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1. Yankee Champion

Description: A large, outdoor metal sculpture uniting a conglomerate of shapes supported by three irregularly shaped legs., Tom Morandi; yankee champion; psu prof schools, Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989., tmorandi@comcast.net; tmorandi@oregonstate.edu, http://www.tommorandi.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

2. Ideals

Description: The following series of images presents two contextual views of Muriel Castanis' completed sculpture, "Ideals," as well as six views of the construction process in her studio., http://www.okharris.com/artists/castanis.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

3. Vertical Multi-Chrome

Vertical Multi-Chrome

Description: erictillinghast@gmail.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

4. Vertical Multi-Chrome

Vertical Multi-Chrome

Description: erictillinghast@gmail.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

5. Braille Rail

Description: The brash, strutting crows / impress themselves. / Their secret joke / aloft in the wind., keithjellum@isp.cm, http://keithjellum.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

6. Braille Rail

Description: The brash, strutting crows / impress themselves. / Their secret joke / aloft in the wind., keithjellum@isp.cm, http://keithjellum.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

7. Braille Rail

Description: The brash, strutting crows / impress themselves. / Their secret joke / aloft in the wind., keithjellum@isp.cm, http://keithjellum.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

8. Braille Rail

Description: The brash, strutting crows / impress themselves. / Their secret joke / aloft in the wind., keithjellum@isp.cm, http://keithjellum.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

9. Space Time Tuition Differential

Space Time Tuition Differential

Description: Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

10. Space Time Tuition Differential

Space Time Tuition Differential

Description: Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

11. Space Time Tuition Differential

Space Time Tuition Differential

Description: Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

12. Space Time Tuition Differential

Space Time Tuition Differential

Description: Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

13. Space Time Tuition Differential

Space Time Tuition Differential

Description: Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

14. Cornelius, Zira and Friends in Hemispheres

Cornelius, Zira and Friends in Hemispheres

Description: Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

15. Cornelius, Zira and Friends in Hemispheres

Cornelius, Zira and Friends in Hemispheres

Description: Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

16. Cornelius, Zira and Friends in Hemispheres

Cornelius, Zira and Friends in Hemispheres

Description: Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

17. Cornelius, Zira and Friends in Hemispheres

Cornelius, Zira and Friends in Hemispheres

Description: Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

18. Plastic Bottle Caps Interlocked by Plastic Locking Strips

Plastic Bottle Caps Interlocked by Plastic Locking Strips

Description: Colorful, abstract, organic forms created by multiple reclaimed bottlecaps., Laurel Kurtz has been an M.F.A. candidate in the Art and Social Practice Program at Portland State University. Steven Beatty received an M.F.A. in Studio Art with an emphasis on sculpture from Portland State University in 2006. (2009), sbeatty@pdx.edu, http://stevenbeatty.blogspot.com/; http://lorol.blogspot.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

19. Plastic Bottle Caps Interlocked by Plastic Locking Strips

Plastic Bottle Caps Interlocked by Plastic Locking Strips

Description: Colorful, abstract, organic forms created by multiple reclaimed bottlecaps., Laurel Kurtz has been an M.F.A. candidate in the Art and Social Practice Program at Portland State University. Steven Beatty received an M.F.A. in Studio Art with an emphasis on sculpture from Portland State University in 2006. (2009), sbeatty@pdx.edu, http://stevenbeatty.blogspot.com/; http://lorol.blogspot.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

20. Plastic Bottle Caps Interlocked by Plastic Locking Strips

Plastic Bottle Caps Interlocked by Plastic Locking Strips

Description: Colorful, abstract, organic forms created by multiple reclaimed bottlecaps., Laurel Kurtz has been an M.F.A. candidate in the Art and Social Practice Program at Portland State University. Steven Beatty received an M.F.A. in Studio Art with an emphasis on sculpture from Portland State University in 2006. (2009), sbeatty@pdx.edu, http://stevenbeatty.blogspot.com/; http://lorol.blogspot.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

