Two Native American men, identified as preachers from the Nez Perce Tribe, are standing in front of a large canvas tent. Both men are dressed in dark suits, with cloth pants, jackets, vests, white shirts, and leather shoes. The man on the left is wearing a hat and a bow tie. The man on the right is holding his hat in his hand and is wearing a long tie. The tent is white canvas that is draped around wooden support poles. The canvas for the roof is a separate cloth, that has scalloped edges.
A group of men, women, and children, identified as the congregation of the Indian Presbyterian Church of the Umatilla Indian Reservation, are posing in front of a church. The group includes Native American men, Native American women, Native American children, European American men, European American women, and European American children. Everyone is garbed in Euro-American clothing. Some of the men and male children are wearing hats. All but one of the Native American women are wearing shawls around their shoulders and scarves atop their heads. Two European American women are kneeling behind a group of children. Everyone else is standing. A few individuals are standing outside the door of the church. The church, which appears to be of wooden construction, has three windows on one side and one window on the only other visible side. A steeple is above the door of the church. A chimney is on the right front end of the roof. A tipi is in the background.
A Native American man, identified as Francis Lincoln of the Cayuse Tribe, is sitting in front of a tipi, dressed in full regalia. He is wearing a headdress with feathers, cloth pants made from a blanket, and a plaid, fringed breechcloth. He has beaded moccasins, leather straps with bells wrapped around his calves and ankles, and fur arm bands with feathers and tassles. He has a beaded belt around his waist and a fur bandoleer with beaded decorations. He is wearing a beaded choker and his hair is tied into two long plaits. He is holding a stick or rod covered with fur and adorned with feathers. His chair and the ground around it are covered by two Pendleton blankets. There are a couple of objects placed on the blankets near his feet. The tipi fills up most of the background in this image.
A black and white half-length studio portrait of a Native American man identified as "Fish Hawk". He gazes off to the left of the photograph, his shoulder-length dark hair swept back from his face in loose waves. He has a geometrically-patterned wool blanket wrapped around his arms and torso; his chest is bare and he wears no visible ornaments.
An outdoor view of flat, rocky ground near the Columbia River. In the background of the image is the far side of the riverbank. The expanse of land on the other side of the river is flat and open, with some low bluffs near the bank, and with no sign of trees or vegetation. On the closest shore are three tipis, made of mats or canvas or both. In the center of the photo are two people in western garb, seated on horses. The figure on the left faces the camera, wears dark clothing or a suit, and is riding a white horse. The person appears to be holding a staff or pole in the right hand. The horse has a dark saddle blanket. The man and horse on the right are in profile to the camera. The horse is dark, and the man's lighter trousers and coat stand out. Both people wear broad-brimmed hats.
A Native American man, identified as Dr. Whirl-wind (Charley Whirlwind, Sr.) of the Cayuse Tribe, is mounted on a horse. The man is wearing buckskin pants and shirt and moccasins. The shirt is decorated with feathers and beadwork on the front and sleeves. He is wearing a headdress with a full crown of feathers and strips of fur hanging down around his shoulders. He has a large beaded choker. The horse is solid brown in color and has a saddle, saddle blanket and bridle. On the ground in front of the horse is a dog with long, fluffy white hair. The man, horse, and dog are on a slope on the side of a mountain. Around them are some other slopes and some stands of pine trees. The top of the mountain is in the background.
Group of men dressed in suits are standing in a field looking at a rock cairn. A farmhouse, barn, and other farm buildings can be seen in the background. There are two dogs in the field with the men. Telegraph poles are visible along the side of the road in the background.
An outside photograph of a Native American man who has been identified as Uma-Som-Kin. He is standing with a horse and dog to his left, and a tipi behind him. His hair is in braids with hair ornaments or ties attached to their ends and he is wearing a cowboy hat. He is dressed in a shirt, and over that a coat made out of a Pendleton Blanket. In his right hand he is holding a rifle, and in his left hand both a hand drum and horse reins. He is wearing either calf-high boots or moccasins. The horse or pony has a spotted coat; it is bareback with what appears to be a leather halter. The dog is between the horse and man. It also has a mottled or spotted coat, with uncropped ears and unknown breed heritage. The tipi is made of canvas layers. There is a cloth or canvas doorway directly behind the man; on the back of the tipi leans a broken tule mat. There are small wooden poles and various pieces of wood also leaning against the tipi's exterior. In the background are bushes and deciduous trees, perhaps cottonwood trees, leading to the hillside.
An outside photograph of a Native American man, who has been identified as Uma-Som-Kin. He is dressed in full native regalia, and sitting on a horse that is standing next to a river's edge. For his headdress, the man is wearing a bonnet with a single trail of eagle feathers. He is wearing a coat made out of a Pendleton blanket. He is wearing leggings that exhibit a geometrical design on the cuff--perhaps beaded--and beaded moccasins. Because no stirrups can be seen, it would appear that he is riding either bareback or using a blanket for his saddle. He is holding the horse's bridle in his left hand. The horse or pony has a spotted coat. The river disappears around a bend, blending into the hillside in the background. The terrain around the river shows rocks, grass, dirt and brush. On the river's opposite bank is a fence line that runs along the river's path. In the far background is an expanse of rolling hills.
An outside photograph of a Native American man identified as Uma-Som-Kin. He is dressed in full regalia and sitting on a horse, next to a river. For his headdress, the man is wearing a bonnet with a single trail of eagle feathers. He is wearing a coat made out of a Pendleton blanket. He is wearing leggings with a design on the cuff and beaded moccasins. Because no stirrups can be seen, it would appear that he is riding either bareback or using a blanket for a saddle. He is holding the horse's bridle in both hands. The horse has a spotted coat. Across the river, on the opposite bank, are two cottonwood trees. In the background are rolling hills.