A black-and-white, three-quarter view portrait of an indiscriminately gendered subject., Laura Ross-Paul; 11x10 inches approx; lithograph; revenue bldg, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=221, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A blue, black and white print of a multi-windowed hotel as viewed from the dock. The roofline of the building exhibits two very angular peaks, with a white chimney shown on the right-side roof. The dock on the lower right corner is colored brown, along with three benches on the side of the hotel. There is an American flag to the right of the hotel and two boats floating in the water., Dyann Alkire; River Place; justice, I like etching because I like to draw. Things such as deep sea life, insects, birds, fish, and architectural structures appeal to me, and I combine them in my compositions. Each piece has a certain theme that just evolves as I work on the plate, rather than having a set idea from the beginning. (Alkire, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A blue, domed hat, simply outlined in black, sits next to a two-tone block of blue., Michele Russo; hat; 30x38 inches; lithograph; revenue bldg., Michele Russo was born in Waterbury, Connecticut in 1909. In 1930, he enrolled at Yale University and received a B.F.A. degree in painting in 1934. During the depression years he was employed at a muralist through a Works Progress Administration project and in this capacity executed murals in several Connecticut schools. In 1937, Russo left Connecticut to accept a fellowship to study with Boardman Robinson and George Biddle at the Colorado Springs Fine Arts Center in Colorado Springs, Colorado for one year. During the next ten years he was a social activist and worked for the Federal Education project in Connecticut. In the fall of 1947, Russo moved to Portland and was hired by the Museum Art School the following year to teach painting and art history, remaining on the staff until he retired in 1974. During his tenure at the Museum Art School he became known as Portland's most articulate voice of artists' political, social and artistic rights. In the 1950's, along with friends, he started a co-op op professional artists called Artists Equity. In recent years Russo has been active in various organizations to make art a more visible part of the cultural life in the Northwest; he was one of the original founders of the Portland Center for the Visual Arts. In 1975, he was Chairman of the Oregon Committee for Art in Public Places. In 1977, he was appointed to the Metropolitan Arts Commission; the first artists so honored. (Unknown, 1995), http://www.aaa.si.edu/collections/oralhistories/transcripts/russo83.htm; http://www.laurarusso.com/artists/russo.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A black-and-white rendering of an indiscriminately gendered person with his/her hand partially covering his/her face., Laura Ross-Paul; 11x10 inches; lithograph; Mask; revenue building, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=221, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An watercolor print primarily utilizing blue/green coloring with some white, red, and brown. The two large birds, which may be cranes, are the only images colored brown. There are also fish, a praying mantis, and various plants, in tones of white, some of which are painted in red., Dyann Alkire; Venezia; justice, I like etching because I like to draw. Things such as deep sea life, insects, birds, fish, and architectural structures appeal to me, and I combine them in my compositions. Each piece has a certain theme that just evolves as I work on the plate, rather than having a set idea from the beginning. (Alkire, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A jumble of rectangular shapes rendered in black, white, red, purple, yellow, and turquoise imply the action of this piece. In addition, fiberous strands that appear to be hair or string or yarn are scattered across the picture plane., Judy Cooke; Site #3; Revenue, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=21, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html