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1. Night Games

Description: An oil painting of a carnival during the night. The left side of the painting is of a very colorfully lighted ride with three different chairs that hold two people each. There is also a ferris wheel in the background, along with a target arcade game., #3 Night Games; oil; (36 x 48 inches); 1995, George Johanson attended and taught at the Museum Art School in Portland, Oregon. He divides his time between painting and printmaking. In 1992, he received the Governor's Award for the Arts. (Data provided at http://www.kpchr.org/public/sawardart/apps/Johanson.htm. Reviewed on 04/07/07., http://www.kpchr.org/public/sawardart/apps/Johanson.htm; http://www.hareinthegate.com/portfolio_pages/equivalents.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

2. Unclassified Reflections (title page)

Unclassified Reflections (title page)

Description: This black-and-white print presents a succession of alternating linear forms., Title Page, Unclassified Reflections, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

3. Heart

Description: A black and white photograph from inside a cave featuring different forms and patterns caused by erosion. There are also crystals growing up from the ground., Heart; 1995; [no.] 3, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

4. Dialogue

Description: An acrylic painting featuring three human figures set against a hand-made brown background with lines of color., Dialogue; [no.] 2; 1993, Angelita Surmon is an Oregon artist who received her B.S. in 1972 and her BFA in 1977, from Oregon State University. She has continued her education at Vermont Studio School, the Sitka Center, and in Papua, New Guinea. (Oregon Arts Commission, 1995), http://www.angelitasurmon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

5. Salmon Prince

Description: A blue and white print of large trout-like fish underneath a human figure wearing a patterned toga, holding a pole with a fish at the top of it. Flying over the human figure are more fish., Salmon Prince; 1997; (mm 30 x 22 inches); Quartersaw Gallery; 528 NW 12th PDX 97209, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

6. Naga (1st of 2 pieces)

Naga (1st of 2 pieces)

Description: A tall steel sculpture with a round platform.The majority of the sculpture is rectangular shapped with an upsidedown moon shape at the top. The steel is covered in gold leaf., Naga; 1997; gold leaf over steel; (62.5 inches high, 2 parts); Elizabeth Leach Gallery, 207 SW Pine St., Portland, OR 97204, (503) 224-0521; fax: 224-0844, http://www.pnca.edu/exposure/stories/19/lee-kelly-59, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=129, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

7. The Same But Different

The Same But Different

Description: This print divides the main picture plane from the surrounding decorative border of images geometrically. The main picture plane, a vertical rectangle, occupies the center of the piece, and it depicts a landscape scene over a body of water. Cliffs line either side of the water, while trees form a horizon line. A fisherman stands on one of the cliffs on the right side, and two fish and a dragon fly occupy the space above the water. Two horizontal rectangles flank the upper and lower sections of the piece, and the main picture plane is flanked by a series of squares and rectangles. The shapes that create the border around the main picture plane contain a conglomeration of natural and geometric forms., The Same But Different; linocut print; (46 x 22 inches(image)); edition of 20; 1996, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

8. In France

Description: A colorful print of a long black and white vase containing red and pink flowers against a half orange/pink and half blue/green colored background. The vase is atop a green, yellow, white, and pink painting with a shadow of the vase pointing towards the lower left of the art piece., In France; 1995; monoprint; (30 x 22 inches); [no.] 9, http://www.augengallery.com/Artists/nebeker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

9. Saddle

Description: A black and white photograph from inside a cave. The photograph is of crystals growing on the walls, ground, and ceiling., Saddle; 1995; [no.] 2, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

10. September–The Call

September–The Call

Description: This painting depicts a woman with red hair, looking off to the left of the picture plane and wearing a blue sweater that appears to be pieced together over or with areas of blue sky. A total of nine colorful birds share the picture plane with her., September-The Call; Alkyd (oil); (34 x 46 inches ); from the series Saint Eve Book of Days, Katherine Ace was born in Chicago and received a degree in ceramics from Knox College in 1975. She is a self taught painter working in alkyd/oil on canvas. Her work hangs in private, corporate and public collections. Katherine has participated in numerous regional and national individual and group shows. (Unknown, 1995), kat@katherineace.com, http://www.katherineace.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

