An abstraction of the landscape represented in linear blues, greens, and light browns., La Verne Krause; Green Bay; Revenue, LaVerne Krause, American painter and printmaker, was born 1924 in Portland, Oregon. She was awarded a tuition-fee scholarship at the University of Oregon where she undertook drawing and painting, studying with Andy Vincent, David McCosh, and Jack Wilkinson. She received her undergraduate degree in 1949, returning in 1966 to teach art, and by 1972 was a full professor. Professor Krause taught at the University of Oregon for 20 years until she retired in 1986. She died in Eugene, Oregon in 1987., http://www.askart.com/askart/k/laverne_i_krause/laverne_i_krause.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A portrait of a Native American, whose face is starkly divided in shadow, is rendered in periwinkle tones and contained in a square bordered by a cross-hatched pattern. Three black feathers with maroon arrows pointing downward extend from the bottom of the cross-hatch pattern., Fragment #5 - Medicine Crow; serigraph; Marilyn Higginson; commerce bldg, http://www.artharveststudiotour.org/2006/pages/artists/marilyn_higginson.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A black and white print featuring a vortex of fish and lobsters. In the upper right corner is a rectangle filled with a silhouette landscape of trees and dwellings. Below that is a clock with the hands set to 3:00 o'clock. Below the clock is a bare-footed female figure wearing a dress; she is holding some sort of blanket. The left bottom corner is a box containing a man who is holding a fish by the mouth in each hand., Spring Chinook; 42 x 40 inches; linoleum block print; 1989, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A black and white print of a large salmon head exhibiting different methods of texture: hundreds of white dots shading and forming patterns on the salmon's head. Surrounding the salmon's head is a cityscape, and horizontal and vertical white lines. There are also three boats placed on the top portion of the horizontal lines. At the top of the piece is a rectangle with a fishing hook inside of it, and the bottom right corner has a rectangle enclosing a map., River City Salmon; 42 x 40 inches; linoleum block print; 1989, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A black and white etching of a female figure with short black hair and bangs. She is holding a cigarette, with her elbow propped on a table. Her other hand is resting on the table, with a teacup and plate in front of her arm and a napkin with utensils next to her curled up fingers., Becare What You Wish For 1997; M. Walker; etching 7 x 73/4 inches, http://www.augengallery.com/Artists/walker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This black and gray print on neutral paper presents a repetative, geometric pattern superimposed with large, curvy lines., Unclassified Reflections F, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This pastel compostion appears to be the conglomeration of stamp parts, linear mapping, and numbering., C.T. Chew; Stamp World Flat; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This print divides the main picture plane from the surrounding decorative border of images geometrically. The main picture plane, a vertical rectangle, occupies the center of the piece, and it depicts a man standing at the edge of the water with a fishing pole. Beneath the surface of the water, several fish swim amongst a downed tree.Two horizontal rectangles flank the upper and lower sections of the piece, and the main picture plane is flanked by a series of squares and rectangles. The shapes that create the border around the main picture plane contain a conglomeration of fishing equipment, geometric shapes, and landscape elements., Trout Need Trees; linocut print; (46 x 22 inches(image)); edition of 20; 1996, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A still life depicting a shiny black vase holding two calla lillies paired with three other blooms in between them. The variously patterned black-and-white material that surriounds the vase in piles is broken up by a blue cloth with a black pattern., Calla Lillies #2; S. Wolf; etching; 22.5 x 24 inches, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A print of an asian woman with a daisy in her hair and her hands in front of her red lips. Behind her is a yellow, red, green, and black pattern next to some trees against a brown, yellow and orange background., Yuji Hiratsuka; Daisy Sigh; 1994; OHSU; color intaglio chine colle; 24x18 inches, Yuji Hiratsuka was born in Osaka, Japan. In 1985 he moved to the United States. He started teaching printmaking at Oregon State University in 1992. His graphic work has been exhibited in the United States, Europe and Asia and has received numerous awards in national and international competitions. Some of his works are exhibited in The British Museum, Tokyo Central Museum, Museum of Modern Art in New York, and the New York Public Library., http://www.houstonscustomframing.com/gallery_yuji.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture