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Description: A three-dimensional composition of a floral form utilizing a mixture of materials, such as feathers, clay and glaze on a mirror surface. The piece is housed in what appears to be a plexiglas box., Ken Shores; fetish #13; capital building h-2; portland, See http://www.broderickgallery.com/KenShores.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: A portrait of a Native American, whose face is starkly divided in shadow, is rendered in periwinkle tones and contained in a square bordered by a cross-hatched pattern. Three black feathers with maroon arrows pointing downward extend from the bottom of the cross-hatch pattern., Fragment #5 - Medicine Crow; serigraph; Marilyn Higginson; commerce bldg, http://www.artharveststudiotour.org/2006/pages/artists/marilyn_higginson.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: Outrigger No. 2 juxtaposes natural elements (quills) with man-made elements (sails, kites) that represent flight. This view represents the presentation and context of the piece., Susanna Kuo; outrigger no.2; 1980; 22x22x3 inches; peacock quills; katazome (stencil resist dyeing) on silk; acrylic; case., in 1962, Kuo graduated from Lewis and Clark College in Portland, Oregon. She holds an M.A. in English literature from Mount Holyoke College and a Ph.D. in English literature and folklore from indiana University. Kuo is one of the authors of "Carved Paper: The Art of the Japanese Stencil," published in 1998., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: Outrigger No. 2 juxtaposes natural elements (quills) with man-made elements (sails, kites) that represent flight. This view is a detail of the larger piece., Susanna Kuo; outrigger no. 2; 1980; 1980; state printing plant, in 1962, Kuo graduated from Lewis and Clark College in Portland, Oregon. She holds an M.A. in English literature from Mount Holyoke College and a Ph.D. in English literature and folklore from indiana University. Kuo is one of the authors of "Carved Paper: The Art of the Japanese Stencil," published in 1998., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: A three-dimensional composition of a floral form utilizing a mixture of materials, such as feathers, clay and glaze on a mirror surface. The piece is housed in what appears to be a plexiglas box., Ken Shores; fetish #13-4; state capital vol III, See http://www.broderickgallery.com/KenShores.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: A relief representation of a round face with closed eyes wearing an elaborate, woven headpiece that exists in three-dimensional space. What appears to be fiberous materials compose the headpiece and the suggestion of hair. White feathers are attached to the bottom of the strands that hang down the farthest., sousa; linen astrich man; 24.34 inches; $450; pendleton, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts (now known as Arts East). You may view their website at http://www.artseast.org/

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