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Description: A whimisical and disorienting presentation of a hilly landscape. Greens, blues, and neutral earthtones comprise the color palette which is highlighted by white clouds and black outlines., Monotype; 32x24; 1991, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

Description: This black print on neutral paper presents a repetative, geometric pattern that becomes increasingly complex with the addition of a grayscale within the defined pattern, which ascends from the bottom left toward the top right., Unclassified Reflections C, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

Description: Neutrally toned shapes imply a landscape that is intersected by a strip of text near the bottom of the picture plane. The sections of text are divided into alternating yellow and blue blocks., John Rock; corvallis; landscape composition graphics, John Rock (1919–1993) taught art at Oregon State University from 1957 to 1989 and was widely regarded as a master printmaker., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: Subtle gradations in tonal value separate space in this geometrically composed print. The background shifts from light gray to dark gray and back to light gray. The central square shape is also divided by tonal variation in mauve, both horizontally and vertically., John Whitehill-Ward; obelus; state capital, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: Linear separation of mauves, blues, browns, and whites create a segmented illusion of the letter "n.", John Whitehill-Ward; offset; state capital, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: This print presents a vibrantly abstracted view of a lumber mill near a body of water with numerous logs floating on the surface., Monoprint; 30 x 36 inches 1991, Nelson Sandgren (1918-2006) was born in Manitoba, Canada. Sandgren moved to Portland with his parents during the Great Depression, and taught art/painting at Oregon State College for thirty-nine years., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

Description: This print presents a gray monochrome abstraction that suggests a dynamic landscape., http://www.jameslavadour.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

Description: This piece appears to mimic the framing of a postal stamp, and it states at the bottom of the piece, "Stamp World Chart." Six different icons are presented in a circle connected by arrows., C.T. Chew; Stamp World Life Cycle; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

Description: This black print on neutral paper presents a repetative, geometric pattern that becomes increasing complex with the addition of a grayscale within the defined pattern. Different, irregular shapes begin to emerge from the pattern, which are connected through line., Unclassified Reflections B, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

Description: Ejiri lies across Shimizu Bay from Okitsu, home of the Japanese inn made famous by Oliver Statler's novel. The legendary pines of Miho now witness freighters entering and leaving the bay. Ejiri is the 19th station of the Tokaido., Tokaido Series: Ejiri-Miho; [no.] 6, During the summer of 1984, Walt Padgett bicycled and camped Japan's Tokaido, documenting the famous "53 Stations of the Tokaido" prints of Ando Hiroshige and Junichiro Sekino. Since that time Mr. Padgett has been producing his own series of woodblock prints from his travels on this historic highway. The Tokaido, literally the "eastern sea route" stretching 320 miles, has provided the main link between the cities of Kyoto and Edo (Tokyo) for a thousand years. Although many Japanese artists have produced work drawn from the Tokaido, its landscape, its people, its history, still provide a rich source of subject matter, especially to the foreign eye of an American. Mr. Padgett utilizes authentic Japanese handmade chisels, brushes, and paper, in the manufacture of his prints; the blocks are hand-carved, the prints hand-burnished by the artist, in the sosaku hanga tradition. (Oregon Arts Commission), http://www.padgettart.com/news.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

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