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41. Wild Flowers II
Wild Flowers II
Description
This impressionistic landscape print depicts a hillside covered in specs of color that imply wild flowers. Brown hills and a blue sky with white clouds occupy the background., Cie Goulet; Wildflowers II #480; 1993; 4 x 33 inches; Knight, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
42. Site #3
Site #3
Description
A jumble of rectangular shapes rendered in black, white, red, purple, yellow, and turquoise imply the action of this piece. In addition, fiberous strands that appear to be hair or string or yarn are scattered across the picture plane., Judy Cooke; Site #3; Revenue, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=21, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
43. Crow Quiet
Crow Quiet
Description
A very dark print featuring a black crow facing towards the right with a red outlining. The crow has a white 'x' scratched in the middle of it. Above the crow's head is a large 'x' enclosed in a black circle.There are many lines which intersect each other in varying shades of black and red., The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
44. Hen on Hat Mask
Hen on Hat Mask
Description
This piece presents an enigmatic portrait of a human form rendered in a combination of white, yellow, pink, and red. The form wears what appears to be a purple and red stylized cowboy hat. The background is comprised of blue, purple, and orange., Rick Bartow; Hen Hat on Mask; mixed media; 36 x 26 inches, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
45. Rubiyat 4
Rubiyat 4
Description
An abstract print exhibiting various colors and geometrical shapes. Most of the shapes include triangles and half circles. The colors vary from red, blue, pink, orange, green, purple, and beige., Rubiyat 4; Tarpey, L.; Monoprint; 13 x 22 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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