A black and white print featuring numerous totums or icons, such as a fish with legs (tadpole?), a monkey, a snake, another fish, lizards, birds, mermaids, and other creatures. The creatures are in all different shapes and sizes and are facing in different directions., Bizarre Connection; Baba Wague Diakite; Etching; 15 x 17 inches; '90; DiaB9012, Baba Wague Diakité is a West African artist; he was born in Bamako, Mali., ronnawague@juno.com, http://www.africancraft.com/artist.php?sid=42132141658580101321960056855383&id=wague&pg=portfolio, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
The ground battle, WWII 1945, Numberg, loosened all the building stones of the church. Thus the church was unsafe for use. All the building stones were taken down, numbered and put back by the numbers with fresh mortar. This visual document of the restoration process, made from drawings and photographs by the artist while on active duty in Germany, were used to create the imagery of the aquatint., The Reserection of the Liebfraukircke Nornberg; Aquatint, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A portrait presenting a person with orange, haystack hair; a blue and white striped shirt with a red color; large red lips; and two blue eyes, one darker than the other and one with a yellowed white-of-the-eye., Gregory Grenon; Tell the Truth; Revenue, gregory@gregorygrenon.com, http://www.gregorygrenon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts
This piece depicts a black vase of orange flowers sitting on a table covered with a linen decorated in a black and pink pattern. The background in split into two distinct areas: the area on the left presents a yellow, circular pattern while the area on the right is black., E. Brinton; Orange Flowers; Knight, http://www.ebrinton.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This print depicts a butterfly vertically adjacent to a geometric delineation. The background gradates from light gray on top to a burnt orange in the middle to a dark brown on the bottom., David F. Haidle; Butterfly Matrix; litho; 20 x 26 inches; Ptld. State Office Bldg., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Lupinus sulphureus kincaidii. Our native lupines are a confusing lot, with nearly 600 distinct kinds described in the US. Within a given population bewildering variations occur, and rather free interbreeding compounds the confusion. One iridescent blue butterfly is not confused however. Known to prefer Kincaid's lupine as a larval food plant, the Fender's Blue butterfly, Icaricia icariodes fenderi, was last seen in 1931 and presumed extinct. But careful scrutiny of populations of Kincaid's lupine led to recent rediscovery of the rare insect. Now efforts are underway to protect both the butterfly and its host lupine. This variation of the sulphur lupines is confined to remnant bits of native prairie grasslands in western Oregon and Washington, primarily in the Willamette Valley. Lupines are broadly recognized by radiating leaflets and blossoms that resemble those of other members of the pea family. Kincaid's lupine may be distinguished by three characteristics: relatively low-growing basal leaves dominated by upbranched stems bearing uncrowded whorls of smallish flowers, blossoms a varied assortment of colors from yellow to blue to purple, and banner petals with a distinctly ruffled border. The name of Trevor Kincaid, as this lupine, has been ascribed to much of the flora and fauna of the Pacific Northwest. My first encounter was in the subject of my Master's thesis, a tiny aquatic fly that bears his name as original taxonomist (Maruina lanceolata Kincaid). Born in 1872, Kincaid grew up an avid student of nature, making prodigious collections of plant and animal specimens even before entering the fledgling University of Washington in 1894. Within seven years he was head of the Department of Zoology there and continued as inspired teacher, entomologist, and international science adviser until his death at 97, having shaped the early development of zoology at the university. (description provided by Oregon Arts Commission), Kincaid's Lupine; [no.] 8; 1994, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
An abstract art piece of geometrical shapes, primarily rectangles. The colors and sizes of the shapes vary., Tarpey C.; Eco Spring, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This is one of two images of the same piece. Irregularities between the pieces may reflect a difference in the source material.<br><br>A color rendering of what appears to be the repeated mirroring and fragmentation of a beach scene. The piece is formally divided into nearly half. Below the meridian of the piece is a blue section with what appears to be the silhouette of the mirrored beach scene. Above the meridian of the piece is a skyscape with clouds and a pink line running through six rectangles of varying sizes and orientations that contain ghosted fragments of the same beach scene in the lower portion of the piece., Seal Beach super scene; L. Matoush; litho-intalgio, Internet resources on Lyle Matoush: Mail Tribune Online (4/28/00 issue) http://archive.mailtribune.com/archive/2000/april/042800n4.htm <br>Southern Oregon University: http://emeritus.sou.edu/News.asp?NewsID=26, http://emeritus.sou.edu/News.asp?NewsID=26; http://archive.mailtribune.com/archive/2000/april/042800n4.htm, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
Unfortunately, we currently do not have an image of this artwork. The Oregon State University Valley Library, building site for the piece, offers a website where it can be viewed: http://osulibrary.orst.edu/libraries_and_collection The print presents a landscape scene of fertile farmland under a blue sky., Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/