11. Unclassified Reflections "E"

Unclassified Reflections "E"

Description: This black and gray print on neutral paper presents a repetative, geometric pattern. Numbers and symbols emerge from the overall noise of the pattern., Unclassified Reflections E, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

12. Unclassified Reflections "A"

Unclassified Reflections "A"

Description: This black print on neutral paper presents a repetative, geometric pattern., Unclassified Reflections A, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

13. Basalt Clastics

Basalt Clastics

Description: A photograph of dark basalt rocks emersed in fast-paced water, or perhaps a small waterfall., Basalt Clastics, Ecola State Park; 1994; gelatin silver print; (24.75 x 18.75 inches); Elizabeth Leach Gallery, 207 SW Pine St., Portland, Oregon 97204; (503) 224-0521, http://www.historycooperative.org/journals/ohq/105.3/toedtemeier.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

14. Fog Bank

Description: This painting depicts a coastal landscape scene in exaggerated tones of blue, turquoise, and ochre. Gentle waves moving toward the shore are outlined with white and thin lines of red., Fog Bank; oil; (24 x 36 inches), http://www.ramsterevents.com/PaulGunn.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

15. Symbiosis 1& 2

Description: This pair of paintings is united by elements of line, color, and design. They share a light yellow background that, in both paintings, supports bold black shapes and thin, energetic black lines. The piece on the left contains a large, black "C" with a bright yellow halo in the middle that is flanked on the top by a thick, horizontal black line with a blue halo and on the bottom by a horizontal row of black dots. Another shorter thick, vertical black line with a pink halo occupies the lower right hand corner. The piece on the right contains four thick, vertical black lines. The fattest of the four sits on the left side of the painting. Two slightly skinnier ones sit side by side toward the right. The skinniest one sits even farther to the right, and it is broken up by swatches of gray. Above the the vertical lines on the right, in the upper right corner, sits a grid of nine black dots. Linear washes of orange and green create contrast with the painting on the left while a small square of pink in the painting on the right unifies them., Symbiosis 1& 2; (29 x 35.5 x .5 ea.); 8-96; dry pigment, enamel, gold leaf, varnish on aluminum, Tom Anderson was born in 1951 in Salt Lake City, the son of a jazz musician. By the time the family settled in Vancouver, Washington, Anderson's formative years has been shaped by syncopated rhythm and life on the road (39 states by the age of four). He earned an Associate of Arts degree from Clark College in 1971. part of his education included three months of travel in Europe, where he studied firsthand the works of the great masters. In the autumn of 1971, he enrolled at The Evergreen State College in Olympia, Washington. There, in addition to his Asian art and Philosophy studies, Anderson made some meaningful contributions to the first years of the experimental college's development. He initiated the use of the 16mm animation facilities, helped to establish the FM Radio station KAOS, co-created the four-story library mural, and worked as an assistant graphic designer, developing the College's catalogs and visual identities. He graduated in 1973 with a Bachelor of Arts degree. That same year, Anderson co-founded Mansion Glass Studios in Olympia. This collaboration won recognition locally and nationally for their design and fabrication of Architectural Art Glass commissions, as well as for their restoration projects. Anderson first attended the highly esteemed Pilchuck Glass School in 1986, as a teaching assistant to Henry Halem. He returned in 1987, on a scholarship with Susan Stinsmuhlen-Amend, and again in 1988 and 1989 as a teaching assistant in the advanced graduate program, specializing on glass casting and enamel kiln firing. In 1990, Anderson established his own studio in Olympia. Over the past eight years he has continued his work painting, metal fabrication, mixed media constructions, and printmaking. He is represented by galleries in Oregon, Washington, Florida, New Mexico, and California. In addition to commissions, Anderson exhibits regularly and his work can be found in over 400 public and private collections including the Oregon Arts Commission, the Washington State Arts Commission, Delta Airlines, the city of Olympia, Hewlett Packard, and US Bank. (Uknown, 1995), artist402@comcast.net, http://www.thomasandersonart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

16. Unclassified Reflections "C"

Unclassified Reflections "C"

Description: This black print on neutral paper presents a repetative, geometric pattern that becomes increasingly complex with the addition of a grayscale within the defined pattern, which ascends from the bottom left toward the top right., Unclassified Reflections C, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

17. Naga (2nd of 2 pieces)

Naga (2nd of 2 pieces)

Description: A tall steel sculpture with a round platform.The majority of the sculpture is rectangular shapped with an round shapes and a three leaf clover shape at the top. The steel is covered in gold leaf., Naga; 1997; gold leaf over steel; (62.5 inches high, 2 parts); Elizabeth Leach Gallery, 207 SW Pine St., Portland, OR 97204, (503) 224-0521; fax: 224-0844, http://www.pnca.edu/exposure/stories/19/lee-kelly-59, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=129, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

18. Summertime II

Description: A stainless steel sculpture hanging on a wall. The sculpture looks to be in two long rectangular parts on top of one another. The sculpture is in neutral colors and curves in and out., Summertime II; 1994; (24 x 13 x 3 inches); press formed stainless, polished, burnished, heat, From 1997 - 2005, Bruce West was Head of the Sculpture Department and Senior Lecturer at Lewis & Clark College in Portland, Oregon., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts

19. Equinox

Description: This painting depicts a scene of a person clad in yellow, carrying a yellow umbrella walking hunched over an architecturally ornamented bridge. Dark trees and a gray sky that suggests a city skyline occupy the background. A yellow streak runs through the foreground on the left., Equinox; Oil; (28 x 28 inches); 1996; [no.] 2, Kay Lamoreux Buckner's work has been included in exhibits at the University of Maryland; Seattle Art Museum; St. John's College, Annapolis; Eastern New Mexico University; New Orleans Art Association; Salisbury State University, Maryland; Mercyhurst College, Pennsylvania; University of Washington; Austin Peay State University, Tennessee; Marietta College, Ohio; and Seattle Center. She has had One-woman shows at the Frye Art Museum, Seattle; University of Oregon Museum of Art; University of Idaho; Rockford College, Illinois; and Oregon State University. Her work is in public collections throughout the Pacific Northwest. She has an MFA degree from Clarement Graduate School. (Oregon Art Commission), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

20. Pink Hat

Description: This abstract piece depicts what appear to be yellow seed pods on a variegated red background. The upper left corner contains a collection of pink dots., Pink Hat; oil on birch; (24 x 24 inches); 1996, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

21. Field Burn II

Description: This painting presents a variegated and textured red surface on the left three-quarters of the picture plane. The remaining quarter of the picture plane on the right presents a succession of vertical stripes of alternating red, ochre, and black., Field Burn II; O/C; (36 x 58 inches); [no.] 7, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

22. Untitled

Description: This print presents a gray monochrome abstraction that suggests a dynamic landscape., http://www.jameslavadour.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

23. Waldo Lake Reflected

Waldo Lake Reflected

Description: A colored photograph of a waterscape with rocks in the foreground, and island with trees in the middleground, and large hills of forests in the background. All the trees and hills of forests, along with the clouds are reflected perfectly in the blue lake., Waldo Lake Reflections; 1996 (yr), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

24. Wind Catcher

Description: A polished, metal sculpture that appears to mimic the shape of a sling shot. A bowed band of metal suggestion tension and movement between the arms of the "slingshot.", Wind Catcher; [no.] 7; 1988, http://www.wbblix.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

25. Hounding

Description: This charcoal drawing depicts a teeming pack of dogs. The drawing appears to reveal evidence of a motion study, where the forms have been sketched, erased, and then sketched again, emphasizing the dynamic energy of the subject matter., Hounding; Charcoal; (92 x 44 inches); 1993, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