21. Sculptures fo Urban Studies Plaza

Sculptures fo Urban Studies Plaza

Description: Four large sculptures placed in an open air plaze between The Urban Center and Academic and Student Recreation Center., The sculptor John Aiken studied at the Chelsea School of Art (1968-73) and British School at Rome (1973-75). In 1986 he was appointed Head of Sculpture at the Slade School of Fine Art in London. His interest in military architecture and in archaeology underpins much of his work, German fortifications in Northern France being for him ‘the most impressive sculpture park in the world.’ He has exhibited extensively and has been awarded many commissions including a 40 metre frieze in Belfast City Hospital (1986), a steel sculpture for the Arts Council of Northern Ireland and two monumental sculptures in Portuguese granite for the Department of the Environment. John Aiken is also known for being the Slade Professor / Director at the Slade School of Fine Art in London. --Arts Council of Northern Ireland <http://www.artscouncil-ni.org/publicart/tour/tour18.htm>, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

22. Sculptures fo Urban Studies Plaza

Sculptures fo Urban Studies Plaza

Description: Four large sculptures placed in an open air plaze between The Urban Center and Academic and Student Recreation Center., The sculptor John Aiken studied at the Chelsea School of Art (1968-73) and British School at Rome (1973-75). In 1986 he was appointed Head of Sculpture at the Slade School of Fine Art in London. His interest in military architecture and in archaeology underpins much of his work, German fortifications in Northern France being for him ‘the most impressive sculpture park in the world.’ He has exhibited extensively and has been awarded many commissions including a 40 metre frieze in Belfast City Hospital (1986), a steel sculpture for the Arts Council of Northern Ireland and two monumental sculptures in Portuguese granite for the Department of the Environment. John Aiken is also known for being the Slade Professor / Director at the Slade School of Fine Art in London. --Arts Council of Northern Ireland <http://www.artscouncil-ni.org/publicart/tour/tour18.htm>, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

23. Sculptures fo Urban Studies Plaza

Sculptures fo Urban Studies Plaza

Description: Four large sculptures placed in an open air plaze between The Urban Center and Academic and Student Recreation Center., The sculptor John Aiken studied at the Chelsea School of Art (1968-73) and British School at Rome (1973-75). In 1986 he was appointed Head of Sculpture at the Slade School of Fine Art in London. His interest in military architecture and in archaeology underpins much of his work, German fortifications in Northern France being for him ‘the most impressive sculpture park in the world.’ He has exhibited extensively and has been awarded many commissions including a 40 metre frieze in Belfast City Hospital (1986), a steel sculpture for the Arts Council of Northern Ireland and two monumental sculptures in Portuguese granite for the Department of the Environment. John Aiken is also known for being the Slade Professor / Director at the Slade School of Fine Art in London. --Arts Council of Northern Ireland <http://www.artscouncil-ni.org/publicart/tour/tour18.htm>, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

24. Sculptures fo Urban Studies Plaza

Sculptures fo Urban Studies Plaza

Description: Four large sculptures placed in an open air plaze between The Urban Center and Academic and Student Recreation Center., The sculptor John Aiken studied at the Chelsea School of Art (1968-73) and British School at Rome (1973-75). In 1986 he was appointed Head of Sculpture at the Slade School of Fine Art in London. His interest in military architecture and in archaeology underpins much of his work, German fortifications in Northern France being for him ‘the most impressive sculpture park in the world.’ He has exhibited extensively and has been awarded many commissions including a 40 metre frieze in Belfast City Hospital (1986), a steel sculpture for the Arts Council of Northern Ireland and two monumental sculptures in Portuguese granite for the Department of the Environment. John Aiken is also known for being the Slade Professor / Director at the Slade School of Fine Art in London. --Arts Council of Northern Ireland <http://www.artscouncil-ni.org/publicart/tour/tour18.htm>, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

25. Sculptures fo Urban Studies Plaza

Sculptures fo Urban Studies Plaza

Description: Four large sculptures placed in an open air plaze between The Urban Center and Academic and Student Recreation Center., The sculptor John Aiken studied at the Chelsea School of Art (1968-73) and British School at Rome (1973-75). In 1986 he was appointed Head of Sculpture at the Slade School of Fine Art in London. His interest in military architecture and in archaeology underpins much of his work, German fortifications in Northern France being for him ‘the most impressive sculpture park in the world.’ He has exhibited extensively and has been awarded many commissions including a 40 metre frieze in Belfast City Hospital (1986), a steel sculpture for the Arts Council of Northern Ireland and two monumental sculptures in Portuguese granite for the Department of the Environment. John Aiken is also known for being the Slade Professor / Director at the Slade School of Fine Art in London. --Arts Council of Northern Ireland <http://www.artscouncil-ni.org/publicart/tour/tour18.htm>, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

26. Sculptures fo Urban Studies Plaza

Sculptures fo Urban Studies Plaza

Description: Four large sculptures placed in an open air plaze between The Urban Center and Academic and Student Recreation Center., The sculptor John Aiken studied at the Chelsea School of Art (1968-73) and British School at Rome (1973-75). In 1986 he was appointed Head of Sculpture at the Slade School of Fine Art in London. His interest in military architecture and in archaeology underpins much of his work, German fortifications in Northern France being for him ‘the most impressive sculpture park in the world.’ He has exhibited extensively and has been awarded many commissions including a 40 metre frieze in Belfast City Hospital (1986), a steel sculpture for the Arts Council of Northern Ireland and two monumental sculptures in Portuguese granite for the Department of the Environment. John Aiken is also known for being the Slade Professor / Director at the Slade School of Fine Art in London. --Arts Council of Northern Ireland <http://www.artscouncil-ni.org/publicart/tour/tour18.htm>, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

27. Six Bug Benches

Six Bug Benches

Description: This view presents a detail of one of six bug benches. This particular bench is inlaid with blocks of letters., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

28. Two Kiln Gates

Description: A red, metal gate inlaid with ceramic mosaic pieces that combines the image of a caterillar and a butterfly., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

29. Butterfly World and Gates

Butterfly World and Gates

Description: A green gate, inlaid with ceramic mosaic pieces that present two flowers and an insect form., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

30. Butterfly World and Gates

Butterfly World and Gates

Description: A green gate, inlaid with ceramic mosaic pieces that imply plant forms., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

31. Butterfly World and Gates

Butterfly World and Gates

Description: This view details one of the inlaid butterflies on the courtyard wall., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

32. Butterfly World and Gates

Butterfly World and Gates

Description: This view details one of the inlaid butterflies on the courtyard wall., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

33. Butterfly World and Gates

Butterfly World and Gates

Description: Flourescent pink, blue, green, yellow, and orange create a backdrop for five large butterfly forms whose wings display geometric patterning and mosaic inlay. This view presents a detail of the butterflies on the left of the main courtyard wall., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

34. Butterfly World and Gates

Butterfly World and Gates

Description: Flourescent pink, blue, green, yellow, and orange create a backdrop for five large butterfly forms whose wings display geometric patterning and mosaic inlay., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

35. Vitae Mensae

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

36. Great Salmon

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

37. Sightings

Description: This view presents context for the multiple bronze castings of birds and animals that dot the courtyard to the Columbia River Correctional Institution., "sightings"; Tom Askman; Columbia River corrections, (2006) Tom Askman is an art professor at Eastern Washington University., http://www.tomaskman.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts and Culture. Visit their website at: http://www.racc.org/

38. Sightings

Description: This view presents context for the multiple bronze castings of birds and animals that dot the courtyard to the Columbia River Correctional Institution., "sightings"; Tom Askman; Columbia River corrections, (2006) Tom Askman is an art professor at Eastern Washington University., http://www.tomaskman.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts and Culture. Visit their website at: http://www.racc.org/

39. Sightings

Description: This view presents context for the multiple bronze castings of birds and animals that dot the courtyard to the Columbia River Correctional Institution., "sightings"; Tom Askman; Columbia River corrections, (2006) Tom Askman is an art professor at Eastern Washington University., http://www.tomaskman.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts and Culture. Visit their website at: http://www.racc.org/

