Four Native American men and a Native American woman stand in front of three tipis. The people are identified as Dr. Whirlwind, Ta-wa-Toi, Mrs. No-shirt, Chief No-shirt, and Red Elk. The men all wear horned headdresses with ermine hanging from them, and trails of eagle feathers, except for Ta-wa-Toi, who does not seem to have the trail of feathers. The men wear a mix of cloth or buckskin shirts and legwear. Some of the men seem to have blankets wrapped around their legs. All the men wear moccasins and jewelry, including loop necklaces. In their right hands Dr. Whirlwind and Red Elk each hold a staff with eagle feathers attached. Red Elk has a long beaded and furred belt, decorated with medals or buttons, draped over his left arm. Ta-wa-Toi is holding the fur of an animal in front of himself; the pelt includes the fur from the animal's tail, legs, and head. Chief No-shirt seems to be holding up some weaving. Mrs. No-shirt stands next to him. Her dark hair in braids; she is draped in a geometrically-beaded skin and seems to be wearing a fringed buckskin dress and a bracelet. She too wears moccasins. She holds a geometrically-beaded flat bag in front of herself. The caption on the photograph says "Umatilla Reservation July 4, 1903".
Eight Native-American men and women on horses are posing in front of trees and tipis. All but two have some sort of headdress, three men carry feather staffs. All the people have blankets wrapped around them. Each horse is wearing a beaded chest plate.
A collection of items identified as "Lee Moorhouse collection of Indian costumes and artifacts" is grouped on the board-and-batten porch of a house. Flanked by two lattice-work columns, most of the items are baskets with geometric designs, along with a few pieces of pottery, also with geometric designs. Baskets are piled up to half-hide the window, with its four narrow lead-lights, and spill out past the low porch to the ground. In the center back hang two beaded dresses and what looks like part of a cradleboard. A beaded bag hangs on the left column, and baskets hang on the other. In the right back corner of the porch is a strikingly bold geometrically patterned textile, with some tall sticks propped up behind it. Two women stand on the porch wearing dresses with capes or blanket strips over their shoulders. They each hold a geometrically-decorated bag, and wear conical hats. Other woven hats can be seen among the baskets and pottery piled in front of them. Their hair seems to be either pulled back or cut short.
A Native American woman, identified as Rosa Parr of the Walla Walla Tribe, is seated on a chair in front of a blanket backdrop. The woman is dressed in a buckskin dress with fringes and beadwork. She is wearing beaded moccasins and a woven cornhusk hat. Her hair is long and divided into two tresses that are either partially braided or tied. Her jewelry includes a beaded choker and bracelet, several copper bracelets, and two rings. She is holding on her lap an unidentified wooden handled tool or implement, with leather straps attached to the base of the handle. The chair she is seated on and the ground under her feet are covered by a Pendleton blanket. The blanket backdrop appears to be suspended by a wooden structural frame and there is some white cloth visible on the sides of the frame, overlapping the blanket. The backdrop is placed in a grassy area next to a wooden plank walkway. Some tall trees and a fence are visible in the background.
A Native American woman, identified as Wo-Ho-Pum, is standing and facing the side of a cloth tipi. A Pendleton blanket is attached to the tipi and hangs down to the ground. There are several bags displayed on the blanket, woven and beaded. Some of the woven ones have geometic patterns; one beaded one has a woman and girl design. The woman is wearing a full-length beaded and fringed buckskin dress and a woven hat. A baby in a cradleboard is strapped to her back. The child's head is hooded and the face only visible from the side. Most of the cradleboard is wrapped in a cotton cloth, with some beads or looped necklaces across the front of the child. The woman is holding another woven bag in her hand. The background beyond the tent is a stand of shrubby, deciduous trees and open sky.
