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You searched for: Start Over Decade 1980-1989 Remove constraint Decade: 1980-1989 Topic painting (image-making) Remove constraint Topic: painting (image-making)

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41. Woman From Cincinatti
Woman From Cincinatti
Description
A nearly profile portrait of a young woman with short, dark hair wearing a short-sleeved, light yellow, plaid button front shirt. The woman slouches on her right forearm while her left arm supports her head, and she gazes to the left of picture plane. Variations between duplicate images directly relate to original source materials., http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=221, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/
42. Untitled (Nordgren)
Untitled (Nordgren)
Description
A watercolor painting constructed with patches of earth tones that convey a gravel road or wide trail winding through a green forest., Watercolor; C. Nordgren; 17 x 25 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
43. Bulltrout
Bulltrout
Description
Two subtley rendered male forms emerge as well as an axe emerge from dark blocks of layered color., Bull Trout; Don Gray; acrylic on paper; 18.25 x 31 inches; © 1985, http://www.dongraystudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
44. Alaskan Mine Piece
Alaskan Mine Piece
Description
A geometric abstraction done in monochromatic blue. A piece used in the work was caked with clay and found around an abandoned mine near Juneau, Alaska., N. Cushwa Blake; acrylic and found object on paper; 26x33 inches; alaska mine piece, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
45. Monument to Man
Monument to Man
Description
A realistic rendering of what appears to be the underside of a bridge structure. The background contains an additional architectural structure that also appears to be a bridge of some sort., 1980, 3'x3'; Acrylic on Canvas, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
46. Tutuilla #2 (Dusk)
Tutuilla #2 (Dusk)
Description
A colorful landscape rendering from what appears to be a viewpoint from atop a small hill overlooking a valley of agricultural land dotted with trees. The other side of the valley hills extend into the distance. A group of black birds fly across the bottom of the viewpoint hill., Peter S. Quaempts, Tutuilla #2 (Dusk); oil on canvas; 33 X 33 inches; Employment Pendelton, Peter S. Quaempts was enrolled Yakama Tribe, but born, raised and died in the same family home in Gibbon, Oregon on the Umatilla Reservation. Son of William (Yakama) and Annie (Hall) Quaempts (Cayuse, Walla Walla, Umatilla), his Indian name was Tiichum Nashat, which translates as "earth thunder," or "like a loud noise [as] from lightening hitting the earth." In February of 1994, at the age of 56, Quaempts died at the family home located in the mountains. His artistry reflects his environment: the landscape in his drawing "Evening Winds" is similar to the landscape behind the house. "My father was very private; [he] did not show his works. He created something every single day of his life, whether with his hands [by] writing, drawing, painting or sculpting...[he was] a True Artist. His philosophy was art was very individual. He would ask you 'what does it mean to you?' He knew what it meant to him. He also said, 'Culture is the knowledge of the implication of symbols,' and would depict many symbols in his art work that a person wouldn't understand unless you were a part of that Indian culture or had some identity to that." He lectured and taught art for many years. He graduated from the University of Oregon with a Bachelor of Arts, Seattle University with a Masters in Fine Arts, and taught at Eastern Oregon University in La Grande and Blue Mountain Community College in Pendleton, Oregon. "He was the father of four children and the greatest artist in the world." (biography provided with permission by Kathryn Quaempts Burke, 2007), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
47. Gridlock
Gridlock
Description
A watercolor painting of a traffic jam, set from a driver's perspective. The driver is wearing a red/pink outfit; there is a crossword puzzle, glasses and a purse on the passenger's seat. In front of the driver are various colored cars, including a blue locksmith and a green sheriff's van filled with people., Gridlock; Elizabeth Santone; Watercolor; 24 x 32 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
48. Reap
Reap
Description
A portrait of a woman with red hair and blue eyes holding what appears to be a clump of grass or other green foliage., Laura Ross-Paul; Reap; 1988; watercolor pastel; 24x18 inches; ohsu movable, For more images by this artist, please visit: http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=221, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
49. Cut Hay
Cut Hay
Description
A landscape painting in bright colors. The cloud-covered blue sky comprises most of the picture plane over the oranish-yellow rendering of what appears to be agricultural land., Janette K. Hopper, Cut Hay 1984, Oil on Canvas, 3 x 4 feet, janette.hopper@uncp.edu, http://www.uncp.edu/art/hopper/index.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
50. Interior with Wandering Jew
Interior with Wandering Jew
Description
An intricate watercolor rendering of an interior space containing a seating area covered in a black and white tapesty, accompanied by a pink, purple, and orange pillow. Next to the seating area sits a wicker box and a barrel with a Wandering Jew on top of it. Through the doorway of the space, a blue chair sits infront of a sunlit window., Bill Kucha; Interior with Wandering Jew; Revenue Bldg, http://www.kucha.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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