During winter term 2016, two OSU student activists Mai Xee Yang and Nicthé Verdugo worked with Charlene Martinez, Associate Director of Integrated Learning for Social Change within Diversity & Cultural Engagement, on a project entitled Voices Without Borders for their Arts and Social Justice Practicum course. For more information, see the OMA blog: http://wpmu.library.oregonstate.edu/oregon-multicultural-archives/2016/03/19/voiceswithoutborders/, Interview Summary: Part 1 of the interview begins with project participant introductions and with Verdugo explaining the interview purpose and structure. The purpose is to bring together the Hmong and Latino/Chicano communities to speak about the stories behind their families coming to the United States. The interview structure is for each person to have four minutes to share their story, followed by an opportunity for artistic expression, and closing with a reconvening to reflect on the stories shared and artwork created. The participants Alejandra Mendoza, Lorena Ambriz, Guadalupe Garcia, Warren Wang, Gina Chang, and Nitché Verdugo then share their parents’ immigration stories, their connections to their race/ethnicity, and reflections upon their own identities. In Part 2 Mai Xee Yang and Natalia Fernández share their family immigration stories and how they have shaped their lives. Audio file available via MediaSpace: https://media.oregonstate.edu/media/t/0_8rt11i4v, Project Participant Bios: Alejandra Mendoza was born in Fresno, CA and raised in Boardman, OR, and is majoring in Mathematics; Lorena Ambriz was born in Mexico, raised in Eastern Oregon, and is majoring in Sociology; Guadalupe “Lupe” Garcia is from Salem, OR, and is majoring in Human Development and Family Sciences; Warren Wang is from Portland, OR, and is majoring in Biochemistry/Biophysics; Gina Chang is from Portland, OR, and is majoring in Psychology; Nitché Verdugo is from Southern California and Mexico and is majoring in Ethnic Studies with a focus on Chicanx/Latinx Studies; Mai Xee Yang is from Portland, OR, and is earning a Bachelors in Fine Arts. Natalia Fernández is from Tucson, AZ, and is an archivist. Mendoza, Ambriz, Garcia, Verdugo, and Yang are members of M.E.Ch.A. (Movimiento Estudiantil Chicanx de Aztlán). Wang and Chang are members of the OSU Hmong Club.
Several fish laid out on a bed of ferns on a riverbank. A wooden sign above them reads, “Souson Kreek Katch, Hermy, Willy.” Fishing poles in a cross formation and a field notebook adorn the top of the arrangement.
Hand-colored, mounted lantern slide of Herman T. Bohlman stepping with his hat in a grassy field. Note on the slide reads, “Red Tails – 3 Weeks Old, No 7.”
Pottery: black-figured hydria. Designs in black on red panels, with borders of ivy down the sides and lotus and honeysuckle along the bottom; accessories of white and purple. 1. On the shoulder: Combat of warriors, perhaps Achilles and Memnon: In the centre, a warrior to left, fully armed, with two pellets on shield, beaten back on one knee by a similarly armed warrior, who also has a short embroidered chiton, and a Boeotian shield. On the right is another warrior coming up to the defence of the fallen one, with helmet, short embroidered chiton, sword, spear, and shield with the device of an eight-point star. Behind each of the two latter warriors is a female figure looking on and clapping her hands; each has long hair with a fillet, long embroidered chiton and striped himation. Behind them are beardless male figures, with fillets, and drapery over the lower part of their bodies, carrying spears. 2. On the body: Water-drawing at Callirrhoe: On the left is a building supported by a Doric column painted white, on the left side of which is a fountain with water pouring from a lion's head into a hydria placed on a step. In the field is inscribed: Καλ(λ)ιρ(ρό)η κρήνη. Outside stands a maiden to left; above her is inscribed: Σίμυλις. The next one stands to left holding a hydria on her head; behind her: Σίμυλις (as before); next to her is one to right holding a hydria on her head; in front of her: Έπηράτη. The next one, also to right, has a hydria on her head, in left hand a wreath; in front of her: Κυάνη. On the right are two more, to left, the first with an empty hydria carried horizontally on a pad on her head, to which she raises right hand; behind her is inscribed: Εύήνη. The other has a hydria on her head, and right hand raised; behind her is inscribed: Χορονίκη. All have long hair and fillets, long chitons and himatia, both embroidered, and hold branches, except the second, who has no himation, but a diapered chiton with diploldion; their faces have been much repainted. Above is inscribed : Ίπ(π)οκράτης καλός. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931