A still life scene from a birthday dinner rendered entirely in colors from the warm range of the spectrum. Two chairs surround a table with a cake and candles, a plate of two fish, and wrapped presents. A polka-dot motif decorates the background. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 17 x 22 inches, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This composition is an abstract layering of orange, black, and several different shades and inflections of gray. Loose, squiggley lines create visual interest across the picture plane., Lee Kelly; Untitled; silkscreen; 20 x 32 inches; 1958, http://www.pnca.edu/exposure/stories/19/lee-kelly-59, http://www.pnca.edu/exposure/stories/19/lee-kelly-59; http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=129, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This composition is split into two distinct sections. The top fifth or so portion of the picture plane comprises the first section, which has a deep blue background and an irregularly shaped object that resembles a potato in form and color. The remainder of the picture plane comprises the second section, and it contains what appears to be a bundle of straw or a swatch of blonde hair over a dark brown background. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Etching, http://www.beppugallery.com/showartists.php?ArtistID=37, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This print depicts a butterfly vertically adjacent to a geometric delineation. The background gradates from light gray on top to a burnt orange in the middle to a dark brown on the bottom., David F. Haidle; Butterfly Matrix; litho; 20 x 26 inches; Ptld. State Office Bldg., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Two men in hats flank the frame of this woodcut piece that presents a scene from a rodeo. A bullrider occupies the central focal point while other performers and revelers pepper the background. The audience is kept at bay by a band of black, and a rooster and a dog prowl the foreground. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Woodcut; 1978, Manuel Izquierdo was born in Madrid, Spain, and fled to the United States settling in Portland, Oregon in 1943. While he was in high school Manuel was encouraged to pursue wood-cuts by Lloyd Reynolds, the well-known calligrapher. In 1951 Manuel graduated from the Pacific Northwest College of Art and soon after became a professor there. Manuel Izquierdo received the Oregon Governor's Award in 1991 and has exhibited work both in the Northwest and nationally, including a ten-year retrospective at the Portland Art Museum in 1967. Having completed many commissions his sculpture can be seen in a variety of Portland public spaces such as Pettygrove Square. His work is in collections including the Metropolitan Museum of Art in New York, the Philadelphia Museum in Pennsylvania, the Seattle Art Museum, and the Portland Art Museum., http://www.laurarusso.com/artists/izquierdo.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Two men in hats flank the frame of this woodcut piece that presents a scene from a rodeo. A bullrider occupies the central focal point while other performers and revelers pepper the background. The audience is kept at bay by a band of black, and a rooster and a dog prowl the foreground. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Woodcut; 1978, Manuel Izquierdo was born in Madrid, Spain, and fled to the United States settling in Portland, Oregon in 1943. While he was in high school Manuel was encouraged to pursue wood-cuts by Lloyd Reynolds, the well-known calligrapher. In 1951 Manuel graduated from the Pacific Northwest College of Art and soon after became a professor there. Manuel Izquierdo received the Oregon Governor's Award in 1991 and has exhibited work both in the Northwest and nationally, including a ten-year retrospective at the Portland Art Museum in 1967. Having completed many commissions his sculpture can be seen in a variety of Portland public spaces such as Pettygrove Square. His work is in collections including the Metropolitan Museum of Art in New York, the Philadelphia Museum in Pennsylvania, the Seattle Art Museum, and the Portland Art Museum., http://www.laurarusso.com/artists/izquierdo.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This piece is composed in black and white, with the addition of a few minor red accents and a neutrally toned square shape at the upper left corner of the piece. The central focus of the piece lies with the two triangles stacked along the left side of the piece that are next to a large, irregualarly shaped form in the middle of the piece. The background is orchestrated with choppy, black lines and the red accent. Variation between duplicate images directly relate to original source materials., Etching & chine colle; 20 x16 inches; 1977, http://www.luciadouglas.com/artists/artists_list/funkhouser.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
The sections of this piece form a four-section grid. Starting in the upper left, an irregularly shaped black mark occupies the space of a white rectangle. Moving to the right, the upper right corner is a red square. Below it, in the lower right corner is another red square that contains a black apple with a screen pattern overlaid on top of it. Finally, in the lower left, a white rectanlgle bears an embossed, linear pattern., George Johanson; Apple and Curtain; intaglio; 1970; 22 x 26 inches framed, George Johanson attended and taught at the Museum Art School in Portland, Oregon. He divides his time between painting and printmaking. In 1992, he received the Governor's Award for the Arts. (Data provided at http://www.kpchr.org/public/sawardart/apps/Johanson.htm. Reviewed on 04/07/07., http://www.kpchr.org/public/sawardart/apps/Johanson.htm; http://www.hareinthegate.com/portfolio_pages/equivalents.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This detailed, color print presents the interior a split-level home. The color scheme alternates between blue and red to define the transitions between shadow and light, which is broken up by sections of green and yellow that describe the space outside a window and lights, respectively., Sherrie Wolf; Poet's Library; etching ed. 75; 18 x 24 inches, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Dark, rich colors compose what appears to be a living room scene with two people crouched on the floor atop a colorful rug. An overstuffed armchair sits in the background, and the people seem to sit amongst stacks of books. What appears to be a window on the right-hand side of the picture plane reveals a view of a stand of birch trees. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Lithograph; 22 x30 inches, http://www.redwingstanza.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/