This accordion fold book is a shaped book in the manner of the child's game of cutting paper garlands. Each page is shaped like a dress with paper tabs at the sholders like paper dolls have. These references to childhood games contribute to the content of the short story printed along the base of each page telling of a memory Michaelis has of watching her mother get dressed for a party. Each side of each cut-out is made of a different patterned paper and edged with lace. Issued in hand-made silver paper portfolio., Signed by the artist
Accordion-folded pages are glued to one side of the paper-over-board covers and cloth-case binding. The book can be read as if the folded pages are part of a codex, or with the complete page block turned to the front, the back of the accordion can be read, or the accordion can be pulled fully out. Images and text run continuously over the folds. The book is about the horrors of war and specifically of genocide, discussing 20th century genocides in Cambodia, Rwanda, Bosnia, Iraq and El Salvador. Extensive personal notes by artist concerning her decision to make this book. Includes bibliographical references, Signed by the artist
An alphabet book of sexist language about women; Book consists of 15 printed cards which slide into transparent paper sleeves silkscreened with illustrations; Special magnifying glass attached to front cover; Housed in hard case; Issued in slipcase, Signed and dated by artist
Title from colophon booklet; 50 letters created by Elsi Vassdal Ellis written between Sept. 11, 2001 and Mar. 11, 2002, to Mohamed Atta, one of the hijackers believed to be at the controls of American Airlines Flight 11 that flew into the North Tower of the World Trade Center on Sept. 11, 2001; Each letter is 1 folded sheet and is in separate envelope, stamped and addressed Mohammed Atta, World Trade Center, New York, New York , with return address label EVE, Harmony Road, USA. ;Accompanied by colophon booklet, sewn in black wraps, in envelope; Issued in red and gold box (13 x 26 cm.), with letter opener, UO A&AA Library has copy no. 12 (Majed Moqed), signed by the artist
Screen printed images on thin fibrous paper; Two pages fold down from main section of book; Includes nylon pouch containing four appliques, Signed by both artists
Enclosed in square envelope with LTTR written on the left side; Each issue has a distinctive theme title based on the initialism LTTR;Summer/Fall 2002 accompanied by a bookmark and doorknob hanger, lesbians to the rescue and edition number hand written on inside cover
An extensive collection of guides, instructions, manuals and rules taken from many disparate sources. By displacing the rules from their social and political context Bulloch reveals their 'man-made nature' and a society that in order to maintain a stable social structure, imposes regulations and controls on every conceivable form of activity; Red gatefold covers
Each note has a different image screenprinted on it; Each image is indexed along with a translation of any text within the image and some with a short explanation of the text or image; Banknotes enclosed in plastic page protectors; Each page is separated with a vellum divider which prevents more than one bill being seen clearly at any time, Signed by the artist