A black and white print featuring hideously whimsical creatures. There is a black cow with white spots, sticking it's tongue out as if it's eating, and there may be grass sticking out of the cow's mouth. Underneath the cow's tongue is a worm and a few flowers. Underneath the cow's stomach is a weird insect with very pronounced teeth, and above the cow are two birds, one standing on the cow's back. There are four flys flying around the cow's tail and a disgruntled sun in between the cow's tail and the bird. Your imagination is the best description of this piece., Cow; woodblock print; 11.25 x 17.5 inches; 1981-85, A welder by trade with a master's degree in printmaking from the San Francisco Art Institute, Bulwinkle tickles us with his outrageous characters. Dogs and cats, suns and moons, birds, boats, worms, fish, people come to life in the most zany of situations. (OAC documentation, 1990), markbul@sonic.net, http://www.markbulwinkle.com/Welcome.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A black and white print featuring a vortex of fish and lobsters. In the upper right corner is a rectangle filled with a silhouette landscape of trees and dwellings. Below that is a clock with the hands set to 3:00 o'clock. Below the clock is a bare-footed female figure wearing a dress; she is holding some sort of blanket. The left bottom corner is a box containing a man who is holding a fish by the mouth in each hand., Spring Chinook; 42 x 40 inches; linoleum block print; 1989, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A black and white print of a large salmon head exhibiting different methods of texture: hundreds of white dots shading and forming patterns on the salmon's head. Surrounding the salmon's head is a cityscape, and horizontal and vertical white lines. There are also three boats placed on the top portion of the horizontal lines. At the top of the piece is a rectangle with a fishing hook inside of it, and the bottom right corner has a rectangle enclosing a map., River City Salmon; 42 x 40 inches; linoleum block print; 1989, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A vibrant colored print depicting an abstract landscape. There is a red, purple and orange dotted sky with long fluffy clouds above a dark green forest. In front of the forest are six red spiky, flame-shaped plants amongst numerous small blue bushes on an orange and yellow ground., Near Bend; woodcut, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
An abstract rectangular print that examines forms and layers of shapes. There are two similar shapes, one featuring gray/blue coloring and the other in a gray white shade. The background of the piece is red with mottled black coloring. There is a slice of a green/black form and two gray/black forms, one on top of a white/gray form. In the left bottom corner is a orange/green form., Alter Ego; 21 x 42 inches; monotype; 1989, myrnaburks@earthlink.net, http://www.myrnaburksfineart.com/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A landscape print of a forest featuring long black tree trunks. The focus of the print appears to be an illuminated pathway through the forest that is colored in blue, yellow and orange. There is also orange and blue surrounding sections of the tree trunks. The upper part of the trees are shaded in dark green and blue. The end of the path, going up vertically, is awash in blue, orange and yellow., Fecundity; 22 x 30 inches; monotype; 1990, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=81, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A vibrant colored print depicting an abstract landscape featuring colors of red, orange and yellow filling mounds with blue and white balls on top of each mound. The background may either represent mountains with low clouds, or snow covered mountains., Valley View; woodcut, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A vibrant colored print depicting an abstract landscape featuring colors of red, orange, yellow, blue, and green. It appears as though rock formations are pushing through a red and orange area surrounded by red trees., River View, woodcut, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A black and white print featuring hideously whimsical creatures. There is a dog with a pig-snout nose howling at a moon with large eyes and missing teeth--all set against a stary sky. Around the dog is a sad flower, a flying insect, and a cat wearing some sort of checked shirt with a mouse sitting on it. Behind the dog, on the left side of the piece is some weird monster-type figure with big eyes and perhaps a flower in its hair. Your imagination is the best description of this piece., By Jim Parrot's; woodblock print; 11.25 x 17.5; 1981-85, A welder by trade with a master's degree in printmaking from the San Francisco Art Institute, Bulwinkle tickles us with his outrageous characters. Dogs and cats, suns and moons, birds, boats, worms, fish, people come to life in the most zany of situations. (OAC documentation, 1990), markbul@sonic.net, http://www.markbulwinkle.com/Welcome.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A black and white print featuring hideously whimsical creatures. In this print, there is a boat sailing in wavy water in front of a sharply forested hill. A fish bites the front of the boat. There is some sort of shirtless male figure with glasses atop his bulbous, large nose sitting in the back of the boat holding onto what may be the boat motor. One of his hairy legs hangs over the side. In the front of the boat is a seemingly petrified dog with his mouth widely opened and tongue sticking out. Your imagination is the best description of this piece., Bob Smith; woodblock print; 11.25 x 17.5 inches; 1981-85, A welder by trade with a master's degree in printmaking from the San Francisco Art Institute, Bulwinkle tickles us with his outrageous characters. Dogs and cats, suns and moons, birds, boats, worms, fish, people come to life in the most zany of situations. (OAC documentation, 1990), markbul@sonic.net, http://www.markbulwinkle.com/Welcome.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html