A black and white photograph of the tip of a snowy peak viewed from what appears to be the remains of a clearcut. The snowpeak is framed by mountain shadows and wisps of white and black clouds. There is a distinct contrast between the sharpness of the clearcut and the muted snowcap in the background., Born: Decatur, Michigan 1949 Education: Western Michigan University 1967-1972 Photography: Self Taught, My interest in photography began on my 10th birthday when my parents gave me a Kodak Brownie camera. I took pictures of family and friends through high, edwardvliek@yahoo.com, http://artistsregister.com/artists/OR12, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
This photographic installation presents a male student leaning against the wall, holding a chemistry book in his right hand and papers in his left. He stands next to a female student sitting in a chair, leaning over an open book and holding a writing utensil to her lips., David Joyce; Two Students; photosculpture; 4 x 6 x 3 feet, http://www.bkpix.com/writing/joyce2.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A combination of drawing and black and white photographic elements render the base of a spruce tree., Sitka Spruce II, mixed media collage; fragments; 42 x 24 inches, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., tlw@uoregon.edu, http://www.terriwarpinski.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
A large, black-and-white photograph of people riding a carnival ride., Barbara Gilson; untitled; 1990; gelatin silver; 3x3 ft; ohsu movable, (1991) Barbara Gilson received a BA in French Literature and in Film Studies from Dartmouth College in Hanover, New Hampshire. She has studied photography at the Visual Studies Workshop in Rochester, New York, where she coordinated the film program. During the tenure of her MFA Program in Photography at Arizona State University, she was a graduate research assistant to Mark Klett for the Photography Collaborative Facility, Visual Arts Research Institute. She also organized Editions and Additions: International Bookworks at Northlight Gallery. Awarded a Graduate Student Research Development Program Grant, Barbara and two colleagues have been involved in a collaborative project with the Navajo to document their sacred land and sites in northwestern New Mexico. The Arizona Commission on the Arts awarded this project, Hajiinei Dine'tah, a Visual Arts Travelling Exhibitions Grant. In addition to being selected as a recipient of the Contemporary Forum Artist's Material Fund, Phoenix Art Museum; a finalist in the Ferguson Grant Award, Friends of Photography; and awarded First place in the Tucson Weekly Annual Fiction and Photography Competition, Barbara has shown her work nationally in one person and in group exhibitions, and is represented in many public and private collections. She has also been a co-director of Blue Sky Gallery, Portland, Oregon, and is an Artist-in-Education in the greater Portland area., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A combination of drawn aspen trees and photographed aspen trees., Aspen Stand II, mixed media collage; fragments; 42 x 24 inches, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., tlw@uoregon.edu, http://www.terriwarpinski.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
A black-and-white photograph that depicts a view from within the concrete remains of an abandoned structure, which frame the silhouette of the mountains in the background., slide; bw print; selenium toned; 16 x 20.5 inches, dpowell@uoregon.edu, http://art-uo.uoregon.edu/index.cfm?mode=faculty&page=dpowell, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/