40. Decker

Description: This piece is comprised of rectangular sections of flat, perhaps ceramic material that has been painted in deep blue, red, turquoise, and black. A pattern seems to emerge from their painted surfaces. Pieces vary in height, and they are arranged in such a way that they resemble a xylophone that stretches a significant length down the curved wall upon which they are mounted., http://www.laurarusso.com/artists/pagen.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts and Culture. You may view their website at http://www.racc.org/

41. Decker

Description: This piece is comprised of rectangular sections of flat, perhaps ceramic material that has been painted in deep blue, red, turquoise, and black. A pattern seems to emerge from their painted surfaces. Pieces vary in height, and they are arranged in such a way that they resemble a xylophone that stretches a significant length down the curved wall upon which they are mounted., http://www.laurarusso.com/artists/pagen.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts and Culture. You may view their website at http://www.racc.org/

42. Decker

Description: This piece is comprised of rectangular sections of flat, perhaps ceramic material that has been painted in deep blue, red, turquoise, and black. A pattern seems to emerge from their painted surfaces. Pieces vary in height, and they are arranged in such a way that they resemble a xylophone that stretches a significant length down the curved wall upon which they are mounted., http://www.laurarusso.com/artists/pagen.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts and Culture. You may view their website at http://www.racc.org/

43. creative process, view 6

creative process, view 6

Description: This view details steps in the lost-wax casting process used to create Ideals., Muriel Castanis; Ideals; 444 6th Avenue, New York, New York 10011; 1992; with patina, http://www.okharris.com/artists/castanis.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

44. creative process, view 5

creative process, view 5

Description: This view details steps in the lost-wax casting process used to create Ideals., Muriel Castanis; Ideals; 444 6th Avenue, New York, New York 10011; 1992; first cast test, http://www.okharris.com/artists/castanis.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

45. creative process, view 4

creative process, view 4

Description: This view details steps in the lost-wax casting process used to create Ideals., Muriel Castanis; Ideals; 444 6th Avenue, New York, New York 10011; 1992; detail, http://www.okharris.com/artists/castanis.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

46. creative process, view 3

creative process, view 3

Description: This view details steps in the lost-wax casting process used to create Ideals., Muriel Castanis; Ideals; 444 6th Avenue, New York, New York 10011; 1992; original bronze, http://www.okharris.com/artists/castanis.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

47. creative process, view 2

creative process, view 2

Description: This view details steps in the lost-wax casting process used to create Ideals., Muriel Castanis; Ideals; 444 6th Avenue, New York, New York 10011; 1992; View I; wax cast; 12/91, http://www.okharris.com/artists/castanis.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

48. creative process, view 1

creative process, view 1

Description: This view details steps in the lost-wax casting process used to create Ideals., Muriel Castanis; Ideals; 444 6th Avenue, New York, New York 10011; View II; wax cast; 12/91, http://www.okharris.com/artists/castanis.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

49. side

Description: This view presents context for Muriel Castanis' sculpture, Ideals, as seen from a perspective looking away from the Portland State Office Building. It consists of the illusion of a human female form, defined by the draping and gathering of cloth rather than the positive space of the form herself., Muriel Castanis; Ideals; 444 6th Avenue, New York, New York 10011; 1992, http://www.okharris.com/artists/castanis.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

50. front

Description: This view presents context for Muriel Castanis' sculpture, Ideals, as seen from a perspective looking toward the Portland State Office Building. It consists of the illusion of a human female form, defined by the draping and gathering of cloth rather than the positive space of the form herself., Muriel Castanis; Ideals; 444 6th Avenue, New York, New York 10011; 1992, http://www.okharris.com/artists/castanis.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

51. Ra

Description: This sculpture combines sheet lead, which has been pieced together with what appears to be rivets or nails to form a trapezoidal base, and an oval-shaped stone that has been incised with two downward-pointing arrows. The stone perches on top of the trapezoidal, sheet lead base., Mike Taylor; Ra; stone, lead; 13 x 12 x 12 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

52. She Flies With Her Own Wings

She Flies With Her Own Wings

Description: This sculptural installation, which can be viewed from either the first or second floor lobbies, presents a bird in flight attached to the ceiling, dramatically lit by an elaborate lighting mechanism that extends up from the circular cutaway in the ceiling between the first and second floors. This particular view from the first floor reveals the cutaway between the first and second floors where one can look up into it to view the bird form hanging from the ceiling above., D. Merkt; She Flies with Her Own Wings, http://www.4culture.org/publicart/registry/sites/sites_artist.asp?ArtistID=52, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

53. She Flies With Her Own Wings

She Flies With Her Own Wings

Description: This sculptural installation, which can be viewed from either the first or second floor lobbies, presents a bird in flight attached to the ceiling, dramatically lit by an elaborate lighting mechanism that extends up from the circular cutaway in the ceiling between the first and second floors. This particular view showcases the bird form and its lighting mechanism., D. Merkt; She Flies with Her Own Wings, http://www.4culture.org/publicart/registry/sites/sites_artist.asp?ArtistID=52, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

54. She Flies With Her Own Wings

She Flies With Her Own Wings

Description: This sculptural installation, which can be viewed from either the first or second floor lobbies, presents a bird in flight attached to the ceiling, dramatically lit by an elaborate lighting mechanism that extends up from the circular cutaway in the ceiling between the first and second floors. This particular view, from the second floor lobby, presents a contextual view of the sculpture and its lighting mechanism., D. Merkt; She Flies with Her Own Wings, http://www.4culture.org/publicart/registry/sites/sites_artist.asp?ArtistID=52, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

55. Weasel Spirit Mask

Weasel Spirit Mask

Description: This sculptural form presents a mask of a human face hybridized with a weasel's face. The mask is flanked by two weasel forms hyridized with human forms. Red beads provide detail for the eyes, noses, and mouths as well as the connections between the weasels' feet and the sides of the mask., John Hoover; Weasel Spirit Mask; red cedar/oil pigments/beads; 21 x 17 x 4 inches, http://www.ancestralspirits.com/ws/alaskan/johnhoover/johnhoover1.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

56. Native American Cradle Board

Native American Cradle Board

Description: This functional cradle board displays beaded adornment in the form of yellow and blue flowers and green vines., Priscilla Bettles; Native American Craddleboard; elk hide and beadwork; 33 x 10.5 x 15.5 inches, http://www.openc.k12.or.us/start/visual/basics/folk/vbas7e.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

57. Cobbletale

Description: This piece consists of historic cobble stones laid into a raised walkway., Jerry Mayer; Cobbletalk; Sculpture; PSU-West Hall, http://www.4culture.org/publicart/registry/plans/plans_artist.asp?ArtistID=10, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

58. Cobbletale

Description: This piece consists of historic cobble stones laid into a raised walkway., Jerry Mayer; Cobbletalk; Sculpture; PSU-West Hall, http://www.4culture.org/publicart/registry/plans/plans_artist.asp?ArtistID=10, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

59. view 6

Description: A large, outdoor metal sculpture uniting a conglomerate of shapes supported by three irregularly shaped legs., Tom Morandi; yankee champion; psu prof schools, Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989., tmorandi@comcast.net; tmorandi@oregonstate.edu, http://www.tommorandi.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

60. view 5

Description: A large, outdoor metal sculpture uniting a conglomerate of shapes supported by three irregularly shaped legs., Tom Morandi; yankee champion; psu prof schools, Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989., tmorandi@comcast.net; tmorandi@oregonstate.edu, http://www.tommorandi.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

61. view 4 (detail)

Description: A large, outdoor metal sculpture uniting a conglomerate of shapes supported by three irregularly shaped legs., Tom Morandi; yankee champion; psu prof schools, Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989., tmorandi@comcast.net; tmorandi@oregonstate.edu, http://www.tommorandi.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

62. view 3

Description: A large, outdoor metal sculpture uniting a conglomerate of shapes supported by three irregularly shaped legs., Tom Morandi; yankee champion; psu prof schools, Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989., tmorandi@comcast.net; tmorandi@oregonstate.edu, http://www.tommorandi.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

