This heavily patinaed sculptural form consists of a rectangular base that supports an inverted trapezoidal form ornamented with three unique groupings of symbols where the longer sides of the trapezoid depict different images and the shorter sides depict the same images. In this contextual view from the north side, two of the four sides are visible. The longer side depicts an eye form in the center, surrouned by a fish form, what appears to be a beaver form, and a bird form. The shorter side presents an eye form with two hands below it., The Gaurdian; Mark Sponenburgh; east and north side; Veterinary Hosp. (OSU), "To Sponenburgh, art and nature glorify one another. Their relationship has marked his sculpture over the decades, in his animals and natural phenomena - the mounds of a cumulus cloud, the arc of a wave and the frosty dignity of an owl carved from Douglas fir - that some think will be his enduring legacy." (Data provided by Abby Haight at oregonlive.com.), For an article on this artist, please view: http://blog.oregonlive.com/oregonianspecial/2007/06/a_giant_of_a_sculptor_saves_hi.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/
This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Multicolored lines populate the bottom of this print that presents what appears to be the profile of a yellow bird's head on a blue background. The bird's beak is slightly open and a red arrow and a blue arrow point away from it, toward the left., C.T. Chew; Stamp Bird; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A painting featuring a small black vase containing numerous white flowers. The vase sits upon a gray/blue sheet. The sheet hangs off each side making a triangular-shaped creasing which protrudes in two perpendicular lines like a window pane., Lin Xia Jiang; Untitled #8; 1994; oil on canvas; 36x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A detail view of a large woven piece rendered in neutral colors. There are lines of colors, forming patterns throughout the piece., Judy Nylin; 1975; 3 part weaving; center, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
A detail view of the top two layers of the totem pole. The top part has a yellow and white sun above a red heart. The layer below it features a beaver with large white teeth., Clay Hoffman; kinetic totem, clayhoffman@verizon.net, http://130.94.161.3/artbyclay/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A rectangular art piece made out of multiple square tiles surrounded by rectangular tiles. In the middle is a four paned window with a blue sky and white clouds. The foreground of the window presents a tree with various objects hanging from its branches. Two little figures hold a giant strawberry to the left of the window pane., B. Wolfston; Viv Olumn; u of oregon; november 2002, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This piece consists of painted ceramic tile that has been laid into the concrete of the courtyard in a wide spiral pattern., Betsy Wolfston; orchard ct 2002, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This piece consists of painted ceramic tile that has been laid into the concrete of the courtyard in a wide spiral pattern., Betsy Wolfston; orchard ct 2002, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A still life scene from a birthday dinner rendered entirely in colors from the warm range of the spectrum. Two chairs surround a table with a cake and candles, a plate of two fish, and wrapped presents. A polka-dot motif decorates the background. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 17 x 22 inches, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A mostly blue abstract composition intersected by smudged-over blue lines. On the left-hand side of the painting, blue lines form three squares that contain red lines, one of which contains a red "x." This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 47 1/2 x 61 inches, http://www.askart.com/AskART/H/robert_hanson/robert_hanson.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A realistic bronze rendering of a hummingbird., Hummingbird, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A realistic bronze rendering of a goldfinch., Goldfinch, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A realistic bronze rendering of a quail., Quail, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A photo-realistic rendering of a can of Royal brand baking powder sitting next to a stack of wicker baskets on a black background., Royal with Baskets, The paintings of Sally Haley are much loved in the Northwest, partly at least because she often (but not always) has painted familiar domestic objects-bread, eggs, bottles, fruit, dishes, the simple, reassuring, eternal things. And she paints them with mastery so admirable that our response is a combination of delight and awe. They appear in a variety of settings and con-formations: a loaf of bread may almost fill its small canvas; a stemmed glass containing, quite surprisingly, five eggs, and standing alone, with mysterious iconic overtones, in a vast dark space; or a group assembled on a table in Haley's own subtle version of the still life. But there is a great deal more to her art than the masterly rendition of familiar objects. Many of her canvases, entirely bare of objects, are seen from, as one might say, a much wider angle; they are interiors divided into austere geometric shapes which suggest corridors, walls, windows, doors. This artist is certainly drawn by the basic architectural features of interiors, and to their meanings: the universal vertical and horizontal planes of wall and floor, the advance of corridors, the promise of doorways, the rectangles of sky disclosed by windows. She makes her own perspective, often puzzling, sometimes disquieting. In most of her painting there is…a sense of something, withheld or barely suggested, of questions unanswered, though: everything in the painting exists under the most unequivocally revealing light. Yet the surreal hovers near, is waiting in the wings, so to speak, and is sometimes evoked. At any rate, on feels , http://www.laurarusso.com/artists/haley.