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21. Forsaken
Forsaken
Description
In this charcoal drawing, a skeleton clad in black robes holds a sickly man in his arms. Double-headed dogs circle the skeleton anxiously while a group of gray human figures with their backs turned to the audience form a background for the scene., Forsaken; Charcoal; (44 x 66 inches); 1993, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
22. 1996-#7
1996-#7
Description
An oil crayon drawing of the outdoors with a large river as the lower portion of the art piece. In the water are two islands, on both the left and right side of the piece with multiple trees growing on the islands. Where the river ends at the side, are more trees, which may be a forest, in front of a mountainous scape. The rest of the piece, which is most of it, contains the blue sky and white clouds., # 7; 1996; oil crayon on paper; (9 x 12 inches); Inv. #16, http://pnca.edu/programs/bfa/faculty.php, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=248, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
23. Machine Shop II
Machine Shop II
Description
This piece, rendered in a yellow and brown color scheme, depicts two men inspecting some sort of heavy machinery. One man wears an apron while the other props one knee up on a stool as he leans into his work., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
24. Assistance
Assistance
Description
This stylized drawing depicts a man driving a truck labeled "Incident Response" through a celestial background., Assistance; D.L. Cunningham; india ink on acetate; OEM; 2002, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
25. Untitled (Backstrand)
Untitled (Backstrand)
Description
A black and white rendering of a man with his back to the viewer mid-stride. The background is comprised of modulated tonal values, and several deliberate black lines intersect the picture plane. The first in a series of three., 1 of 3; Jay Backstrand; Capitol, http://www.laurarusso.com/artists/backstrand.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
26. Towards the Light-Filled Shore
Towards the Light-Filled Shore
Description
A mixed media art piece of a rectangular drawing in the middle of a silver aluminum diamond. The black and white drawing is of a waterscape with mountains in the back and large clouds. Those two layers are placed on a large rectangle of gold leaf with arrows, formed by dots, going counter-clockwise., Kathleen Caprario; Towards the Light-Filled Shore; pencil & metal leaf on paper; 23x30.5 inches; 1994; CapK94090060, caprariok@lanecc.edu, http://caprarioart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
27. Working Out
Working Out
Description
A visual design consisting of eleven separate six-by-six foot panels--each reflecting different sporting activities, and all created with acrylic paint, charcoal and color conte. Each panel is constructed of ¼ inch birch plywood backed and supported by a one-by-two-inch fir framework., Clint Brown; Working Out; Installation: OSU Dixon Rec. Center; 2012, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
28. Amaryllis
Amaryllis
Description
A pastel drawing of a few flowers in a long thin vase. The upper left corner of the piece is shaded in orange with a little bit of blue and red. In the middle of the piece are words written in German., Rich Bartow; Die Jugenfrische/Amaryllis; pastel & graphite on paper; 50x39 inches; 1995; BarR95031139 (inv. 1728), The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
29. Saggin
Saggin
Description
This black-and-white drawing depicts a young male walking away from the viewer on a street accented with yellow. He wears a baggy sweatshirt and baggy pants., http://www.markwoolley.com/Artist-Detail.cfm?ArtistsID=353, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
30. Working Out
Working Out
Description
A visual design consisting of eleven separate six-by-six foot panels--each reflecting different sporting activities, and all created with acrylic paint, charcoal and color conte. Each panel is constructed of ¼ inch birch plywood backed and supported by a one-by-two-inch fir framework., Clint Brown; Working Out; Installation: OSU Dixon Rec. Center; 2009, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
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