63. view 2

Description: A large, outdoor metal sculpture uniting a conglomerate of shapes supported by three irregularly shaped legs., Tom Morandi; yankee champion; psu prof schools, Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989., tmorandi@comcast.net; tmorandi@oregonstate.edu, http://www.tommorandi.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

64. view 1 (detail)

Description: A large, outdoor metal sculpture uniting a conglomerate of shapes supported by three irregularly shaped legs., Tom Morandi; yankee champion; psu prof schools, Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989., tmorandi@comcast.net; tmorandi@oregonstate.edu, http://www.tommorandi.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

65. Untitled (Overhoff)

Untitled (Overhoff)

Description: Stylized and patterned alterations to conventional bricks integrate into a wall of otherwise conventional bricks., Jacques Overhoff; Untitled; PSU Prof. Schools, http://www.ci.richmond.ca.us/index.asp?NID=608, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

66. Levitated Light

Levitated Light

Description: Rectangular pieces of reflective material hang in a grid pattern that exists in three-dimensional space and hangs from the ceiling., Dale Eldred; Levitated Light; PSU Prof. Schools, http://www.cultureport.com/cultureport/artists/eldred/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

67. Levitated Light

Levitated Light

Description: Rectangular pieces of reflective material hang in a grid pattern that exists in three-dimensional space and hangs from the ceiling., Dale Eldred; Levitated Light; PSU Prof. Schools, http://www.cultureport.com/cultureport/artists/eldred/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

68. Levitated Light

Levitated Light

Description: Rectangular pieces of reflective material hang in a grid pattern that exists in three-dimensional space and hangs from the ceiling., Dale Eldred; Levitated Light; PSU Prof. Schools, http://www.cultureport.com/cultureport/artists/eldred/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

69. Quilt Block: Prairie Queen

Quilt Block: Prairie Queen

Description: This folded-paper relief is comprised of a grid pattern that alternates between metallic, small grid sections and sections of both dark gray and light gray paper. Colored confetti also adorns the surface., Nexus; Quilt Block: Prairie Queen; 32 x 31 inches; Portland State Office Building; © 1985;, Nexus is a design group specializing in textile collaboration, including works in paper. 1986 group members include Susanna Campbell Kuo, Marie Lyman and Alice Van Leunen.<br>The paper relief sculptures are based on traditional Japanese origami., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

70. Tecotosh

Description: This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

71. Untitled (West)

Untitled (West)

Description: A series of four identically sized and shaped metal, rectangular wall relief sculptures. Each section contains wavy relief indentations, and they are arranged side by side and flush to each other.Variations between duplicate images directly relate to original source materials., wall relief, stainless steel, sandblasted, From 1997 - 2005, Bruce West was Head of the Sculpture Department and Senior Lecturer at Lewis & Clark College in Portland, Oregon., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/

72. Tecotosh

Description: This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

73. Tecotosh

Description: This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

74. Tecotosh

Description: This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

75. Tecotosh

Description: This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

76. Tecotosh

Description: This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

77. Tecotosh

Description: This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

78. Tecotosh

Description: This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

79. Memorial Inscription

Memorial Inscription

Description: This piece consists of ten inscribed metal panels and five inscribed stone benches that honor Dr. Stephen Epler, a founder of Portland State University., Margot Voorhies Thompson; Memorial Inscription; PSU Epler Plaza; 7 granite benches, 10 etched metal panels, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

80. Memorial Inscription

Memorial Inscription

Description: This piece consists of ten inscribed metal panels and five inscribed stone benches that honor Dr. Stephen Epler, a founder of Portland State University., Margot Voorhies Thompson; Memorial Inscription; PSU Epler Plaza; 7 granite benches, 10 etched metal panels, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

81. Memorial Inscription

Memorial Inscription

Description: This piece consists of ten inscribed metal panels and five inscribed stone benches that honor Dr. Stephen Epler, a founder of Portland State University., Margot Voorhies Thompson; Memorial Inscription; PSU Epler Plaza; 7 granite benches, 10 etched metal panels, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

