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101. Untitled (Miller)
Untitled (Miller)
Description
Close-up detail of black and white geometric objects. Clear lines and Black squares, lines, and triangles on glass., Jackie Miller; © 1986; fabrication by O'Neill Studios; u of o erb mem union; detail #7 west wall; back light, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
102. Violet/Yellow/Green
Violet/Yellow/Green
Description
A round glass vase, symmetrical in both shape and colors. The vase's base is yellow, turning into a dark purple hue towards the center that carries into the majority of the vase. The neck of the vase is primarily yellow with a little bit of green and orange, while the top of the vase is blue., Violet/Yellow/Green; B9791; 16 x 13 inches; Sonja Blomdahl; 1991, http://sonjablomdahl.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
103. full view
full view
Description
This view presents the mural, The Bridge of the Gods, in full in context at the Portland State Office Building. It presents a mythological narrative germane to the Northwest region., Ruth Brockmann; Bridge of the Gods; kiln-cast glass, fused glass, colored cement; 26 feet 5 inches x 6 feet 6 inches; 1992; Ptld. State Office Bldg.; Photo: Roger Schreiber, http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
104. detail view no. 5
detail view no. 5
Description
This view presents a detailed section of the mural, A Legend of Multnomah Falls., Ruth Brockmann; Multnomah Falls detail; kiln-cast glass, fused glass, colored cement; 1992; Ptld. State Office Bldg.;, http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
105. detail view no. 2
detail view no. 2
Description
This view presents a detailed section of the mural, A Legend of Multnomah Falls., Ruth Brockmann; Multnomah Falls detail; kiln-cast glass, fused glass, colored cement; 1992; Ptld. State Office Bldg.;, http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
106. Tecotosh
Tecotosh
Description
This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
107. Tecotosh
Tecotosh
Description
This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
108. Untitled (Huether)
Untitled (Huether)
Description
This glass piece combines a grid of concave indentations with a wave-like pattern in translucent glass that serves as a spatial division., Architectural Glass Design; 101 S. Coombs St., Suite X; Napa, CA 94559, www.inner-lite.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
109. Narrow Blue
Narrow Blue
Description
A tall glass rectangular shaped sculpture with a round five layered platform sitting on a black box. The majority of the sculpture is in various shades of blue, depending on where the sculpture curves in and out. The top of the scuplture has a few pieces painted in yellow, brown and red., Narrow Blue; '97, http://www.museo.cc/dpe_port1.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
110. Aquarium Vase
Aquarium Vase
Description
Colorfully decorated on the surface, this deep blue vase also has a ribbon top edge. Five colorful spiral strands decorate part of the surface of the vase, while additional spiral and flower shapes in pastel colors extend the decorative scheme., Born in Wisconsin on Pearl Harbor Day, 1956, I am the youngest of three children. At the age of six, my family settled on Mercer Island in Washington state. My childhood was the picture book ideal raised in a quiet island community cradeled by rugged northwest mountain ranges. I began working with oils and pastels at age six and progressed to ceramics in high school. While studying mechanical engineering at the University of Washington in Seattle, I also taught ceramics at a local community center. In 1981 I graduated with a BSME and I began working Civil Service for the United States Navy as an assistant nuclear engineer aboard submarines. Nightly, armed with a security badge and radiation monitor, I searched the bilges of reactor compartments for obscure valves. Often, I conducted tests on reactor components and recorded measurements from various dials and meters. Following a brisk shakedown with a Geiger counter, I would sail across Puget Sound from Bremerton to Seattle to pursue my alternative life. Working nights as a nuclear engineer, my days were available to pursue glass. Studying at the Pratt School of Fine Arts in Seattle and later at the Pilchuck Glass School in Stanwood Washington provided a foundation to establish a studio of my own. Isolated in the Southern Oregon coast wilderness for over a decade I developed my own unique style, heavily influenced by the raw grandeur of the maritime Pacific Northwest. The current studio location provides a grandeur of a different sort, the robust diversity and activity of historic Pioneer Square in downtown Seattle. Here in my home town resides a core of glass workers to rival any in the world. This proximity to the abundant knowledge and skilled artisans provides the necessary fuel to propel my work to seek new heights. I learned to blow glass using the team approach. Because of this I had the good fortune of working with several very talented Northwest artist like Dale Chihuly, Flora Benjamin Moore, Richard Royal, Dante Marioni, William Morris, Karen Willenbrink, Stephan Dale Edwards, Joey Kirkpatric and Mark Eckstrand, These individuals have greatly enriched my understanding of glass. One of the most influential to myself, Dale Chihuly, provided me with the tremendous opportunity of working on one of his winter glass blowing teams held then at Pilchuck. A coordinated glass team is poetry in motion. Like a well choreographed dance each person has their part. Mine is to lead the group and with their assistance, execute the piece. Every piece and all the design on it is personally hand formed by myself. With my signature comes my vision and takes with it a little part of me. (Nowak, 1995), studio@james-nowak.com, http://www.james-nowak.com/index.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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