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A large, black-and-white photograph of young kids running down a hillside., Barbara Gilson; Untitled #12/15; 3 x 3 feet, (1991) Barbara Gilson received a BA in French Literature and in Film Studies from Dartmouth College in Hanover, New Hampshire. She has studied photography at the Visual Studies Workshop in Rochester, New York, where she coordinated the film program. During the tenure of her MFA Program in Photography at Arizona State University, she was a graduate research assistant to Mark Klett for the Photography Collaborative Facility, Visual Arts Research Institute. She also organized Editions and Additions: International Bookworks at Northlight Gallery. Awarded a Graduate Student Research Development Program Grant, Barbara and two colleagues have been involved in a collaborative project with the Navajo to document their sacred land and sites in northwestern New Mexico. The Arizona Commission on the Arts awarded this project, Hajiinei Dine'tah, a Visual Arts Travelling Exhibitions Grant. In addition to being selected as a recipient of the Contemporary Forum Artist's Material Fund, Phoenix Art Museum; a finalist in the Ferguson Grant Award, Friends of Photography; and awarded First place in the Tucson Weekly Annual Fiction and Photography Competition, Barbara has shown her work nationally in one person and in group exhibitions, and is represented in many public and private collections. She has also been a co-director of Blue Sky Gallery, Portland, Oregon, and is an Artist-in-Education in the greater Portland area., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
A close-up view of a kite sculpture with a wavy tail. The kite isgreen with blue shapes and yellow and red triangles. The kite is held up by a long pole on top of a building., Cook received a B.S. (Liberal Arts, 1979) and B.F.A. (1980) degrees from the University of Oregon. (resource obtained 2007-08-22 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html)., The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A view of a kite sculpture with a wavy tail. The sculpture is held up by a long pole on top of a building., Cook received a B.S. (Liberal Arts, 1979) and B.F.A. (1980) degrees from the University of Oregon. (resource obtained 2007-08-22 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html)., The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
Five whimsical bronze sculptures positioned at two different areas. On the bottom curved wooden wall, topped with a green formica countertop, contains a frog, mouse, and another unidentified animal. Each have their hands placed on the top of the table. Positioned at the top desk are two larger sculptures of what may be a cat and a dog., Helzer; Reception Desk, phelzer@earthlink.net, http://www.petehelzer.com/, The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A round, stained glass piece. The center of the circle is divided into a pattern of squares and rectangles, some of which contain smaller circles and a free-form pattern that unites discreet sections. The squares in the design are a rusty, orange color, which breaks up the otherwise black, gray, or clear glass., Ed Carpenter; State Capitol, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Variously colored and extensively cut and worked wood pieces fitted together in irregular shapes atop a wooden banister area comprise this large sculpture., Richard Muller; to R of screen; psu prof. School, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An oil painting of a carnival during the night. The left side of the painting is of a very colorfully lighted ride with three different chairs that hold two people each. There is also a ferris wheel in the background, along with a target arcade game., #3 Night Games; oil; (36 x 48 inches); 1995, George Johanson attended and taught at the Museum Art School in Portland, Oregon. He divides his time between painting and printmaking. In 1992, he received the Governor's Award for the Arts. (Data provided at http://www.kpchr.org/public/sawardart/apps/Johanson.htm. Reviewed on 04/07/07., http://www.kpchr.org/public/sawardart/apps/Johanson.htm; http://www.hareinthegate.com/portfolio_pages/equivalents.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
An abstract collage of cutout horizontal, vertical and diagonal sets of unique colors ranging between purple, blue, orange, white, and black. There are two oval shapes and several rectangular shapes. This piece looks like it has many layers collaged on top of each other., Moonshadow; John Stahl; E.O.C.I.; 48 x 91.5 inches; acrylic painting, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A realistic bronze rendering of a Stellar's jay., Stellar's Jay, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
An abstract painting of a cup-shaped bordered in black with a dark red heart-shaped leaf above the cup. There is also a dark shape to the left of the leaf, round on one side with curves on the other side., Marlene Bauer; Red Leaf; acrylic on paper; 19x21 inches; 1993; BauM000005, http://www.laurarusso.com/artists/bauer.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
This black-and-white print presents a succession of alternating linear forms., Title Page, Unclassified Reflections, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A black and white photograph from inside a cave featuring different forms and patterns caused by erosion. There are also crystals growing up from the ground., Heart; 1995; [no.] 3, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This view depicts a series of red, translucent fabric fish hung from the ceiling near the windows., Salmon, robertm@lanecc.edu, http://www.marilynrobert.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/
This view depicts black-and-white fabric fish hanging from the ceiling., Pacific Whiting, robertm@lanecc.edu, http://www.marilynrobert.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/
This naturalistic landscape painting depicts a view of a small pond amongst green trees., Antoinette Dewit; Bothy's Pasturelands; 14 x 18 inches; watercolor, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This abstract piece consists of two separate paintings whose geometric subject matter converges when placed together. The painting on the left occupies a vertically oriented, rectangular canvas, while the one on the right occupies a horizontally oriented, rectangular canvas. They are presented flush together. The warm color palette on the left offsets the black and gray tones used on the right. Thin accent lines in bright colors connect the two., Desperate Doubles; S.T. Sonniksen; 79 x 55 inches; 1982; acrylic on canvas, http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An acrylic painting featuring three human figures set against a hand-made brown background with lines of color., Dialogue; [no.] 2; 1993, Angelita Surmon is an Oregon artist who received her B.S. in 1972 and her BFA in 1977, from Oregon State University. She has continued her education at Vermont Studio School, the Sitka Center, and in Papua, New Guinea. (Oregon Arts Commission, 1995), http://www.angelitasurmon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
