A concrete relief sculpture of an oak leaf set into a rectangular setting that is surrouned on four corners by what appears to be some sort of seashell relief. The reliefs in the corners alternate between convex and concave relief., 64 x 24 x 4 inches; PERS - 1997; Oak; Anne Storrs, annestorrs@msn.com, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This multicolored tapestry presents a circular mosaic that depicts a montage of items that seem to represent civilized advancement, including a boat, a shovel, a graduate's cap, scales, a stethoscope, a saw, a series of telephone poles, books, a cross-cut saw, a hammer, paint brushes, a level, and a computer., The pers beacon; 5 feet square; J Poxson Fawkes, Judith Poxson Fawkes, a resident of Portland, Oregon, is a graduate of Cranbrook Academy of Art. She taught weaving at four institutions of higher education, most recently at Lewis and Clark College, Portland. Her fifty-six commissions hang in such diverse locations as a Federal courthouse, hospitals, university and school buildings, corporations and businesses, a Royal Caribbean Cruise ship, residences in Saudi Arabia and Paris, and in a jail lobby. Sixty-three tapestries are in public collections. She is a recipient of a WESTAF/NEA Regional Fellowship for Visual Artists, an Individual Artists' Fellowship from the Oregon Art Commission and a Crafts Fellowship from the National Endowment of the Arts. She has written a book entitled "Weaving a Chronicle," described as a visual and written catalog by a working tapestry weaver. Forty-six tapestries, pictured in color, are accompanied by adjacent text describing the reasons for each work's creation. Stories of the tapestries revisit commissions and exhibitions. Each tapestry represents seminal ideas in one of six series. The tapestries contribute to the chronicle of how ideas are conceived and executed-- adding to the history of American art and craft, and to the definition of contemporary tapestry. (details provided by artist, 2008), jpfawkes@earthlink.net, http://www.laurarusso.com/artists/fawkes_jp.html <br>For additional information about the artist, see http://www.lindahodgesgallery.com/artists/poxson_fawkes.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Outside mural, the left panel of a three-mural work, painted red, white, and blue. The colors are wide curved strands going across the rectangular columns., Margaret V.J. Via; 1935 Sylvan Street Eugene Oregon 97403; left panel of 3 panel mural; DEQ testing station Beaverton Oregon; 11.5x6.5 ft each; acrylic latex; 1982, Via's work... ranges from simple pencil or ink sketches to finished oil paintings and includes landscapes, cityscapes, human figures and pure abstraction. (Data provided by Bob Keefer at http://www.bkpix.com.), For more information on Margaret Via check out the following site: http://www.bkpix.com/writing/via.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Outside mural painted red, white, and blue. The colors are wide curved strands going across the rectangular columns., Margaret V.J. Via; 1935 Sylvan Street Eugene Oregon 97403; center panel of 3 panel mural; DEQ testing station Beaverton Oregon; 11.5x6.5 ft each; acrylic latex; 1982, Via's work... ranges from simple pencil or ink sketches to finished oil paintings and includes landscapes, cityscapes, human figures and pure abstraction. (Data provided by Bob Keefer at http://www.bkpix.com.), For more information on Margaret Via check out the following site: http://www.bkpix.com/writing/via.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This collaged painting combines layers of earth-tone paper with a section of text and a rendering of a tree during the dormant season. One section of the collage material presents leaf impressions in dark brown and green., Rutledge; N.W. Icons Series; ""Tree""; 1997; 5, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
3 p. Maragaret Via's 1982 artist statement., Via's work... ranges from simple pencil or ink sketches to finished oil paintings and includes landscapes, cityscapes, human figures and pure abstraction. (Data provided by Bob Keefer at http://www.bkpix.com.), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A detail view of the blue, purple, and red leaf forms that move up vertical, translucent banners., Unleased Rhythm; Lobby Capital Center; Beaverton Oregon; Each: 48""H x 12""W; Nylon; Louise Kodis 2000, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
1 p. Anne Storrs' 1995 exhibition list., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A concrete relief sculpture of an oak leaf set into a rectangular setting that is surrouned on four corners by what appears to be some sort of seashell relief. The reliefs in the corners alternate between convex and concave relief. This view provides a contextual setting for the work., PERS - 1997;Oak and Alder; Anne Storrs, annestorrs@msn.com, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A concrete relief sculpture of an oak leaf set into a rectangular setting that is surrouned on four corners by what appears to be some sort of seashell relief. The reliefs in the corners alternate between convex and concave relief., 64 x 24 x 4 inches; PERS - 1997; Alder; Anne Storrs, annestorrs@msn.com, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/