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1. [Votive slip folio 8 recto 4]
[Votive slip folio 8 recto 4]
Description
Single-unit votive slip with faded black border. Contains red text and image of a curved dagger covered in floral decorative pattern and resting on display stand.
2. Untitled #8
Untitled #8
Description
A painting featuring a small black vase containing numerous white flowers. The vase sits upon a gray/blue sheet. The sheet hangs off each side making a triangular-shaped creasing which protrudes in two perpendicular lines like a window pane., Lin Xia Jiang; Untitled #8; 1994; oil on canvas; 36x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
3. In France
In France
Description
A colorful print of a long black and white vase containing red and pink flowers against a half orange/pink and half blue/green colored background. The vase is atop a green, yellow, white, and pink painting with a shadow of the vase pointing towards the lower left of the art piece., In France; 1995; monoprint; (30 x 22 inches); [no.] 9, http://www.augengallery.com/Artists/nebeker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
4. Opalescence
Opalescence
Description
An oil painting featuring a flower pot viewed from above. The flowers are white with a little bit of red in the middle. The flower pot is sitting on a beige table, with shadows from the flowers and green leaves to the left of the painting., Susan Lindsey; Opalescene; #6; oil; 23x30x3/4 inches; 7/93, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
5. Vetch & Poppies
Vetch & Poppies
Description
A monotype print of a field of vetch and poppy flowers under a blue sky. The field consists of colors such as green, orange, white, and purple., Cie Goulet; Vetch and Poppies (#583); monotype; 38x49 inches; 1994; GouC94082611, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
6. Bounty
Bounty
Description
(Left Detail) A view from above of what appears to be a table scene with linens and various dishes and foods and flowers., Bounty; 4 feet x 28 inches; oil on canvas; detail, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
7. Calla Lillies 1
Calla Lillies 1
Description
A still-life depicting a shiny black vase holding three calla lillies and red trimmery. Variously black-and-white patterned material surrounds the vase in piles., Calla Lillies #1; S. Wolf; etching; 22.5 x 24 inches; $500, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
8. Amaryllis
Amaryllis
Description
A pastel drawing of a few flowers in a long thin vase. The upper left corner of the piece is shaded in orange with a little bit of blue and red. In the middle of the piece are words written in German., Rich Bartow; Die Jugenfrische/Amaryllis; pastel & graphite on paper; 50x39 inches; 1995; BarR95031139 (inv. 1728), The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
9. Cobra Tea Set
Cobra Tea Set
Description
A still life acrylic painting from an aerial view. Three tea kettles and two bowls encircle a glass vase with orange flowers, green stems, and yellow buds protruding out of the vase. The whole still life is laid out on a white sheet., Cobra Tea set; 1996; oil on canvas; (24 x 36 inches), A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts
10. Sweet Delicata
Sweet Delicata
Description
Still life oil painting that includes a large glass vase with a handle, holding multiple red flowers and stems. Surrounding the vase are pumpkins and gourds, some on a plate. There are also four green apples located near the bottom of the painting., Sweet Delicata; o/c '96; (48 x 60 inches), Shelly Jordon, a native New Yorker, moved to Oregon in 1986 to accept a teaching position in the Art Department at Oregon State University where she is currently an Associate Professor of Art. A recent recipient of an Oregon Art's Commission "Individual Artist Fellowship in Painting" award, she was chosen to be a Visiting Artist at the American Academy in Rome in 1994, where she spent three months living and painting. Her work has been exhibited in museums and galleries across the country including the Adam Baumgold Gallery in New York City, the William Sawyer Gallery in San Francisco, the Maryhill Museum of Art in Goldendale, WA, the Linda Hodges Gallery in Seattle, WA and the Augen Gallery in Portland. Her work is included in numerous public and private collections nationally. She is currently working towards a one-person exhibition at the Frye Museum of Art in Seattle, WA and at the Holter Museum of Art in Helena, Montana., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
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