This tapestry presents a series of undulating shapes that resemble rolling hills., Glen Metolius Povey; anti chaos scholium; college of education; u of o 1980; 57.5x43.5 inches; tapestry weaving, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A large, textile wall piece presented in neutral tones and accented with a deep reddish-brown and black. The stylized human and animal forms as well as the linear and triangular patterning exhibit similarity with Neolithic art., Dana Boussard; totem of the willamette; psu prof. Schools, danaboussard@hotmail.com, http://www.danaboussard.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A succession of tapestry blocks hung from a common dowel on the wall. Each block presents a slightly varied rendition of a basic plaid pattern executed in blues, greens, and pinks with accents in yellow., Untitled Weaving; Judy Fawkes; State Capitol, Judith Poxson Fawkes, a resident of Portland, Oregon, is a graduate of Cranbrook Academy of Art. She taught weaving at four institutions of higher education, most recently at Lewis and Clark College, Portland. Her fifty-six commissions hang in such diverse locations as a Federal courthouse, hospitals, university and school buildings, corporations and businesses, a Royal Caribbean Cruise ship, residences in Saudi Arabia and Paris, and in a jail lobby. Sixty-three tapestries are in public collections. She is a recipient of a WESTAF/NEA Regional Fellowship for Visual Artists, an Individual Artists' Fellowship from the Oregon Art Commission and a Crafts Fellowship from the National Endowment of the Arts. She has written a book entitled "Weaving a Chronicle," described as a visual and written catalog by a working tapestry weaver. Forty-six tapestries, pictured in color, are accompanied by adjacent text describing the reasons for each work's creation. Stories of the tapestries revisit commissions and exhibitions. Each tapestry represents seminal ideas in one of six series. The tapestries contribute to the chronicle of how ideas are conceived and executed-- adding to the history of American art and craft, and to the definition of contemporary tapestry. (details provided by artist, 2008), jpfawkes@earthlink.net, http://www.laurarusso.com/artists/fawkes_jp.html <br>For additional information about the artist, see http://www.lindahodgesgallery.com/artists/poxson_fawkes.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This tapestry piece combines interlocking, triangular patterning and bright colors., Judith Poxson Fawkes, a resident of Portland, Oregon, is a graduate of Cranbrook Academy of Art. She taught weaving at four institutions of higher education, most recently at Lewis and Clark College, Portland. Her fifty-six commissions hang in such diverse locations as a Federal courthouse, hospitals, university and school buildings, corporations and businesses, a Royal Caribbean Cruise ship, residences in Saudi Arabia and Paris, and in a jail lobby. Sixty-three tapestries are in public collections. She is a recipient of a WESTAF/NEA Regional Fellowship for Visual Artists, an Individual Artists' Fellowship from the Oregon Art Commission and a Crafts Fellowship from the National Endowment of the Arts. She has written a book entitled "Weaving a Chronicle," described as a visual and written catalog by a working tapestry weaver. Forty-six tapestries, pictured in color, are accompanied by adjacent text describing the reasons for each work's creation. Stories of the tapestries revisit commissions and exhibitions. Each tapestry represents seminal ideas in one of six series. The tapestries contribute to the chronicle of how ideas are conceived and executed-- adding to the history of American art and craft, and to the definition of contemporary tapestry. (details provided by artist, 2008), jpfawkes@earthlink.net, http://www.laurarusso.com/artists/fawkes_jp.html <br>For additional information about the artist, see http://www.lindahodgesgallery.com/artists/poxson_fawkes.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
A floor-to-ceiling tapestry composed in blue, pink, black, white, red, gray, and purple free-form shapes., Christina Sells; and out it came; state capital v II, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A rectangular felt art piece composed of multiple layers. The top layer consists of 25 triangles in red and yellow, with four broken lines going diagonally across the triangles. The next layer is a rectangular red and orange piece of felt that has two curved pieces cut out to show the blue bottom layer beneath it. 30 blue triangles pointing outward with a green line going through the bottom of all the blue triangles border the yellow, red and orange felt., Khyler Pass Rain 1; Patricia Spark; E.O.C.I.; wool felt, spark@peak.org, http://www.peak.org/~spark/spark.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A rectangular felt art piece composed of multiple layers. The top layer consists of 25 triangles in blue and yellow with four broken lines placed diagonally across the triangles. The next layer is a rectangular yellow piece of felt that has two curved pieces cut out to show the bottom purple layer beneath it. 30 purple triangles pointing outward with a pink line going through the bottom of all the purple triangles border the yellow and blue felt., Khyler Pass Rain 2; Patricia Spark;, spark@peak.org, http://www.peak.org/~spark/spark.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A detailed photograph of a textile art piece. In this detailed version, there are mutliple yellow rectangles, repeating in different shades. To the left of the yellow section are four blue rectangles, and to the right are black rectangles., Ann Williamson Hyman; Ascension detail; justice building, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A black and white, cross-hatch pattern tapestry., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html