26. Unclassified Reflections "B"

Unclassified Reflections "B"

Description: This black print on neutral paper presents a repetative, geometric pattern that becomes increasing complex with the addition of a grayscale within the defined pattern. Different, irregular shapes begin to emerge from the pattern, which are connected through line., Unclassified Reflections B, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

27. Palimpsest Bones

Palimpsest Bones

Description: An irregularly shaped painting that divides the picture plane into two sections by way of color placement. The left side of the painting is comprised of a textured, neutral yellow that contains a column of five white squares and a portion of the outline of a blue circle. The right side of the piece is presented in a textured, deep blue that reveals some of the neutral yellow from the left side underneath. Also, a group of five, horizontally oriented red rectangles occupies the right side., Palimsest Bones; acrylic on paper; (46 x 32); [no.] 7, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

28. Leaf Branch

Description: This freestanding, stainless steel sculpture presents a vertical length of alternating leaves mounted on a pedestal., From 1997 - 2005, Bruce West was Head of the Sculpture Department and Senior Lecturer at Lewis & Clark College in Portland, Oregon., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts

29. fourth floor artwork

fourth floor artwork

Description: map of fourth floor artwork, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

30. back cover

Description: back cover, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

31. 1995 Blix exhibition list

1995 Blix exhibition list

Description: 1 p. Weltzin Blix's 1995 exhibition list., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

32. Ejiri-Pines of Miho Bay

Ejiri-Pines of Miho Bay

Description: Ejiri lies across Shimizu Bay from Okitsu, home of the Japanese inn made famous by Oliver Statler's novel. The legendary pines of Miho now witness freighters entering and leaving the bay. Ejiri is the 19th station of the Tokaido., Tokaido Series: Ejiri-Miho; [no.] 6, During the summer of 1984, Walt Padgett bicycled and camped Japan's Tokaido, documenting the famous "53 Stations of the Tokaido" prints of Ando Hiroshige and Junichiro Sekino. Since that time Mr. Padgett has been producing his own series of woodblock prints from his travels on this historic highway. The Tokaido, literally the "eastern sea route" stretching 320 miles, has provided the main link between the cities of Kyoto and Edo (Tokyo) for a thousand years. Although many Japanese artists have produced work drawn from the Tokaido, its landscape, its people, its history, still provide a rich source of subject matter, especially to the foreign eye of an American. Mr. Padgett utilizes authentic Japanese handmade chisels, brushes, and paper, in the manufacture of his prints; the blocks are hand-carved, the prints hand-burnished by the artist, in the sosaku hanga tradition. (Oregon Arts Commission), http://www.padgettart.com/news.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

33. Fence 36-323

Description: A mixed media construction that organizes discarded materials within a black grid pattern., Fence; Francine Seders Gallery, Seattle, (206) 782-0355; 36-323; mixed media; 1995; unfr.: 51 x 51 in., http://www.sedersgallery.com/Artists/036/36-000.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

34. Contraction Fracture

Contraction Fracture

Description: A silver printed photograph of a vast, empty landscape. The ground is cracked, with a few tufts of plant material growing out of some of the cracks., Contraction Fracture, Malhuer Co., OR; 1994; gelatin silver print; Elizabeth Leach Gallery, 207 SW Pine St., Portland, Oregon 97204; (503) 224-0521, http://www.historycooperative.org/journals/ohq/105.3/toedtemeier.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

35. page 1

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

36. 1995 Joyce exhibition list

1995 Joyce exhibition list

Description: 1 p. Kacey Joyce's 1995 exhibition list., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

37. A Private Integrity

A Private Integrity

Description: An acrylic painting featuring two human figures set against hand-made paper with small designs in a lighter color., A Private Integrity; [no.] 4; 1996, Angelita Surmon is an Oregon artist who received her B.S. in 1972 and her BFA in 1977, from Oregon State University. She has continued her education at Vermont Studio School, the Sitka Center, and in Papua, New Guinea. (Oregon Arts Commission, 1995), http://www.angelitasurmon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

