See artist's statement for description., Howard and Kathleen Meehan; Underwater Fantasy (1 of 2); Dixon Aquatic Center, OSU; Howard and Kathleen Meehan, 2511 NW Upshur, Portland, OR 97210; 503-274-0865, http://www.hkmeehan.com/; http://kathleenmeehan.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
See artist's statement for description., Howard and Kathleen Meehan; Underwater Fantasy; 1 of 2 murals; 18 x 2 feet; OSU-Dixon Aquatic, http://www.hkmeehan.com/; http://kathleenmeehan.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This view details a stone inscription that reads, "Difficulties and reverses did not dishearten them; dangers could not." Sandra Stone, a researcher and writer, worked in conjunction with multi-media sculptor, Bill Will to present text that was taken from records in the Oregon State Archives and other sources. These records include donation land claim files, journals, a divorce petition, minutes, memorandums, and a proclamation. (information from OAC documentation), Bill Will; Archives, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
The image shows an unidentified man contemplating the piece "Tools of the Trade." This is an artwork etched into a glass window. The top piece features two houses set in front of a cityscape. Between the houses and the cityscape is a stick (perhaps a paddle) with what looks like a calculator at the end of it. The other end may be the handle of a shovel. Both sections are surrounded by a round border or dimensional circular platform at the bottom. Below the cityscape is a howling coyote, flanked by a map of the state of Oregon, and a few plant-like etchings. To the far right are words, a phrase or a quote, which cannot be discerned from this rendering., Tools of the Trade; etched glass; 1990, http://www.pdxcontemporaryart.com/main/shows/savinar_sept06.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A combination of drawn aspen trees and photographed aspen trees., Aspen Stand II, mixed media collage; fragments; 42 x 24 inches, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., tlw@uoregon.edu, http://www.terriwarpinski.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
A still-life rendering of a square, glass vase containing at least eight red tulips, which rests on a table covered with two different cloths. A black cloth with a red and green floral pattern is gathered around the vase that sits on the table, and it gives way to reveal a gray-and-white striped cloth underneath. What appears to be a photography or a postcard of woman also rests on the table, slightly obscured between the two cloths., S. Wolf; Tulips in Vase; etch; 40x32 inches; 1990; ohsu movable, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An acrylic painting of a city's nightlife hours. Only one lamp illuminates the outside. The other lights eminate from the inside of what appears to be restaurants. There is a stop sign on the left side of the piece, and a curvy faceless woman in a turquoise colored dress walking towards the viewer., Acrylic on canvas; 32 x 38 inches, 1990, http://www.juliaoreilly.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
Detail view of the lower left portion of the full glass piece. There is a blue vertical rectangle on the left, with a brown vertical line on the right side of the blue rectangle. Near the bottom of the brown vertical line are three short lines, perpendicular to the vertical line. Most of the bottom of this view is of yellow glass with a small portion of green, and a larger red/brown square., Northwest Interchange; 1990; 50 inches x 100 inches; Fused and enamled glass, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A black-and-white photograph that depicts a view from within the concrete remains of an abandoned structure, which frame the silhouette of the mountains in the background., slide; bw print; selenium toned; 16 x 20.5 inches, dpowell@uoregon.edu, http://art-uo.uoregon.edu/index.cfm?mode=faculty&page=dpowell, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
See artist's statement for description., Howard and Kathleen Meehan; Swimmer/Fisher (1 of 5); Dixon Aquatic Center, OSU; Howard and Kathleen Meehan, 2511 NW Upshur, Portland, OR 97210; 503-274-0865, http://www.hkmeehan.com/; http://kathleenmeehan.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/