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31. Winter Reeds
Winter Reeds
Description
A black-and-white photograph depicting a jumble of bent-over straw stubble. Variations between duplicate images directly relate to original source materials., 16 x 20 inches, Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/
32. Early Morning Light
Early Morning Light
Description
A black-and-white landscape photograph depicting the wavering ridgeline of either sand or snow drifts.Variations between duplicate images directly relate to original source materials., 16 x 20 inches, Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/
33. The Consequence of Rift
The Consequence of Rift
Description
This color photograph presents a close-up detail of scratched and rusted paint., Allan Bruce Zee; The Consequence of Rift; 1986; cibachrome; Datsun pickup; Bandon, OR, Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a stairc, http://www.allanbrucezee.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
34. Face Rock, Sunset
Face Rock, Sunset
Description
A black and white photograph of a vast, dramatic seascape. Multiple rocks of different sizes and shapes lay across the wet sand. Dark clouds hover above. The intense contrast of the photograph was created by the selenium tone., Stu Levy; 1994; #6; 15x19 inches; Face Rock, Sunset, Stu Levy photographs the surreal in nature. He not only photographs what his subject is, but he photographs "what else" his subject is (Unknown, 1991)., drzone@ipinc.net, http://www.seeinglight.com/stulevy.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
35. Early Morning Light
Early Morning Light
Description
A black-and-white landscape photograph depicting the wavering ridgeline of either sand or snow drifts.Variations between duplicate images directly relate to original source materials., 16 x 20 inches, Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/
36. The Sea of Reflection
The Sea of Reflection
Description
A color photograph with an abbreviated view of a poolside setting.The left side of the photograph is very dark, but lightens up as it gets to the middle of the piece. There is a white chair to the right of the middle of the photograph in front of a multi-hued concrete wall. In the pool are reflections of the chair and a potted tree., The Seat of Reflection; Dewit Marchant Front, Deborah DeWit was born in 1956 in Portland. Oregon. Four weeks after her birth, her mother returned with her to South America to re-join the rest of the family. She grew up traveling with her family and living in such places as the Philippines, New York, Minnesota, South Carolina, Florida, El Salvador, Colorado, Scotland and finally ended up in Portland in 1979. Photography was never a career choice and she entered Cornell University as an Agronomy major. After two years she decided to give her hobby, photography, more serious attention and moved to Colorado where her parents were living at the time. In order to finance her endeavors, she cheffed in restaurants for two years and in her spare time roamed the mountains outside Denver looking and experimenting with her camera. In 1978 she left for Scotland, where she worked on a farm, driving tractors, hoeing turnips and moving cattle from field to field. It was here that her real passion developed. The skies and the hills and the wildnes, deborahdewitmarchant@verizon.net, http://www.dewit-marchant.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
37. …when summers ran on forever and life was sweet innocence and joy
…when summers ran on forever and life was sweet innocence and joy
Description
A color-reversed photograph of a young goat grazing the ground for food. The rectangle in the middle of the piece assigns focus to the goat's head. Tiny weed-like flowers surround the goat., Jan Kepley; © 1989; EOSC LOSO Hall; , jan-kepley@natural-light-photography.com, http://www.natural-light-photography.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
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