Bronze casket (cista) engraved with a scene of Bellerophon (Melerpanta) holding Pegasus by the reins. The handle is cast in the form of a girl holding a perfume bottle, and a young man with oil-flask and scraper (strigil). The feet have lion's paws surrounded by sphinxes. Ladies' toilet articles were kept in such caskets. --The British Museum, Walters, H B, Catalogue of the Bronzes in the British Museum. Greek, Roman & Etruscan., I-II, London, BMP, 1899
Bronze cista or container for cosmetic articles; engraving perhaps re-cut in the 19thC, possibly over an existing image. Main scene perhaps represents a parody of the Judgement of Paris; the figures forming the handle are a young satyr and a maenad. --The British Museum, Walters, H B, Catalogue of the Bronzes in the British Museum. Greek, Roman & Etruscan., I-II, London, BMP, 1899
Bronze cista or container for cosmetic articles; engraving perhaps re-cut in the 19thC, possibly over an existing image. Main scene perhaps represents a parody of the Judgement of Paris; the figures forming the handle are a young satyr and a maenad. --The British Museum, Walters, H B, Catalogue of the Bronzes in the British Museum. Greek, Roman & Etruscan., I-II, London, BMP, 1899
Pottery: red-figured calyx-krater (wine-bowl). Designs red on black ground, with white accessories; Etruscan style. Below the designs, palmettos. (a) Suicide of Ajax (Aivas): Ajax, nude and bearded, wearing a wreath, is fallen on his knees to left over his sword, which comes out through his body by his left shoulder; blood is visible round the wound and the handle of the sword. On the left is his shield; above, a garment with border of dots suspended on two pegs. On the right are a large sheath suspended by a white band, a tree-stump, and a garment suspended on two pegs. The scene takes place in Ajax's tent; the ground is indicated below. Above Ajax is painted a retrograde inscription in white. (b) Actaeon devoured by his hounds: Actaeon is nude and bearded, with wreath and white endromides; he moves away to right, turning back and endeavouring to drive back the hounds with a crook held in right hand; two attack him on either side, and one seizes his right thigh in his teeth. Below him is inscribed as before, in Etruscan characters: NVIATA, ‘Α(κ)ταίων. --The British Museum
Pottery: red-figured calyx-krater (wine-bowl). Designs red on black ground, with white accessories; Etruscan style. Below the designs, palmettos. (a) Suicide of Ajax (Aivas): Ajax, nude and bearded, wearing a wreath, is fallen on his knees to left over his sword, which comes out through his body by his left shoulder; blood is visible round the wound and the handle of the sword. On the left is his shield; above, a garment with border of dots suspended on two pegs. On the right are a large sheath suspended by a white band, a tree-stump, and a garment suspended on two pegs. The scene takes place in Ajax's tent; the ground is indicated below. Above Ajax is painted a retrograde inscription in white. (b) Actaeon devoured by his hounds: Actaeon is nude and bearded, with wreath and white endromides; he moves away to right, turning back and endeavouring to drive back the hounds with a crook held in right hand; two attack him on either side, and one seizes his right thigh in his teeth. Below him is inscribed as before, in Etruscan characters: NVIATA, ‘Α(κ)ταίων. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
Pottery: red-figured calyx-krater (wine-bowl). Designs red on black ground, with white accessories; Etruscan style. Below the designs, palmettos. (a) Suicide of Ajax (Aivas): Ajax, nude and bearded, wearing a wreath, is fallen on his knees to left over his sword, which comes out through his body by his left shoulder; blood is visible round the wound and the handle of the sword. On the left is his shield; above, a garment with border of dots suspended on two pegs. On the right are a large sheath suspended by a white band, a tree-stump, and a garment suspended on two pegs. The scene takes place in Ajax's tent; the ground is indicated below. Above Ajax is painted a retrograde inscription in white. (b) Actaeon devoured by his hounds: Actaeon is nude and bearded, with wreath and white endromides; he moves away to right, turning back and endeavouring to drive back the hounds with a crook held in right hand; two attack him on either side, and one seizes his right thigh in his teeth. Below him is inscribed as before, in Etruscan characters: NVIATA, ‘Α(κ)ταίων. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
Bronze mirror engraved with Aiax (Aivas) arming, helped by Telis (Thetis). Alcumena plays a lyre. The three names are inscribed. --The British Museum, Walters, H B, Catalogue of the Bronzes in the British Museum. Greek, Roman & Etruscan., I-II, London, BMP, 1899
Pottery: red-figured calyx-krater (wine-bowl). Designs red on black ground, with white accessories; Etruscan style. Below the designs, palmettos. (a) Suicide of Ajax (Aivas): Ajax, nude and bearded, wearing a wreath, is fallen on his knees to left over his sword, which comes out through his body by his left shoulder; blood is visible round the wound and the handle of the sword. On the left is his shield; above, a garment with border of dots suspended on two pegs. On the right are a large sheath suspended by a white band, a tree-stump, and a garment suspended on two pegs. The scene takes place in Ajax's tent; the ground is indicated below. Above Ajax is painted a retrograde inscription in white. (b) Actaeon devoured by his hounds: Actaeon is nude and bearded, with wreath and white endromides; he moves away to right, turning back and endeavouring to drive back the hounds with a crook held in right hand; two attack him on either side, and one seizes his right thigh in his teeth. Below him is inscribed as before, in Etruscan characters: NVIATA, ‘Α(κ)ταίων. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
Bronze circular tanged mirror. Chased decoration. Edge has a channel between two rows of beading. Palmette motif on base of obverse. On the reverse, there is a border decoration of intertwined ivy trails. The main scene is of two confronted people - a naked standing man and a seated woman. They could be interpreted as Utuse (Odysseus) and either Kirke (Circe) or Antikleia, Odysseus' mother . The owner's name is inscribed vertically in the centre. --The British Museum, Walters, H B, Catalogue of the Bronzes in the British Museum. Greek, Roman & Etruscan., I-II, London, BMP, 1899; Corpus Speculorum Etruscorum, London, BMP, 2002