An outside photograph of two Native American women posing in front of a plain blanket backdrop. They are standing on a round flat coiled cedar root mat that is on a Pendleton blanket. To the right of the backdrop is a wooden walkway. In the background are deciduous trees and the hazy outlines of miscellaneous buildings. Both women have their hair in braids and are wearing cornhusk hats with a "v-shaped" geometric design. The woman on the pair's left has been identified as Ruth Coyote; she is dressed in a fringed, short-sleeve, beaded buckskin dress. Decorative beads are attached to the fringes on her shirtsleeves, knee and hem areas. She is wearing a necklace and a choker. She has bracelets on both arms and an armband on her left arm. She has a beaded belt and is holding a beaded bag in her left hand with the design of a deer. From under her dress can be seen leggings and beaded moccasins. The woman on the right is wearing circular earrings, and a cloth dress with decorative beads that extend below her waist. There are beads on her shoulders and bells at the end of her three-quarter length sleeves. She has a wide beaded belt. She has a bracelet on her right wrist and is holding a cornhusk bag in her right hand. She has beaded moccasins and may have bells at the hem of her dress., 'Umatilla Belles.' Billy Barnhart's camp on the Umatilla. [Lucy Luton and Ruth Coyote, Cayuse tribal women.]
An outside photograph of a Native American woman sitting in front of an unadorned blanket backdrop that is hung on a wooden frame. She has been identified as Ruth Coyote, is dressed in regalia, and is sitting on a stool or chair over which has been draped a Pendleton blanket. On her head is a cornhusk hat with a v-shaped geometrical design. Her hair is in braids, tipped with fur wraps. She is wearing large, circular earrings and a neck choker with long decorative bead strands hanging down the front. She is dressed in an old-style, deer-tail, beaded buckskin dress. The dress has a highly decorative bodice with fringe at the sleeve ends, side seams, and hemline. She has bracelets on both of her wrists; her left wrist has two wide-band (possibly metal) bracelets and her right wrist exhibits approximately eight smaller ones. On her lap she holds a cornhusk bag with a geometric design. Visible under her skirt can be seen either leggings, cuffed with a beaded floral design, or moccasins with a beaded floral design. To the right of the backdrop is a wooden walkway.
An outside photograph of a Native American woman who has been identified as Rosa Paul. She is standing on a Pendleton blanket, in front of an unadorned blanket backdrop hanging from a wooden frame. The woman is turned from the camera so that only her left profile and attire can be seen. She is dressed in a buckskin dress with multiple layers of fringe, starting at her shoulder and ending at her dress hem. There are various sizes of beads hanging off the fringe. She is wearing bracelets on her left arm. On her head is a cornhusk hat with a "v-styled" geometric design. Her hair is braided and she wears large, circle-shaped earrings. She is wearing moccasins. On her back she is carrying a baby in a cradleboard with elaborate beadwork in a floral design at the top. The bottom of the cradleboard is buckskin that is laced down the middle. There is fringe dividing the cradleboard top and bottom, with beads on some of the fringe.
An outdoor photograph of a Native American woman identified as Rosa Paul. Her back is to the camera; she is facing a frame-hung blanket backdrop, and standing on a Pendleton blanket. She has braided hair and is wearing a cornhusk hat with geometric designs. Her dress is buckskin, with extensive beading on the top and around her waist. The end of her right sleeve and bottom of her dress is fringed. She appears to be holding a bag in front of her. On her back she is carrying a baby in a cradleboard. The cradleboard exhibits a wooden, stick-type, circular top frame, with the bottom half covered in two-tone leather that is laced down the middle. In the background is a building; part of a stairway is visable to the left of the backdrop.
A wood-framed structure, covered with a striped tent cloth, appears to have three wooden walls and a wooden floor. From the open side, one can see that the tent structure is filled with an assortment of Native American objects and artifacts, suspended from the walls and crossbeam, set on a table, and arranged on the floor in front of the back wall. There is a sign on the tent that says "Major Moorhouse's Indian Pictures." The inventory includes: blankets and other woven textiles; photographs, some framed; beaded bags; baskets; a cradleboard; a saddle and bridle; tomahawks; bow and arrows in a quiver; a buckskin dress with beaded fringe; a beaded buckskin shirt and pants, a pair of beaded moccasins, and a feathered cape, displayed together as an ensemble; a small statue of a Native American man, wearing a feathered robe and headdress, a shell necklace, a beaded breastplate, and beaded moccasins; more feathered headdresses and other feathered and beaded items; a pair of beaded gloves; a beaded necklace; a pile of fur (under the table).