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101. Lupine
Lupine
Description
A dark platinum printed photograph of a lupine plant against a black background., Lupine; platinum print; (4.5 x 3.5 inches); '93, http://www.seubertfineart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
102. Waldo Lake Sunset
Waldo Lake Sunset
Description
A colored photograph of silhouetted trees, islands of trees, and mountains during a sunset. The sky and clouds are pink, purple, and orange, which is also present in the lake below it by the reflection., Waldo Lake Sunset; 1996 (yr), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
103. Wolves, One Month Old
Wolves, One Month Old
Description
This black-and-white photgraph depicts a pile of wolf pups., John Bauguess; Wolves, One Month Old; U of O Science Complex, http://www.bkpix.com/writing/bauguess.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
104. Black, White, Red and Yellow
Black, White, Red and Yellow
Description
A close-up color photograph of what appears to be boats stored at a docking facility. The title of the piece reflects the colors seen in the piece., John H. Hughey; photographer; jhlensman@comcast.net; Black White Red and Yellow; ohsu movable; 1990, John H. Hughey, an artist of diversified mediums, entered photography in 1970 under the direction of Michael P. Smith in New Orleans following an academic study as a painter/sculptor. After leaving New Orleans in 1973 and moving to Denver, he began involvement in the field of commercial photography. In 1977, John returned to the field of fine art. He moved to the Northwest in 1980, settling in Seattle. In the early 1980's he developed an interest in letterform and pursued penwork and related arts. In 1988 John devoted time to a comprehensive study under the calligrapher Reggie Ezell from Chicago. In 1989 he was awarded the title Certified Picture Framer (CPF) as recognized by the Professional Picture Framers of America., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
105. Strategies
Strategies
Description
Photographs abstract time and manipulate space. The monocular view through the camera lens collapses deep space onto a 2 dimensional picture plane. Often this collapse renders a powerful physical experience of place quite impotent when translated to the photographic surface. Maps are also an abstraction of space, as well as a code or language that describes the place to those that know the language. These two abstracted views are combined to give multiple readings of the same place - an edge overlooking Big Indian Gorge seen through a curtain of Mountain mahogany. (Warpinski), Strategies. (At the edge…); mixed media collage; (30 x 22 inches); 1994; [no.] 7, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., http://www.uoregon.edu/~tlw/; http://www.terriwarpinski.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
106. Driftwood
Driftwood
Description
A black-and-white close-up photograph of driftwood., http://www.photographywest.com/pages/weston_bio.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
107. Morning Reflection
Morning Reflection
Description
A black and white photographic exploration of nature and light. The view appears to be a sand dune, with a tree branch sticking out of the sand. The light reflects a shadow of the branch. The sand exhibits horizontal lines created by the wind., Claire Trotter; morning reflection; state printing, Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
108. Milkweed Seeding (2 of 5)
Milkweed Seeding (2 of 5)
Description
A black-and-whtie photograph of plant material., Clair Trotter; Milkweed Seeding (2of5), Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
109. Milkweed Seeding (1 of 5)
Milkweed Seeding (1 of 5)
Description
A black-and-white photograph of plant material., Clair Trotter; Milkweed Seeding (1of5), Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
110. REO
REO
Description
A color photograph of an REO hood ornament., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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