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21. Euphro
Euphro
Description
A large, variegated, light yellow square bordered on the right and on the bottom by strips of a darker yellow and brown, respectively. A thin, white line intersects each edge of the piece and suggests a trapezoidal shape fully defined only outside the picture plane. Variations between duplicate images directly relate to original source materials., Oil, wax on canvas; 6 1/2 x 6', http://www.laurarusso.com/artists/pitkin.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
22. Oceanscape
Oceanscape
Description
A realistic scene from the deck of a ship at sea amongst rough water. The crew of the ship is busy at work under a stormy sky. The photograph of the artwork was taken in 1991., Henk Pander; Oceanography; OSU-Snell, http://artistsregister.com/artists/OR9, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
23. Chippewa River
Chippewa River
Description
An abstract painting that is mostly blue, with a white thin tree trunk with branches in the middle. Below the blue paint is mostly black, and next to the blue paint is white and yellow paint., Jef Gunn; Chippewa River; 1993; 53 1/4x48 3/4; encaustic on wood, Jef Gunn is a painter, printmaker and sometimes sculptor, who has worked in Portland, Oregon. Gunn attends to the relationship between consciousness and the phenomenal world, expressed in simple large forms of Nature drawn from memory of experience in wilderness and urban environs, concentrated into shapes, text, pattern and signs. 'I don't know if I care much about self expression. In relation to the wilderness or the city, what is a self? Art is mind revealing mind.', info@jefgunn.com, http://www.jefgunn.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
24. A Mystery Desired and Sought I-X (VII)
A Mystery Desired and Sought I-X (VII)
Description
A geometric composition that utilizes thick brush strokes to create wavy lines and texture in the surface of the paint. This piece is rendered in blue, purple, green, red, and yellow. Predominant shapes include triangles and rectangles., James B Thompson; 1992; A mystery desired and sought VII, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
25. Madeline at Eight
Madeline at Eight
Description
An oil painting of a girl laying halfway on a rug and the wood of her bedroom floor. The view is premised from the ceiling. Around her are toys and balls on the floor. There is an unmade bed to her right, a dresser with a drawer open to her left, and a window behind her., Margaret Puckette; Madeline at Eight; oil on panel; march 1993; 36x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
26. Fire
Fire
Description
This painting depicts a ground fire in the understory of a green forest., Fire; oil on canvas; (65 x 70 inches); '95; BroM95090508; [no.] 6, Artist Michael Brophy's "regal, decaying landscapes and portraits of jagged tree stumps spotlight the confluence of humanity and nature. Often enormous in scale and rippling with undercurrents of humor and social commentary, his paintings are included in the collections of Portland Art Museum, Tacoma Art Museum, Microsoft, and other important institutions." (see online biography at http://www.pnca.edu/exposure/stories/26/michael-brophy), http://www.laurarusso.com/artists/brophy.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
27. Cat Tails & Pussy Willows
Cat Tails & Pussy Willows
Description
Beyond what has been provided herein, we have no additional information regarding this artwork., "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
28. Bounty
Bounty
Description
(Left Detail) A view from above of what appears to be a table scene with linens and various dishes and foods and flowers., Bounty; 4 feet x 28 inches; oil on canvas; detail, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
29. Language Series #77
Language Series #77
Description
A mixed media art piece of what looks like collaged pieces of paper and material glued or taped together. There are black letterings of which some appear to be backwards., Jerry Iverson; 1993; 36x40 inches; mm on board; sold ohsu; language series #77, http://www.pulliamdeffenbaugh.com/Artist-Detail.cfm?ArtistsID=163, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
30. Slab Assembly
Slab Assembly
Description
This piece consists of several trapezoidal shapes and two triangles arranged together. The left most trapezoid is a darker gray than the rest of the composition, except for the red triangle at the the top. The other triangle near the bottom right contains a red number 23., Otto's special concept of slab assembly, a term coined by the painter to paraphrase his technique, utilizes the assemblage of many different paintings, each unique in itself, together to create a total image impression. Often the painter uses an occasional landscape or figurative painting as an instrument to contrast and enhance the vast repertory of geometrical shapes and to further expand the compositional impact of his work. Expressive strokes and striking colors juxtaposed throughout each assemblage also lend energy and stregth to the unusual perspective illusions and design patterns realized by the painter. (Museum Services Gallery press release, San Jose, 1980)., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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