A fresh snowfall. Two tipis stand together at the edge of a field. A barbed-wire fence runs along the right side of the picture, and extends up a hill. Two small structures stand near the tipis, one close on the right, one further away on the left.
A view looking down the railroad tracks belonging to the Oregon-Washington Railroad and Navigation Company. The tracks curve to the center of the photo, leading the eye to a low hill covered with snow far in the distance. Closer at hand, the tracks pass by the bare branches of deciduous trees, telegraph poles, and a few tall evergreens on the right as they enter a gap between two hills. Fences are visible a few feet away from the rails on both sides. On the left side of the picture, beyond the fence, stand two tipis under large bare-branched trees.
A Native American man, identified as Abraham Lyman of the Walla Walla tribe, is standing outside in front of a backdrop. He is wearing a single trail bonnet, a geometrically beaded vest, brass arm bands, moccasins, and wool legging. A blanket strip is tied around his waist. His hair is tied into braids. A hatchet style pipe is in his right hand. Another pipe is in his left hand. He is standing on a mat with a blanket underneath it. There is snow on the ground.
A Native American man and woman are standing in the middle of a campsite, facing each other and holding hands. The man, identified as Chief No Shirt, is wearing cloth pants, a cloth shirt, and a hat. His hair is long. The woman is wearing a cloth dress and has a shawl with fringe draped over her shoulders. There are three tipis visible in the image. The two larger ones, to the left and right, are covered with canvas with tule mats around the top area. The third tipi is covered in canvas and is smaller and set back from the other two. The tipi on the left has some poles lashed around the outside. Next to this tipi is a small wooden structure or platform that is covered with some animal hides. There is a similar structure near the smaller tipi. The campsite is in a clearing of bare ground with a few sage bushes and some patches of snow. In the backgound is more snow and deciduous trees and bushes.
A scene that has been identified as looking east from Thorn Hollow on the Umatilla Indian Reservation. Two tipis stand on a plain scattered with bare shrubs. In the background of the picture is a line of evergreens and bare-branched trees that runs along a stretch of railroad tracks. Telegraph poles are visible along the line of the tracks. Beyond them, smooth treeless hills rise up and are snow-covered in the distance. In the center of the photo, what looks like a meandering seasonal stream feeds into a swamp or pond. The tipis are set away from the pond a few yards. The tipi on the left is smaller and made of canvas; the tipi on the right is made of tule mats. Near the tipi on the right is a stack of firewood and a wagon. A tall bare pole stands some feet to the right of the wagon. The sky is cloudy., Thorn Hollow—Looking East [Thorn Hollow, Umatilla Indian reservation.]
A Native American woman identified as "Mrs. Black Hawk" of the Cayuse tribe stands in front of a tule reed mat tipi. There is snow on the ground and on parts of the tipi. Five poles are visible, and on the left side of the photograph is a wooden ladder made of poles and boards. The canvas entry of the tipi is tied back and the woman stands with her feet inside, slightly leaning out. Her long dark hair hangs below her waist in two braids; she wears a choker necklace, and a rounded earring is visible. She wears a long dark cloth wing dress with wide sections of lighter beading that run across the bodice and shoulders and onto the sleeves. A longer sleeve of floral material from a shirt or underdress is visible as she holds up her left hand. Around her waist is a wide beaded belt, and it looks like another beaded belt is hanging from it. In her left hand she holds a strip of material beaded in floral patterns and embellished with a strip of fur which has round medallions or shell discs sewn on at regular intervals. On her right side hangs a multicolored striped and fringed blanket; with her right hand she seems to be holding or pushing aside a dark bag or curtain trimmed with a light floral-patterned material. Propped against a low log or board at the entrance to the tipi are two flat bags beaded with geometric patterns. Under them, and taking up the left foreground of the photo, is a striped blanket.