Emergence is a cast bronze work depicting a woman with long hair flowing down to her right upper thigh. Her hair is parted on the side and covers both of her eyes. The sculpture is 68 inches in height and weighs approximately 130 pounds., Don Eckland; emergence; u of or college of ed, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts
A black-and-white portrait of Rachel Griffin leaning agaist a bookcase that sits in front of a large drawing of a figure sitting in a chair., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An impressionistic view of a lighthouse rendered mostly in shades of gray and blue and accented with browns., John Rock (1919–1993) taught art at Oregon State University from 1957 to 1989 and was widely regarded as a master printmaker., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A blue and white print of large trout-like fish underneath a human figure wearing a patterned toga, holding a pole with a fish at the top of it. Flying over the human figure are more fish., Salmon Prince; 1997; (mm 30 x 22 inches); Quartersaw Gallery; 528 NW 12th PDX 97209, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This piece presents a preliminary study of a stand of trees and a burnt-out snag done in preparation for the mural painting, Kilchis River., Tillamook Forest II; Henk Pander; conte, charcoal; 24 x 20 inches; 2002, http://artistsregister.com/artists/OR9, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/
Flourescent pink, blue, green, yellow, and orange create a backdrop for five large butterfly forms whose wings display geometric patterning and mosaic inlay., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A contextual view of sandcarved glass mounted on a wooden door that presents wavy blue and brown vertical lines with thin, short black lines moving horizontally through them., Lonnie Feather; ""At Water's Edge""; 1998; 12""x12""; Conf. Room Door; sandcarved glass; mixed media, Lonie Feather has worked and lived in Portland, Oregon, and has exhibited her art since 1982. She received her Baccalaureate from Portland State University with Honors in 1987 and was recognized with the 1983 Corning Award as outstanding student while studying at the internationally renowned Pilchuck Glass School. She has received significant awards including Outstanding Woman Artist of Solano County, in 1989 among others. Numerous public and private art commissions also span her career utilizing a variety of mediums and techniques which include painting on glass, glass sandcarving, cast glass, murals, mixed media with glass, wood carving and stone sculpture., lfeather@lonniefeather.com, http://www.lonniefeather.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., DSCN2389; 2009 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A highly ornate and complex painting that combines color and pattern to construct narrative meaning.Variations between duplicate images directly relate to original source materials., Mixed media on paper; 32 x 24 inches, Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A detail view of the rectangular panes of glass in the upper portions of the Colloquim Room doors. Each pane bears an identical pattern of alternating etched and non-etched squares and rectangles that comprise a cross form that bisects the vertical, rectangular panes of the doors., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A whimsical set of drawings that reflect the spirit of sports and sportsmanship., Adams; Anna Paploski- woman of adventure- outfitted and ready to go; Mar./18/05, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A detail view of a large woven piece rendered in neutral colors. There are lines of colors, forming patterns throughout the piece., Judy Nylin; 1975; 3 part weaving; right, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
The background of this piece is divided in half. The top portion is light brown and the bottom portion is an off-white. A rendering of a crumpled and torn piece of paper occupies the top two-thirds of the picture plane, and the bottom of the paper interects the division between brown space and off-white space slightly. The paper contains a dotted, red outline of a square and an indiscernable, shadey-gray shape. Below the crumpled and torn paper, in the off-white space, there is a sweeping line of what appears to be a blue paint dribble that rests above a horizontally oriented, skinny rectangle that is broken down into alternating squares of black and yellow., Paper Square; Scott McIntire; graphite on paper; Pendelton State Office Building, http://www.scottmcintire.com, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A mostly green background supports three irregularly shaped black objects that are stacked one on top of the other in the center of this piece. Additional irregular shapes in blues and oranges float around the three main shapes along with several squiggly lines. The number two occupies the left-hand side of the picture plane in dark green.Variations between duplicate images directly relate to original source materials., Oil on canvas; 72 x 48 inches, http://www.blackfish.com/Artist-Detail.cfm?ArtistsID=24, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/
A very vivid black and white print with muted colors of yellow and light red. Exhibited are flowers, butterflies, a unicorn with a canoe on it's back, a piano, and more, all on top of a wavy ocean. This art piece looks like it would be from a dream or a daydream., Sheryl Funkhouser; Drifting; 24x36 inches; etching; 1992; corrections print project, http://www.luciadouglas.com/artists/artists_list/funkhouser.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This glass piece combines a grid of concave indentations with a wave-like pattern in translucent glass that serves as a spatial division., Architectural Glass Design; 101 S. Coombs St., Suite X; Napa, CA 94559, www.inner-lite.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/