This piece depicts a portrait of a blue-faced individual with down-turned, green eyes and a down-turned, purple mouth., Gregory Grenon; I Will Not Be Disrespectful and Talk in Class; 1992; 46 x 35 inches, http://www.gregorygrenon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Eschsholtzia californica. California Poppy Here is perhaps the most celebrated West Coast wildflower. Called Copa de Oro by the earliest Hispanic inhabitants, this golden poppy once emblazoned such vast fields that its brilliant color was visible from sailing ships miles offshore -- a plausible basis for the early name La Tierra del Fuego, land of fire. Discouraged by grazing, agriculture, and development, it now blooms in lesser abundance, May-September, from Southern California north to the Columbia River, and elsewhere escaped from garden plantings. This marvelous perennial arises from a deep taproot and generally reaches two feet in height. The flowers are two to three inches across and vary from pale to deep yellow and orange. They are remarkably responsive to sunlight, closing at nightfall or in overcast weather. Sepals are united in a conical structure that is thrust off by the opening petals, much like doffing a little hat. The seed capsule is linear and tipped by the withering styles. The foliage is grayish-green and finely divided. E. Californica owes its introduction to the botanical world to three explorer naturalists and a coincident Russian. Archibald Menzies, Scottish botanist and surgeon with Captain George Vancouver, was first to collect specimens for transport to foreign shores, in Monterey in December if 1792. But his classification was incorrect, his collection suffered badly on shipboard, and the plants delivered to Kew Gardens soon died. Next was Adelbert van Chamisso, French naturalist with the Russian Romanoff expedition, spending October of 1816 at San Francisco. Here he collected, described, classified, and named Eschscholtzia californica after the ship's noble young surgeon, Johann Friedrich Escholtz. Finally, it came to David Douglas, Scottish botanist and practical gardener, to convey this vibrant poppy to the world. Collecting along the Multnomah (Willamette) River in 1825, he first encountered E. colifornica and sent back to the Horticultural Society of London the seeds that thrived in English gardens and beyond. (provided by Oregon Arts Commission), Copa de Oro; [no.] 3; 1992, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A topographical map of an indeterminate location is overlaid with four blocks that resemble postage stamps., Bill Ritchie; little spaceship crash; state capital vol. III, http://www.seanet.com/~ritchie/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Washington Lily captures various stages of growth of lilies., David Haidle; Washington Lily; 5/6; Lithograph; ohsc nurses unit remodel, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An watercolor print primarily utilizing blue/green coloring with some white, red, and brown. The two large birds, which may be cranes, are the only images colored brown. There are also fish, a praying mantis, and various plants, in tones of white, some of which are painted in red., Dyann Alkire; Venezia; justice, I like etching because I like to draw. Things such as deep sea life, insects, birds, fish, and architectural structures appeal to me, and I combine them in my compositions. Each piece has a certain theme that just evolves as I work on the plate, rather than having a set idea from the beginning. (Alkire, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Part of a series of mixed media lithographs where the backgrounds were created by handcoloring different wall surfaces. Image shows what appears to be crumpled paper with a drawing and a red, dotted line on top of a colored backdrop., Scott Mclntire; paper square with red dotted line and wall marks; 26x21 inches; 1979, http://www.scottmcintire.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Screen printed on paper, Seascape depicts a large grassy field in the foreground and the ocean in the background., Jules Altfas; Seascape; 1/25; 15x22 inches; ohsc nurses unit; remodel, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Trillium ovatum. Western Trillium or Wake-robin While other vegetation is still winter-bare, this elegant blossom unfurls in its whorl of large sessile leaves to punctuate moist shay woods from British Columbia south to Central California, from lowlands to well up in the mountains. Indeed, one of its common names, Wake-robin, implies that it precedes the earliest of birds. The Latin generic name Trillium, meaning triple, is appropriate to describe the parts of three in petals, sepals, and leaves - all supported by a sturdy bare stem as much as 12 inches tall. This species is distinguished from another common woodlawn trillium in having a thin stem or pedicel that bears each solitary flower above its three broad net-veined leaves. The fragrant white flowers of T. ovatum turn purplish with age. The botanical history of this plant is tied to the history of the pacific Northwest via Lewis and Clark Expedition. On their return trip east in 1806, Captain Meriwether Lewis collected it "On the rapids of Columbia river", one of the 150 novel specimens he conveyed to botanist Fredrick Pursh. It was from the Lewis collection that Trillium ovatum was first described and named by Pursh in his Flora Americae Septenrionalis of 1814, the first account of North American plants to include the Pacific Northwest. The familiar admonition not to pick trilliums is well founded. Removing the flower stem robs the rhizome of the food supply necessary to produce next year's plant, and some years may be required for recovery. Trilliums do not transplant well, but may grow from seed with patience. As many as seven years may pass before a white blossom is produced to crown the three stem-leaves. Ants are a natural aid in dispersal, attracted by sweet tissue on the seeds. (description provided by Oregon Arts Commission), Trilliums; [no.] 6; 1993, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
Terraced Towers depicts cell-like features with heavy emphasis on black lines. The etching is abstract and monotoned. The sketch for the plate was drawn by the artist on a digitized pad and the resulting paper printout became the basis for the original print. This process was developed by the artist and is nearly unique in the history of printmaking. One other artist, in an Eastern state, is also experiementing with the wide range of expression via such assistance., Gordon Gilkey; Terraced Towers; 7 1/4x10 1/4 inches; 19/26 etching; ohsc nurses unit remodel, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A jumble of rectangular shapes rendered in black, white, red, purple, yellow, and turquoise imply the action of this piece. In addition, fiberous strands that appear to be hair or string or yarn are scattered across the picture plane., Judy Cooke; Site #3; Revenue, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=21, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html