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Description: Four-unit votive slip with partial double black border. White ren marks on red background at top, paritally obscured by fence with black writing, two buckets below.

Description: Item from a collection of University of Oregon faculty, students, buildings, organizations, and events. An early photograph of Villard and Deady Hall. In the forgeround, there is a dirt road with a horse and wagon.

Description: Item from a collection of University of Oregon faculty, students, buildings, organizations, and events.

Description: In this functional sculpture, three different- colored metal components repeat to form a fence on top of a concrete retaining wall. A brown section intertwines with a green section while variations in height in a gold section forms an undulation across the bottom of the fence., David Thompson; osu magruder hall; forged fence and gate; 2005, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

Description: In this functional sculpture, three different- colored metal components repeat to form a fence on top of a concrete retaining wall. A brown section intertwines with a green section while variations in height in a gold section forms an undulation across the bottom of the fence., David Thompson; osu magruder hall; forged fence and gate; 2005, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

Description: A mixed media construction that organizes discarded materials within a black grid pattern., Fence; Francine Seders Gallery, Seattle, (206) 782-0355; 36-323; mixed media; 1995; unfr.: 51 x 51 in., http://www.sedersgallery.com/Artists/036/36-000.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

Description: This view represents a detailed section of the mixed media construction, Fence 36-323, that organizes discarded materials within a black grid pattern., detail #1 Fence; Francine Seders Gallery, Seattle, (206) 782-0355; 36-323; fabric & mixed media; 1995, http://www.sedersgallery.com/Artists/036/36-000.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

Description: This view represents a detailed section of the mixed media construction, Fence 36-323, that organizes discarded materials within a black grid pattern., detail #2 Fence; Francine Seders Gallery, Seattle, (206) 782-0355; 36-323, det. 2; fabric & mixed media; 1995, http://www.sedersgallery.com/Artists/036/36-000.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

Description: A black-and-white landscape photograph that records a line of barbed-wire fence moving over hills and though a thicket of trees., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: A color photograph of a fenced corridor on a beach leading to an indiscernable structure before a hazy coastline., Summer's Over, Deborah DeWit was born in 1956 in Portland. Oregon. Four weeks after her birth, her mother returned with her to South America to re-join the rest of the family. She grew up traveling with her family and living in such places as the Philippines, New York, Minnesota, South Carolina, Florida, El Salvador, Colorado, Scotland and finally ended up in Portland in 1979. Photography was never a career choice and she entered Cornell University as an Agronomy major. After two years she decided to give her hobby, photography, more serious attention and moved to Colorado where her parents were living at the time. In order to finance her endeavors, she cheffed in restaurants for two years and in her spare time roamed the mountains outside Denver looking and experimenting with her camera. In 1978 she left for Scotland, where she worked on a farm, driving tractors, hoeing turnips and moving cattle from field to field. It was here that her real passion developed. The skies and the hills and the wildnes, Deborahdewitmarchant@verizon.net, http://www.dewit-marchant.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

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