A mixed media art piece of exhibiting triangles and rectangles in different sizes and colors, collaged onto each other. The primary colors utilized are reds, pinks, oranges, and blues., James B. Thompson; 22x30 inches; mixed media on paper; The Fault Line; 1990, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This print depicts a butterfly vertically adjacent to a geometric delineation. The background gradates from light gray on top to a burnt orange in the middle to a dark brown on the bottom., David F. Haidle; Butterfly Matrix; litho; 20 x 26 inches; Ptld. State Office Bldg., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An abstract art piece of geometrical shapes, primarily rectangles. The colors and sizes of the shapes vary., Tarpey C.; Eco Spring, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Two men in hats flank the frame of this woodcut piece that presents a scene from a rodeo. A bullrider occupies the central focal point while other performers and revelers pepper the background. The audience is kept at bay by a band of black, and a rooster and a dog prowl the foreground. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Woodcut; 1978, Manuel Izquierdo was born in Madrid, Spain, and fled to the United States settling in Portland, Oregon in 1943. While he was in high school Manuel was encouraged to pursue wood-cuts by Lloyd Reynolds, the well-known calligrapher. In 1951 Manuel graduated from the Pacific Northwest College of Art and soon after became a professor there. Manuel Izquierdo received the Oregon Governor's Award in 1991 and has exhibited work both in the Northwest and nationally, including a ten-year retrospective at the Portland Art Museum in 1967. Having completed many commissions his sculpture can be seen in a variety of Portland public spaces such as Pettygrove Square. His work is in collections including the Metropolitan Museum of Art in New York, the Philadelphia Museum in Pennsylvania, the Seattle Art Museum, and the Portland Art Museum., http://www.laurarusso.com/artists/izquierdo.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Two men in hats flank the frame of this woodcut piece that presents a scene from a rodeo. A bullrider occupies the central focal point while other performers and revelers pepper the background. The audience is kept at bay by a band of black, and a rooster and a dog prowl the foreground. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Woodcut; 1978, Manuel Izquierdo was born in Madrid, Spain, and fled to the United States settling in Portland, Oregon in 1943. While he was in high school Manuel was encouraged to pursue wood-cuts by Lloyd Reynolds, the well-known calligrapher. In 1951 Manuel graduated from the Pacific Northwest College of Art and soon after became a professor there. Manuel Izquierdo received the Oregon Governor's Award in 1991 and has exhibited work both in the Northwest and nationally, including a ten-year retrospective at the Portland Art Museum in 1967. Having completed many commissions his sculpture can be seen in a variety of Portland public spaces such as Pettygrove Square. His work is in collections including the Metropolitan Museum of Art in New York, the Philadelphia Museum in Pennsylvania, the Seattle Art Museum, and the Portland Art Museum., http://www.laurarusso.com/artists/izquierdo.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This piece is composed in black and white, with the addition of a few minor red accents and a neutrally toned square shape at the upper left corner of the piece. The central focus of the piece lies with the two triangles stacked along the left side of the piece that are next to a large, irregualarly shaped form in the middle of the piece. The background is orchestrated with choppy, black lines and the red accent. Variation between duplicate images directly relate to original source materials., Etching & chine colle; 20 x16 inches; 1977, http://www.luciadouglas.com/artists/artists_list/funkhouser.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
The sections of this piece form a four-section grid. Starting in the upper left, an irregularly shaped black mark occupies the space of a white rectangle. Moving to the right, the upper right corner is a red square. Below it, in the lower right corner is another red square that contains a black apple with a screen pattern overlaid on top of it. Finally, in the lower left, a white rectanlgle bears an embossed, linear pattern., George Johanson; Apple and Curtain; intaglio; 1970; 22 x 26 inches framed, George Johanson attended and taught at the Museum Art School in Portland, Oregon. He divides his time between painting and printmaking. In 1992, he received the Governor's Award for the Arts. (Data provided at http://www.kpchr.org/public/sawardart/apps/Johanson.htm. Reviewed on 04/07/07., http://www.kpchr.org/public/sawardart/apps/Johanson.htm; http://www.hareinthegate.com/portfolio_pages/equivalents.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A still life etching of three different vases with colorful flowers in them all set against a black background. The vases are situated on a table with a blue tablecloth, a floral printed tablecloth, and a red, white and gray striped tablecloth., S.Wolf; Still life with canterburg bells; etch; 23.5x35.5 inches image; 36x46 inches fr; 1990; ohsu movable, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A monoprint of a Chinese woman wearing a blue head piece with white tassles and a blue, red and orange top. Behind her is what looks to be her child in a red hat with white round shapes bordering the edge near the face. There are three different backgrounds, the one on the left is of red rectangles, the middle one is green with white stars and lines, and the one on the right is off-white with some splotches of paint., Carmen Fidalgo-Kasrawi; Women in color series-Chinese Pai; M/M Monoprint; 24x18 inches; 1994; Photo by Phil Harris, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
A monoprint of a stream surrounded by green plants, leaves, and orange, blue and white flowers., Cie Goulet; Stream (#574); monotype; 38x49 inches; 1994; GouC94082612, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture