Search

You searched for: Start Over Topic Printing Remove constraint Topic: Printing Region Oregon State Penitentiary >> Marion County >> Oregon >> United States Remove constraint Region: Oregon State Penitentiary >> Marion County >> Oregon >> United States

Search Results

11. Winter #16-20
Winter #16-20
Description
This piece is one of four seasonally-related collagraph prints. Blue and pink textured paper with white dotted lines are featured throughout the piece. One blue triangle is on the left side and one translucent triangle is situated on the right side. In the middle on the left side is a black and white abstract image., Four Seasons Winter; #16-20; 1991; 30x40 inches; collagraph print with mixed media; James B. Thompson, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
12. Estampas Mexicanas
Estampas Mexicanas
Description
A black, white, and brown etching of utilizing 22 different sized rectangles. The rectangles all have a border, as does the background of the piece. Displaying the word "Mexico," and exhibiting sculls and Mayan icons, the artwork appears to have a Mexican stamp theme., Jim Hibbard; 1992; Mexico; Estampas Mexicanas; etching; corrections print project; 18x24 inches, http://www.beppugallery.com/showartists.php?ArtistID=36, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
13. Prayer Wheel II
Prayer Wheel II
Description
A very lively abstract art piece utilizing primary colors. Blue commands the background with red shapes of triangles, loops, and lines, and yellow zig-zags and shadings. There is also some purple shading in this very abstract piece., Margot Thompson; © 1992; Prayer Wheel II; reduction woodcut; 30.25x43.5 inches; corrections print project, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html http://www.margotvoorhiesthompson.com/html/home.html http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
14. Respite
Respite
Description
A black and white wood block print of a lake with a short waterfall. There are multiple rocks and one tree on the left upper side, going off of the print., Renee Ugrin; 18x24 inches; woodbolck print; hand burnished on mulberry paper; corrections print project, http://www.reneeaugrin.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
15. Crow VI
Crow VI
Description
A black and white lithograph exhibiting a large black crow/raven facing towards the left. There is a roman numeral number six at the upper right corner. In the background is a silhouette sketch of the crow. In addition to the raven are black ink marks, mostly dotted lines and curves that outline the main character., R.E. Bartow; 1991; lithograph; Crow VI; 22x30 inches; correction print project, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
16. Refuge
Refuge
Description
Beyond what has been provided herein, we have no additional information regarding this artwork.l, http://www.baasartgallery.com/artists/barbara_eiswerth.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
17. Another Flying Dream
Another Flying Dream
Description
According to Oregon Arts Commission-provided materials, this woodcut print consists of two parts to be placed in relationship, according to the provided acetate overlay, so that they touch in one place. The paper is handmade using a traditional weatern hand mould and a shaped deckel Abaca fiber was used n the base sheet and cotton fiber colored with pigments was used to create the colored pulp image. Dan Smith relief black ink was used. The red box was hand-colored with acrylic paint., prentice@oregon.uoregon.edu, http://www.uoregon.edu/~prentice/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
18. Rock Wall, Escalante Wilderness
Rock Wall, Escalante Wilderness
Description
According to Greg Pharr, the art piece was made with white ground and aquatint etching that was burnished and scraped on a copper plate. The copper plate was chromed before editioning. The edition was then printed on arches paper., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
19. Summer #1-5,
Summer #1-5,
Description
This piece is one of four seasonally-related collagraph prints. Yellow and Orange textured paper with black dotted lines permeate the piece. One red triangle is on the left side along with a piece of pink on the left. In the middle on the left side is a black and white abstract image., Four Seasons Summer; # 1-5; 1991; 30x40 inches; collagraph print with mixed media; James B. Thompson, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
20. Victor
Victor
Description
A still life of various objects and colors. There is a black and white dog (similar to the Victor Phonograph dog) in the middle, surrounded by a partially peeled orange, a balloon, a vase with flowers, pears, a teacup, a fan, and other objects set on a blue tablecloth. The blue tablecloth and all of the figures are sitting on another cloth, a floral tablecloth which recedes off into the top left side of the print., © 1992; Sherrie Wolf; Victor; 30x38 3/4 inches; etching edition 30; corrections print project, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Oregon State University Libraries University of Oregon Libraries