A watercolor painting of a translucent white cup featuring stems of green leaves with a white flower, white buds, blue flowers, and red berries. The background is a mottled brown with two horizontal lines at the red base of the cup., Rene Rickabaugh; White-Cup; watercolor on paper; 26 3/4x21 3/4 inches; 1992; RicR94040413, Rene Rickabaugh, a Portland painter, studied at the Pacific Northwest College of Art and has taught watercolor there as well as at the University of Oregon. His work is noteworthy for meticulous execution and details, and an almost surrealistic personal vision., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A ten panelled art piece, all layered together. Each panel has a different plant or leaf material in different shades of green on it, set against a neutral background., Deborah Mersky; Quilt of Cuttings; 49x30 inches; clayprint and gouache; 1994; sold ohsu, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Beyond what has been provided herein, we have no additional information regarding this artwork., "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
An complex watercolor rendering of a woman in an interior space filled with plants and ornate patterns., Bill Kucha; Dorothy; Revenue, http://www.kucha.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An image of an unidentified man contemplating the piece, "Roll on/Grand." This image features a large wooden panel with text and colored objects on it. There is a bird's wing outlined over a purple backdrop. Part of the piece is segmented into purple and light green parts. An upside down red boat may be seen on the right side, along with the lower portion of a human silhouette, running in blue, and white outlined flowers with green outlined leaves., Roll on/Grand; 1990, http://www.pdxcontemporaryart.com/main/shows/savinar_sept06.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A platinum/palladium print of a waterscape, focusing on the leaves and flowers of skunk cabage in the middle of the photograph. The reflections of the surrounding trees, leaves and flowers are well-detailed in the still lake., Skunk Cabbage; Mapleton, Oregon, 1981; 7.5 x 10 inches; platinum/palladium print, http://www.okartinst.org/gallery/quartzmountain/index.cfm?a_id=17&im_id=40&imx=1, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A bench surrounded by roses sits in the foreground of this painting while a red building and a gray building occupy the backfound., Bill Kucha; Bench Between II; Revenue, http://www.kucha.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A profile view of a large, red fish occupies the right side of this piece. A bundle of yellow wheat hovers above rocks and water on the left side., Oregon Vignette; Suzanne Duryea; oil/canvas; 4 x 3 feet; 1988, "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A detailed view of the piece, "Roll on/Grand." This portion features a wood panel with the word "shore" in brown, set against a light beige rectangle, with a blue circle enclosed in a brown square at the end of the word. Above the rectangle is a light blue outlined and shaded foot and leg of a man in running position. There is a dark blue curved line going through one of the figure's toes., Roll on/Grand; 1990, http://www.pdxcontemporaryart.com/main/shows/savinar_sept06.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
This is a handcolored etching depicting fishes and birds freeflowing amongst man-made building structures. The etching reveals a playful, imaginary landscape., Dyann Alkire; Sea Air; 4/50; 20x25 inches; handcolored etching; ohsc nurses unite remodel, I like etching because I like to draw. Things such as deep sea life, insects, birds, fish, and architectural structures appeal to me, and I combine them in my compositions. Each piece has a certain theme that just evolves as I work on the plate, rather than having a set idea from the beginning. (Alkire, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/