A Native American boy, identified as Pope Leo White Bull of the Cayuse tribe and the Umatilla tribe, stands on a blanket in front of a backdrop. He wears Native American clothing or costume, including a headdress or hat, a bead and hairbone bandoleer, a cloth shirt, a breechcloth with a geometric motif, a shirt, leggings, and moccasins. On the blanket at the boy's feet are eagle feathers and an object that is possibly a fan.
Young Native American man, identified as Joe Bennet of the Walla Walla tribe, poses, standing, on a Pendleton-style blanket, his left hand raised to his brow, amid grass and trees. He wears a hat that appears to be handmade, with a long ponytail flowing out from it on one side, and two braids intertwined with pieces of cloth on the other. He is bare-chested and wears a long, multi-tiered beaded necklace. Various pieces of cloth and a long strip of fur are wrapped diagonally about his hips, and he wears wool leggings and plain moccasins.
A Native American woman, identified as Lacy Luton of the Cayuse tribe, stands in front of a backdrop in costume. She wears a hat with a geometric motif, a beaded cloth dress, a wide belt with a striped design, a sash with a geometric motif, leggings with a geometric motif, and moccasins. She wears her hair in braids and wears jewelry, including a choker and a bracelet. In her right hand she holds a beaded bag or handbag with a geometric motif. In her left hand she holds a bow and an arrow. She stands on a round mat on a blanket with a geometric motif.
A Native American woman, identified as Lou French of the Walla Walla tribe, stands to the right of a tipi, with her left side towards the photographer. She points to her left with her right arm upraised and index finger outstretched. Her costume consists of a geometically decorated hat shaped like a tuncated cone, a fringed leather dress with geometric beading, and moccasins with floral beading at the ankles. She wears a number of metal bangle bracelets and what looks like a brass arm band. In her left hand she holds the string to a geometrically-beaded rectangular bag which has circular shapes made of up joined triangles, dark shapes on light bag. Over her shoulders runs a striped band which is attached to the cradleboard she wears on her back. Although the design cannot be seen clearly in this photo, what can be seen resembles almost exactly similar photos of cradleboards with bold floral designs. Attached to the cradleboard is a dark geometrically-decorated piece of cloth or blanket which acts as a hood for the baby. All that can be seen of the baby is the right side of its head, as the rest is engulfed in the bag of the cradleboard. The tipi a few yards behind her seems to be covered with woven mats, and has several long poles on the outside as well as the inside framework. Leaning upright against it are several boards and branches. Close behind is a line of low trees or high bushes, and to the right of the photo a criss-cross of lines that might be from a fence or other structure. The woman's pose is upright and self-assured as she gestures.
A Native American woman, identified as Lou French of the Walla Walla trive, stands to the left of a tipi, with her left side towards the photographer. Her arms are at her side, her head turned up and to the left, her mouth seems to be open. She wears a hat shaped like a truncated cone, and her hair is in braids. She seems to be wearing a fringed leather dress with geometric beading on the top half, and moccasins with floral beading at the ankles. A metal bangle bracelet is visible at her wrist. Over her shoulders runs a striped band which is attached to the cradleboard she wears on her back. The cradleboard has a bold floral design, and a dark piece of cloth or blanket attached which acts as a hood for the baby. Only the baby's head is visible since the rest is engulfed in the bag of the cradleboard. The tipi a few yeards behind the woman seems to be covered with woven mats, and has several long poles on the outside as well as the inside framework. Leaning upright against it are several boards and branches. Close behind is a line of low trees or high bushes.
Two Cayuse Indian women wearing long cotton dresses, plain moccasins and blankets worns as shawls wrapped about their shoulders pose standing next to a tipi. They each wear round earrings and hair styled in long braids.
A Native American tomahawk from the collection of relics of the Whitman massacre, 1847 in the Oregon Historical Society is shown against a dark background. The tomahawk has a wooden handle with ornaments and beadwork and a metal head or blade with a heart motif and border designs.
Display of weapons on a beaded box: two hatchets, one sword and scabbard, one bone knife, two staffs: one with a metal top and one with a leather strap on the top.
A Native American woman, identified as a member of the Umatilla Tribe, is seated in front of a blanket backdrop. The woman is wearing a beaded buckskin dress with a belt. She has a cloth scarf tied behind her head, and two long braids tied with ribbon. The cloth sleeves of her underdress are visible below the fringe area of the buckskin dress. She is wearing beaded bracelets, necklaces, and a choker and shell earrings. She is holding a beaded bag, that has a deer and two flowers in the design. There is a Pendleton blanket at the base of the backdrop, covering the woman's chair or stool.
A collection of items identified as "Lee Moorhouse collection of Indian costumes and artifacts" is grouped on the board-and-batten porch of a house. Flanked by two lattice-work columns, most of the items are baskets with geometric designs, along with a few pieces of pottery, also with geometric designs. Baskets are piled up to half-hide the window, with its four narrow lead-lights, and spill out past the low porch to the ground. In the center back hang two beaded dresses and what looks like part of a cradleboard. A beaded bag hangs on the left column, and baskets hang on the other. In the left back corner of the porch is a strikingly bold geometrically patterned textile, with some tall sticks propped up behind it.