38. 1995 French exhibition list

1995 French exhibition list

Description: 1 p. Kay French's 1995 exhibition list., Kay French grew up in the Midwest which perhaps explains her fascination with storms and flat land. She moved to Portland in 1977. Kay has a degree in art history from Kent State University and a degree in painting from the Pacific Northwest College of Art. Her work has been exhibited in various shows in regional galleries and museums. She was awarded a WESTAF/NEA Regional Fellowship for Visual Artists in Painting in 1994. She has also been represented by the Pulliam Deffenbaugh Gallery in Portland, OR. (Oregon Arts Commission), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

39. sixth floor

Description: sixth floor plan, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

40. fourth floor

Description: fourth floor plan, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

41. third floor

Description: third floor plan, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

42. Fence 36-323 (detail #1)

Fence 36-323 (detail #1)

Description: This view represents a detailed section of the mixed media construction, Fence 36-323, that organizes discarded materials within a black grid pattern., detail #1 Fence; Francine Seders Gallery, Seattle, (206) 782-0355; 36-323; fabric & mixed media; 1995, http://www.sedersgallery.com/Artists/036/36-000.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

43. Forsaken

Description: In this charcoal drawing, a skeleton clad in black robes holds a sickly man in his arms. Double-headed dogs circle the skeleton anxiously while a group of gray human figures with their backs turned to the audience form a background for the scene., Forsaken; Charcoal; (44 x 66 inches); 1993, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

44. 1996-#7

Description: An oil crayon drawing of the outdoors with a large river as the lower portion of the art piece. In the water are two islands, on both the left and right side of the piece with multiple trees growing on the islands. Where the river ends at the side, are more trees, which may be a forest, in front of a mountainous scape. The rest of the piece, which is most of it, contains the blue sky and white clouds., # 7; 1996; oil crayon on paper; (9 x 12 inches); Inv. #16, http://pnca.edu/programs/bfa/faculty.php, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=248, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

45. Fire

Description: This painting depicts a ground fire in the understory of a green forest., Fire; oil on canvas; (65 x 70 inches); '95; BroM95090508; [no.] 6, Artist Michael Brophy's "regal, decaying landscapes and portraits of jagged tree stumps spotlight the confluence of humanity and nature. Often enormous in scale and rippling with undercurrents of humor and social commentary, his paintings are included in the collections of Portland Art Museum, Tacoma Art Museum, Microsoft, and other important institutions." (see online biography at http://www.pnca.edu/exposure/stories/26/michael-brophy), http://www.laurarusso.com/artists/brophy.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

46. Revel

Description: An abstract art piece composed from numerous colored dots to form various shapes, mostly abstract. There are two defined horn shapes in an orange and black coloring with the back curves facing each other., Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

47. Unclassified Reflections "D"

Unclassified Reflections "D"

Description: This black and gray print on neutral paper presents a repetative, geometric pattern superimposed with large, curvy lines., Unclassified Reflections D, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

48. Crease (detail)

Crease (detail)

Description: A close-up view of a female figure with short dark hair working on what looks to be a sewing machine. The piece is in all neutral colors., Crease (detail); tapestry; 1997, http://www.americantapestryalliance.org/AP/ArtistBio/SocolofskyS.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

49. Cul De Sac

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., Mark Abrahamson was born in Seattle, Washington in 1944. He received a BA degree in chemistry from Whitman College, Walla Walla, WA. in 1966 and a DDS degree from the University of Washington in 1970. In 1987 he received a grant from the Seattle Arts Commission, in 1991 and 1995 he was awarded GAP Grants from Artists Trusts, and also in 1995 a Washington State China Relations Council Travel Grant. (Unknown, 1995), http://www7.nationalacademies.org/arts/Mark_Abrahamson.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

50. page 1

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/