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81. Butterfly World and Gates
Butterfly World and Gates
Description
A green gate, inlaid with ceramic mosaic pieces that present two flowers and an insect form., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
82. Meadow in Reverie
Meadow in Reverie
Description
This naturalistic landscape painting depicts a view of a river that flows through a hilly, vegetated area., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
83. Bounty
Bounty
Description
(Left Detail) A view from above of what appears to be a table scene with linens and various dishes and foods and flowers., Bounty; 4 feet x 28 inches; oil on canvas; detail, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
84. Working Out
Working Out
Description
A visual design consisting of eleven separate six-by-six foot panels--each reflecting different sporting activities, and all created with acrylic paint, charcoal and color conte. Each panel is constructed of ¼ inch birch plywood backed and supported by a one-by-two-inch fir framework., Clint Brown; Working Out; Installation: OSU Dixon Rec. Center; 2012, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
85. Butterfly World and Gates
Butterfly World and Gates
Description
This view details one of the inlaid butterflies on the courtyard wall., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
86. Slab Assembly
Slab Assembly
Description
This piece consists of several trapezoidal shapes and two triangles arranged together. The left most trapezoid is a darker gray than the rest of the composition, except for the red triangle at the the top. The other triangle near the bottom right contains a red number 23., Otto's special concept of slab assembly, a term coined by the painter to paraphrase his technique, utilizes the assemblage of many different paintings, each unique in itself, together to create a total image impression. Often the painter uses an occasional landscape or figurative painting as an instrument to contrast and enhance the vast repertory of geometrical shapes and to further expand the compositional impact of his work. Expressive strokes and striking colors juxtaposed throughout each assemblage also lend energy and stregth to the unusual perspective illusions and design patterns realized by the painter. (Museum Services Gallery press release, San Jose, 1980)., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
87. Starts and Stops
Starts and Stops
Description
This abstract painting appears to depict a city street scene obscured by the method of paint application. Colors used include yellow, red, blue, black, and shades of neutral tones., T. Prochaska; Starts and Stops; 24 x 32 inches; oil; 1993, Artist Thomas Prochaska grew up drawing and sketching in Illinois, and then earned a degree in Art Education from the University of Wisconsin. A full scholarship to the Pratt Institute in Brooklyn found him studying printmaking and painting. After a couple of years of teaching at Pratt Graphics Center and at the University of Georgia, he followed his love for printmaking — and his Swiss girlfriend — to Europe. “That’s where I learned the most about printmaking, doing it every day and doing it in a real practical manner… in Switzerland, in a tiny town, St.Prix.” When visa problems sent him back to the U.S., he taught at Wesleyan College in Macon, Georgia, visiting family in Oregon during the summers. “And so I fell in love with Portland,” he sighs with a smile. “I went from being a Department Chairman to being in the Saturday Market.” His woodcuts of trout and salmon — “I also came here for the fishing,” he adds — were eventually licensed for use on T-shirts. Popular ones. “That made me feel real happy because it was people’s art, art away from institutions,” Tom says. “In some ways, that was the most satisfying work I’ve ever done, because people wore them.” (excerpt from biography at http://www.pnca.edu/exposure/stories/28/tom-prochaska), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=223, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
88. Sunflowers with Visitiors
Sunflowers with Visitiors
Description
Beyond what has been provided herein, we have no additional information regarding this artwork., "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
89. Working Out
Working Out
Description
A visual design consisting of eleven separate six-by-six foot panels--each reflecting different sporting activities, and all created with acrylic paint, charcoal and color conte. Each panel is constructed of ¼ inch birch plywood backed and supported by a one-by-two-inch fir framework., Clint Brown; Working Out; Installation: OSU Dixon Rec. Center; 2009, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
90. Tracking
Tracking
Description
Flamboyant colors and patterns as well as human silhouettes converge toward the center of this painting., Jack McLarty; tracking; state capital v II, Jack McLarty has lived most of his life in Portland, Oregon. His family moved to Portland from Seattle in 1921. After attending the Museum Art School, he left Portland in 1940 to study at the American Artists School in New York. At the end of two years, McLarty decided New York did not suit him as a permanent home and returned to Portland. By 1945 he had reconnected with the Museum Art School accepting a teaching fellowship in lithography. He joined the regular faculty in 1947. McLarty and his wife, Barbara, opened the Image Gallery in 1961. (online biography obtained from Preservation of Oregon's Artistic Heritage–A Production of the Salem Art Association.) Other biography information available at http://www.pnca.edu/exposure/stories/139/jack-mclarty-40, http://www.poahonline.org/bio_mclarty.html <br>http://www.pnca.edu/exposure/stories/139/jack-mclarty-40, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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