Text and images alternate on each of three flags per page. Each recto page of three flags has a very short original story about women or a woman and cars on the first and third flag with an image in the middle. The verso side of the page is in reverse, with images on the first and third and a quote about women and cars in the middle. When the book is fully opend an image of a woman leaning against a very early automobile apears. The image, likely taken from a photograph is in high contrast, without real half-tones, and is printed in beige on cream colored paper. The accordion of the binding is pink. The covers are hard, covered with cream colored paper., "Written after a decade of living in the car capital of the world, Women and Cars provides a new perspective on an old topic. Autobiographical narrative with photographic images."-- Susan Elizabeth King From the Women's Studio Workshop Artists' Books Archive http://www.wsworkshop.org/php/details.php?ID=54
Consists of panels of text on blue paper which fold open and sepia-tinted photographic prints, mounted on boards; The back of each board shows an image of a train; Issued in box (10 x 27 cm.) with magnet closure, Written by Heidi Hanson; photographs by Jill Timm
Plastic icicle inserted through loops on spine. Accordion structure with signatures sewn into folds. Each signature wrapped in patterned vellum. Inside layer of accordion has hole-punched and glitter-stamped snowflakes;Issued in silver clamshell box (90 mm.) with glitter and pewter snowflake affixed to cover, Photography by Jill Timm
Book has live sand dune from White Sands National Monument encased in the cover which can be shifted with movement; Includes slipcase; Housed in hard case, Photography by Jill Timm
Thick board covers with orange spine; Text in Czech and English: Czech in black and English in red; Produced in Spring 2003 while Barbara Tetenbaum was a Fulbright lecturer in the Czech Republic, Signed by the artist
Photographs of stencil graffiti in a hanging book format. Using a grommet on the front cover, the book can be hung on a wall, allowing the pages to cascade down to 64 inches long --Publisher's slip accompanying book;Bound in a black paper portfolio with a grommet on the front flap through which an elastic cord is threaded a tag is attached to the cord and has the title laid on;Includes publisher's slip (1 p.), tipped in, Signed by the artist; Library's copy no longer has publisher's slip
Accordion fold book in brown card covers features collaged images on both sides of the folded pages. The images, cut from vintage magazines, romance novels and catalogs, are made up of pictures of women and domestic objects juxtiposed with more menacing or unlikely images, and found word and phrases. The content explores the stresses placed on women in the modern world., Signed by the artist
Accordion fold book whose pages fold out to reveal a panoramic landscape image of flowers blanketing the ground of a forest; soft covers; Printed on one side only, Was one of 17 artists books published by Multiples in 1970 and boxed together under the title Artists and Photographs. Included are works by Mel Bochner, Christo, Jan Dibbets, Dan Graham, Douglas Huebler, Allan Kaprow, Michael Kirby, Joseph Kosuth, Sol Lewitt, Richard Long, Robert Morris, Bruce Nauman, Dennis Oppenheim, Ed Ruscha, Robert Smithson, and Bernard Venet and Andy Warhol. The UO does not own the boxed set.
Pages printed on a continuous strip (11 x 89 cm), folded accordion style to 11 x 8 cm; Each color photograph has a handwritten caption in English in addition to the printed building name, A gift in memory of Peter Ward Britton