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111. view 2; detail of work in progress
view 2; detail of work in progress
Description
This detailed view shows the construction of Bonnie Bronson's red square piece. The steel depicted are in its original color., Bonnie Bronson; 1984; SOSC Ashland OR; McNeil Pavilion; work in progress, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
112. view 4
view 4
Description
Bonnie Bronson plays with the composition and orientation of red square pieces. The vibrant red accentuates the building exterior and brings a splash of life to the surrounding environment., Bonnie Bronson; 1984; SOSC Ashland OR; enamel on steel; 9x13 ft, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
113. view 1
view 1
Description
Bonnie Bronson plays with the composition and orientation of red square pieces. The vibrant red accentuates the building exterior and brings a splash of life to the surrounding environment., Bonnie Bronson; 1984; SOSC Ashland OR; enamel on steel; 9x13 ft, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
114. creation process, view 1
creation process, view 1
Description
William W. Harsey, Jr. at work on his sculpture, Edged Wind., Bill Harsey at work on SOSC sculpture to be sited in front of student union. ""Edged Wind"", The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is:
115. Wild Run!
Wild Run!
Description
A black and white photograph featuring a circular curved metal bar with ends that extend from either side. The sculpture rests on a curved platform that is bolted to a concrete footing. The circular sculpture terminates with balls on each end. Hanging upside down from the round bar is a large salmon fish. Behind the sculpture is an unidentified man, who may be Michael Zapponi. He is holding on to the side of the bar., Michael Zapponi (1947- ) was born in San Francisco, California. He received a Bachelor of Arts Degree with Honors in Art from San Jose State University in 1969, majoring in ceramics. In 1976 he moved to Sun Valley, Idaho, where he created art works in fused glass and wood before turning to metal as his chosen medium. He studied with Amir Chafai, master glass painter, Judson Studio, Arroyo Seco, California, in 1979. He has created hundreds of art works for private collectors throughout the United States and Canada, as well as large, outdoor sculptures for private and public domains. His "Alchemy of the Human Spirit," a monumental cast bronze and cast stainless steel sculpture, is located in the Morgan Adams, Jr., Sculpture Garden at the Metropolitan Los Angeles YMCA. Michael's Public Art competition winners are "Wild Run!" at Southern Oregon University in Ashland, Oregon, and "Play Time" at Jefferson Park in Ogden, Utah. Michael received a grant in May, 2000, from the Idaho Commission on the Arts, to begin a series of cast bronze sculptures of dancers. (Karen Vance, Karenvance Fine Art Placement, Bellevue, Idaho, November 6, 2000.), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
116. Wild Run!
Wild Run!
Description
This image features a red metal outline of a circle, with two ends that extend from either side. The sculpture rests on a curved platform that is bolted to a concrete footing. The circular sculpture terminates with balls on each end. There is a large silver salmon fish hanging upside down from the round bar., Wild Run!; Michael Zapponi, Michael Zapponi (1947- ) was born in San Francisco, California. He received a Bachelor of Arts Degree with Honors in Art from San Jose State University in 1969, majoring in ceramics. In 1976 he moved to Sun Valley, Idaho, where he created art works in fused glass and wood before turning to metal as his chosen medium. He studied with Amir Chafai, master glass painter, Judson Studio, Arroyo Seco, California, in 1979. He has created hundreds of art works for private collectors throughout the United States and Canada, as well as large, outdoor sculptures for private and public domains. His "Alchemy of the Human Spirit," a monumental cast bronze and cast stainless steel sculpture, is located in the Morgan Adams, Jr., Sculpture Garden at the Metropolitan Los Angeles YMCA. Michael's Public Art competition winners are "Wild Run!" at Southern Oregon University in Ashland, Oregon, and "Play Time" at Jefferson Park in Ogden, Utah. Michael received a grant in May, 2000, from the Idaho Commission on the Arts, to begin a series of cast bronze sculptures of dancers. (Karen Vance, Karenvance Fine Art Placement, Bellevue, Idaho, November 6, 2000.), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
117. view 3; detail of work in progress
view 3; detail of work in progress
Description
This detailed view shows the construction of Bonnie Bronson's red square piece. The steel depiected are in its original color. The identity of the person depicted is unkown., Bonnie Bronson; 1984; SOSC Ashland OR; McNeil Pavilion; work in progess, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
118. Untitled (Ross)
Untitled (Ross)
Description
A detail view of one of three spherical, metal forms that present the repetition of geometric shapes. This particular piece utilizes repetition of concentric circles that resemble bed springs to define the sphere., Wendy Ross; EOU, http://www.rosssculpturestudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
119. Untitled (Ross)
Untitled (Ross)
Description
A detail view of one of three spherical, metal forms that present the repetition of geometric shapes. This particular piece utilizes repetition of concentric circles that resemble bed springs to define the sphere., Wendy Ross; EOU, http://www.rosssculpturestudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
120. Untitled (Ross)
Untitled (Ross)
Description
A detail view of one of three spherical, metal forms that present the repetition of geometric shapes. This particular piece utilizes repetition of straight lines joined at varying points and angles to define the sphere., http://www.rosssculpturestudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
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