82. Memorial Inscription

Memorial Inscription

Description: This piece consists of ten inscribed metal panels and five inscribed stone benches that honor Dr. Stephen Epler, a founder of Portland State University., Margot Voorhies Thompson; Memorial Inscription; PSU Epler Plaza; 7 granite benches, 10 etched metal panels, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

83. Memorial Inscription

Memorial Inscription

Description: This piece consists of ten inscribed metal panels and five inscribed stone benches that honor Dr. Stephen Epler, a founder of Portland State University., Margot Voorhies Thompson; Memorial Inscription; PSU Epler Plaza; 7 granite benches, 10 etched metal panels, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

84. Six Bug Benches

Six Bug Benches

Description: Three of six bug benches, each decorated with unique colorful, geometric patterns., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

85. Six Bug Benches

Six Bug Benches

Description: Three of six bug benches, each decorated with unique colorful, geometric patterns., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

86. Six Bug Benches

Six Bug Benches

Description: Three of six bug benches, each decorated with unique colorful, geometric patterns., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

87. Two Lizards

Description: A concrete lizard inlaid with ceramic mosaic pieces that occupies the underside of a metal stairway., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

88. Two Lizards

Description: A concrete lizard inlaid with ceramic mosaic pieces that occupies the underside of a metal stairway., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

89. Butterfly World and Gates

Butterfly World and Gates

Description: Flourescent pink, blue, green, yellow, and orange create a backdrop for five large butterfly forms whose wings display geometric patterning and mosaic inlay., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

90. Butterfly World and Gates

Butterfly World and Gates

Description: Flourescent pink, blue, green, yellow, and orange create a backdrop for five large butterfly forms whose wings display geometric patterning and mosaic inlay., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

91. Butterfly World and Gates

Butterfly World and Gates

Description: A green gate, inlaid with ceramic mosaic pieces that present plant forms and an insect form., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

92. Butterfly World and Gates

Butterfly World and Gates

Description: A contextual view of inlaid butterflies and gate in the courtyard at the Helen Gordon Child Center., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

93. Butterfly World and Gates

Butterfly World and Gates

Description: A concrete and ceramic plaque that presents a bee surrounded by several other insect forms and the sun., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

94. Two Kiln Gates

Description: A red, metal gate that linearly defines a butterfly around a central axis point, which doubles as the fulcrum for the gate., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

95. Two Kiln Gates

Description: A red, metal gate that linearly defines a butterfly around a central axis point, which doubles as the fulcrum for the gate., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

96. Two Kiln Gates

Description: A red, metal gate inlaid with ceramic mosaic pieces that combines the image of a caterillar and a butterfly., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

97. Japanese Maple Trees with Rocks

Japanese Maple Trees with Rocks

Description: A collection of cut basalt columns, some of which breach the barrier of the glass front of the Department of Transportation., Michihiro Kosuge; Commission for Oregon Department of Transportation; site specific installation; Portland, Oregon; basalt sculptures; '99, http://www.laurarusso.com/artists/kosuge.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

98. Japanese Maple Trees with Rocks

Japanese Maple Trees with Rocks

Description: A collection of cut basalt columns, some of which breach the barrier of the glass front of the Department of Transportation., Michihiro Kosuge; Commission for Oregon Department of Transportation; site specific installation; Portland, Oregon; basalt sculptures; '98, http://www.laurarusso.com/artists/kosuge.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

99. Japanese Maple Trees with Rocks

Japanese Maple Trees with Rocks

Description: A collection of cut basalt columns, some of which breach the barrier of the glass front of the Department of Transportation., Michihiro Kosuge; Commission for Oregon Department of Transportation; site specific installation; Portland, Oregon; basalt sculptures; '97, http://www.laurarusso.com/artists/kosuge.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

100. Japanese Maple Trees with Rocks

Japanese Maple Trees with Rocks

Description: A collection of cut basalt columns, some of which breach the barrier of the glass front of the Department of Transportation., Michihiro Kosuge; Commission for Oregon Department of Transportation; site specific installation; Portland, Oregon; basalt sculptures; '96, http://www.laurarusso.com/artists/kosuge.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/