1 p. Sheryl Funkhouser's 1987 exhibition list., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An oil painting of a girl laying halfway on a rug and the wood of her bedroom floor. The view is premised from the ceiling. Around her are toys and balls on the floor. There is an unmade bed to her right, a dresser with a drawer open to her left, and a window behind her., Margaret Puckette; Madeline at Eight; oil on panel; march 1993; 36x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A ten panelled art piece, all layered together. Each panel has a different plant or leaf material in different shades of green on it, set against a neutral background., Deborah Mersky; Quilt of Cuttings; 49x30 inches; clayprint and gouache; 1994; sold ohsu, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An oil crayon landscape drawing of a green field in front of numerous tall trees and bushes. Behind the bushes are large green hills underneath a blue and white cloudy sky., Barry Pelzner; 1994-#14; oil crayon; 9x12 inches, http://pnca.edu/programs/bfa/faculty.php, bpelzner@pnca.edu, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=248, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Beyond what has been provided herein, we have no additional information regarding this artwork., "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
A monotype print of a field of vetch and poppy flowers under a blue sky. The field consists of colors such as green, orange, white, and purple., Cie Goulet; Vetch and Poppies (#583); monotype; 38x49 inches; 1994; GouC94082611, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
A mixed media art piece of what looks like collaged pieces of paper and material glued or taped together. There are black letterings of which some appear to be backwards., Jerry Iverson; 1993; 36x40 inches; mm on board; sold ohsu; language series #77, http://www.pulliamdeffenbaugh.com/Artist-Detail.cfm?ArtistsID=163, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A mixed media art piece of a rectangular drawing in the middle of a silver aluminum diamond. The black and white drawing is of a waterscape with mountains in the back and large clouds. Those two layers are placed on a large rectangle of gold leaf with arrows, formed by dots, going counter-clockwise., Kathleen Caprario; Towards the Light-Filled Shore; pencil & metal leaf on paper; 23x30.5 inches; 1994; CapK94090060, caprariok@lanecc.edu, http://caprarioart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
An abstract mixed media art piece in mostly cool color tones. Various shapes and colors are separated by thick lines of color., Frederick Heidel; Fantasy Garden of Ur; mixed media on paper; 37x47 inches; 1994; HeiF94092913, Former chairman of the art & architecture department and professor of art at Portland State University for over 25 years, Frederick Heidel is well known and respected for his work in glass and acrylic paintings. Throughout his career, Heidel has exhibited widely including major shows at the San Francisco Museum of Art, Portland Art Museum, University of Oregon Art Museum, Smith/Anderson Gallery, Palo Alto, CA and Glasgalene Kuhler, Amsterdam, Holland. The artist has also been awarded numerous commissions and is included in many public and private collections. A painter, Heidel began working in glass in 1967 after receiving a Chapelbrook Foundation Grant to work in the glass factories in Holland. Since that time, the artist has traveled to the studios of Glassobjekte Van Tetterode to execute glass sculpture from drawings he has prepared in his Portland studio. The exploration of this medium has lead Heidel to create sculpture of painted light and the nuances of the colorful laminated glass harkens to the painterly and fluid surfaces of his paintings. Heidel's works on paper reflect the translucent quality of his glass sculpture. (Unknown, 1991), http://www.laurarusso.com/artists/heidel.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
A pastel drawing of a few flowers in a long thin vase. The upper left corner of the piece is shaded in orange with a little bit of blue and red. In the middle of the piece are words written in German., Rich Bartow; Die Jugenfrische/Amaryllis; pastel & graphite on paper; 50x39 inches; 1995; BarR95031139 (inv. 1728), The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture