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1. view 2; detail of work in progress
view 2; detail of work in progress
Description
This detailed view shows the construction of Bonnie Bronson's red square piece. The steel depicted are in its original color., Bonnie Bronson; 1984; SOSC Ashland OR; McNeil Pavilion; work in progress, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
2. Acroterian - 3 stained glass chandeliers
Acroterian - 3 stained glass chandeliers
Description
Acroterian-3 stained glass chandeliers, by Tim Yockey, utilizes subtle textures in the glass to provide a soft, yet stern look to the piece., Acroterian; sosc; tim yockey; stained glass chandeliers; 24 in diameter, In 1999, Tim Yockey created a video entitled "Making Stained Glass Windows With Tim Yockey" (VHS)., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
3. page 2
page 2
4. view 4
view 4
Description
Bonnie Bronson plays with the composition and orientation of red square pieces. The vibrant red accentuates the building exterior and brings a splash of life to the surrounding environment., Bonnie Bronson; 1984; SOSC Ashland OR; enamel on steel; 9x13 ft, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
5. Never the Same River
Never the Same River
Description
Never the Same River utilizes a number of tapestry patterns to create an abstract flow of a river. Some patterns resemble rocks and sand, others provide the fluidity of the water., H. Wilson; ashland or; never the same river; 1981; sewn tapestry; 1981, Helen Wilson received her bachelor’s degree from the University of Oregon. Thereafter she studied fine arts and crafts at numerous institutions in California before landing in Boulder, Colo., to teach craft and art seminars to college and high school students. In 1973, a fire destroyed Wilson’s home and studio, prompting her to return to the Northwest and Ashland. The oldest of four children, Wilson was born in Salina, Kan., grew up on a farm in Chehalis, Wash., and in her resumé expresses the importance of the woods of Washington state in her view of life. Many of her tapestries had a natural theme that may relate back to this era. “Lush complexity marked those landscapes, and this is how I visualize and express nature today,” Wilson wrote in a recent resume. (Iinformation from 2006 article, Ashland Daily Tidings at http://www.dailytidings.com/2006/April%202006/0419/041906n3.php), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
6. Untitled
Untitled
Description
Dianne Kornberg's Foulweather Series #1 is a black and white photographic depiction of a crab (possibly a fossilised crab) and parts of a branch. The white crab shell against the black background gives a scientific specimen feel to the piece., Diane Kornberg; foulweather series #1, In 1989, Dianne Kornberg became a faculty member at the Pacific Northwest College of Art teaching the junior year photography curriculum while also mentoring seniors on their thesis projects. “Many of my students have become lifelong friends,” she says. “It has been a joy to watch their work develop, to celebrate their professional successes, to remain in touch over the years.” (See biography at http://www.pnca.edu/exposure/stories/22/dianne-kornberg), http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=123 <br>http://www.pnca.edu/exposure/stories/22/dianne-kornberg, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
7. 1984 Bronson exhibition list
1984 Bronson exhibition list
Description
Bonnie Bronson was born in Portland, Oregon in 1940. She attended the University of Oregon and the Pacific Northwest College of Art. She received an Oregon Arts Commission Fellowship in 1978. She was one of the first artists to develop an industrial enamel, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
8. front cover
front cover
9. view 1
view 1
Description
Bonnie Bronson plays with the composition and orientation of red square pieces. The vibrant red accentuates the building exterior and brings a splash of life to the surrounding environment., Bonnie Bronson; 1984; SOSC Ashland OR; enamel on steel; 9x13 ft, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
10. Untitled
Untitled
Description
Dianne Kornberg's Foulweather Series #2 is a black and white photographic depiction of a seemingly fossilized rock with crabs attached to it. The white specimen is placed against a simple black backdrop., Diane Kornberg; foulweather series #2, In 1989, Dianne Kornberg became a faculty member at the Pacific Northwest College of Art teaching the junior year photography curriculum while also mentoring seniors on their thesis projects. “Many of my students have become lifelong friends,” she says. “It has been a joy to watch their work develop, to celebrate their professional successes, to remain in touch over the years.” (See biography at http://www.pnca.edu/exposure/stories/22/dianne-kornberg), http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=123 <br>http://www.pnca.edu/exposure/stories/22/dianne-kornberg, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
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