A three-dimensional composition of a floral form utilizing a mixture of materials, such as feathers, clay and glaze on a mirror surface. The piece is housed in what appears to be a plexiglas box., Ken Shores; fetish #13-4; state capital vol III, See http://www.broderickgallery.com/KenShores.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A painting of a large black raven on the left side of the piece with it's mouth open and small fish jumping out into the river. The blue river contains numerous salmon all swimming towards the right of the picture plane. In the background consists of forested mountains., Audrey Hatfield; Raven Brings the Salmon; 2000; Ampersand Boards; Acrylic and Mix Media; 42 x 90 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This view presents a detailed section of the mural, The Bridge of the Gods., Ruth Brockmann; Bridge of the Gods detail; kiln-cast glass, fused glass, colored cement; 1992; Ptld. State Office Bldg., http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This three-dimensional piece is comprised of two stick-like forms inserted perpendicular to a horizontal, rounded rectangular form adorned with a yellow square divided by a diagonal black line., Mark Calderon; Baby's Back; plaster, wood, oil; 40x48 inches, http://www.gregkucera.com/calderon.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
Geometric compositions of colored glass framed over light-emitting boxes on the wall. In the Light Box is an example of the marriage of different types of glass including mirrors with light and wood in an aesthetic way. The graphically designed border with the playful, freeflowing lead in the middle represent Hansen's sense of freedom within his formal graphic design training., In Light Box; Douglas Hansen; leaded glass; each section 48 x 30 inches, Douglas Hansen has maintained an Architectural and Art Glass stuido in Seattle for 15 years. During this time he has developed various processes that make his works varied and original. Tours of Hansen's studio are available by appointment. (1989.), http://www.gallery25.com/Artists/hansen_douglas.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An abstract metal art piece painted with acrylics. The bottom of the piece has a blue shape with three triangular shapes pointing upwards, which interlocks with a brown piece in the middle. The top of the piece is black with a small blue triangle., Bonnie Bronson; 1983; jackson II; steel; enamel and paint 14x15 inches; materials lab, Bonnie Bronson was born in Portland, Oregon in 1940. She attended the University of Oregon and the Pacific Northwest College of Art. She received an Oregon Arts Commission Fellowship in 1978. She was one of the first artists to develop an industrial enamelling process for the arts. Her work is widely collected in Oregon and Washington, and can be seen at the Wy 'East Day Lodge at Timberline, the Justice Center in Portland, Southern Oregon State College, the Oregon Department of Transportation in Salem, as well as numerous private collections. Bonnie died August 4, 1990 on Mazama Glacier in the Mt. Adams Wilderness Area., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
Detailed view of a centerpiece of an artwork made from burl. A prickly texture surrounds four concave rectangles with gridmarks on them. Six cork-like objects protrude; they are arranged in a curving segment. 3 horizontal black bars extend from the right side., Christian Burchard; crossroads I; detail, Born in Hamburg, Germany in 1955, Christian has been living in the United States since 1978. Building on a foundation laid by a furniture makers apprenticeship in Germany in the middle seventies, he studied sculpture and drawing first at the Museum School in Boston and then at the Emily Carr College of Art and Design in Vancouver BC. In 1982 he and his wife, Micheline, opened Cold Mountain Studio in Southern Oregon. His early focus was on furniture and interiors, but gradually shifted to woodturning and sculpture, moving between vessel oriented forms and sculptural turning. His work has been included in most of the major turning related exhibits of the last ten years and is exhibited widely throughout the US. His pieces are part of many public and private collections. He is also sought after as a teacher and demonstrator at craft schools and conferences and related turning events. (information obtained from http://www.burchardstudio.com/bio.html -- viewed 2007-02-22), burchard@hughes.net, http://www.burchardstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A curved gold piece is set in the middle of 3 long horizontal black bars, one thick vertical bar, and six curved bars, all set against a blue wall. Featured in the gold piece are curved etchings exhibiting a prickly texture, and four cork-like objects protruding from the piece., Christian Burchard; crossroads I, Born in Hamburg, Germany in 1955, Christian has been living in the United States since 1978. Building on a foundation laid by a furniture makers apprenticeship in Germany in the middle seventies, he studied sculpture and drawing first at the Museum School in Boston and then at the Emily Carr College of Art and Design in Vancouver BC. In 1982 he and his wife, Micheline, opened Cold Mountain Studio in Southern Oregon. His early focus was on furniture and interiors, but gradually shifted to woodturning and sculpture, moving between vessel oriented forms and sculptural turning. His work has been included in most of the major turning related exhibits of the last ten years and is exhibited widely throughout the US. His pieces are part of many public and private collections. He is also sought after as a teacher and demonstrator at craft schools and conferences and related turning events. (information obtained from http://www.burchardstudio.com/bio.html -- viewed 2007-02-22), burchard@hughes.net, http://www.burchardstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A religious man is pictured concocting what appears to be some sort of experiment or ritual over the top of what appears to be collaged shreds of hand-written documents. The written text reads: "Through the struggle of dissolution and coagulation, illuminated by the progressive and retrograde movement of the stars a new cosmos is created from the old one.", Solve et Coagula; mixed media; 1998, My recent works on paper are inspired by alchemical manuscripts. The alchemists documented their labors in enigmatic texts in which chemical procedures, cosmology and myths are woven together into fantastic allegories. Similarly in my paintings I use imagery of birds, beasts, plants and minerals as symbols of the process of transformation, As an artist I view alchemy as a metaphor for the creative process in which there is progressive transformation and refinement of materials, imagery and ultimately consciousness. In alchemy and art alike the creative imagination is the vital agent of change. The alchemists described their labors as an "art". Like the alchemist I attempt to use physical processes as a mirror of inner experience. The materials become "transmuted" from their initially inert state through creative and chaotic struggle into a new synthesis. In my painting I use physical processes of dissolution, evaporation, heat and gravity which remind me of the alchemist's use of the elements of water, air, fire and earth. Humor is an important element of my work. Likewise humor and paradox were not unknown to the alchemist. The texts abound with cryptic riddles meant to befuddle the literal-minded and catalyze intuitive insight. Hermes, the Greek god of wisdom, was the patron of alchemists and also the trickster who could lead his followers on a search to find "fools gold". Anyone who embarks on a potentially quixotic search to find the elixir of immortality should have plenty of humor and humility to sustain themselves! The homunculus, a human-like creature nurtured in a glass vessel was reputed to have been created in the alchemical laboratory. In the novel "Frankenstein" the renegade doctor studies the writings of Paracelsus, the swiss alchemist, before creating his monster. I see the homunculus as a metaphor for modem technology with all its wonders and potential horrors. The series of "Homunculus" sculptures which utilize remnants of household appliances and found objects explores this theme in a whimsical fashion. The alchemist searched for the "gold of the philosophers"-philosophical wisdom. In their pursuit of nature's secrets they combined scientific experimentation with a mystical quest for illumination. Their holistic view of the universe viewed matter and consciousness as a continuum, anticipating recent developments in physics. Alchemy is the ancestor of modem science; perhaps there is something that can be learned from its legacy? I am inspired artistically by the beauty of the texts and their insights into the mysteries of creation. Hopefully my own fanciful creations convey something of the spirit of that tradition. (Nez, 1998), http://www.augengallery.com/Artists/nez.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org