depicts a strange man with a thick brow dressed in a white Oxford shirt with a pocket protector. His legs are cork-screwed around one another, and he has six arms that move in different directions and interact with the other smaller, peripheral figures that surround him., Claudia Cave; The Never Say No Man; U of O Science Complex, Claudia Cave, a Salem painter, studied art at Western Oregon State University and University of Idaho and has participated in many regional exhibitions. Ms. Cave's mixed media paintings are carefully rendered excursions into the world of psychological archetypes. 'The Never Say No Man' resonates with symbols and tensions and his dilemma activates the composition. (Information obtained via OAC documentation.), http://www.zeekgallery.com/dynamic/artist.asp?ArtistID=80, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/