This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This view depicts four of seven whimsical metal sculptures whose forms imply abstractions of cloven animals. Bright colors and bold shapes adorn the pieces., Barry Gunderson; pendleton critters; sculpture painted aluminum; eastern or training center, Barry Gunderson has been a Professor of Studio Art at Kenyon College, Ohio. He joined the department in 1974 after receiving his MFA from the University of Colorado-Boulder. He has taught all the sculpture courses in the Department from the intro level "Three Dimensional Design" to the more unusual courses such as "Art with a Function" and "Art with Four Legs." His work also deals with the third dimension from outdoor public commissions to smaller studio pieces. "Learning to be an artist is a very complex process. Learning to enjoy Art by trying to make it is also complex. Once it is started the process has to be practiced and explored - perhaps for a lifetime. As an Artist/Teacher I think it is important to share my studio trials and tribulations for art-making is always fun but rarely easy. It is also important to share the joys of this activity - those times when an idea in combination with carefully selected and worked materials yields a product I am proud to exhibit. It is also a joy to help students dig deeply into themselves, then to use all their energies and resourcefulness to create a work they never thought possible." (http://art.kenyon.edu/studioart/academicprogram/studenthandbook.htm), gunderson@kenyon.edu, http://art.kenyon.edu/studioart/facultypages/gunderson/gundersonart.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at: http://www.artseast.org/
A close-up view of one of the panels of what looks to be aluminum. The design in the aluminum is a small visual history of ceramic forum from all over the world surrounded by flame designs. (excerpt taken from Frank Boyden's proposal, 1996), Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., Laura Russo Gallery at: http://www.laurarusso.com/artists/bio/bio_boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
A close-up view of the design in the aluminum. It is a small visual history of ceramic forum from all over the world surrounded by flame designs. (excerpt taken from Frank Boyden's proposal, 1996), Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., Laura Russo Gallery at: http://www.laurarusso.com/artists/bio/bio_boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
Large cutout rosettes and huge open hands are cut out from the aluminum. The symbols are taken from the ends of Hau Dynasty roof tiles and the design from S.W. Anasazi and Mimbres bowls. (excerpt taken from Frank Boyden's proposal, 1996), Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., Laura Russo Gallery at: http://www.laurarusso.com/artists/bio/bio_boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
A close-up view of the design in the aluminum. It is a small visual history of ceramic forum from all over the world surrounded by flame designs. (excerpt taken from Frank Boyden's proposal, 1996), Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., Laura Russo Gallery at: http://www.laurarusso.com/artists/bio/bio_boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
This metal relief sculpture presents what appears to be a reference of classic Greek pottery, depicted in deep red against an oxidized surface., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
"Wind Fence," the sculpture, consists of seven sections of wind-animated panels, approximately 10 feet square. The panels are composed of thousands of small anodized aluminum elements that are hinged to move freely in the wind. The panels are mounted onto a series of 8-inch diameter stainless steel poles that are connected by a framework of 2 1/2 inch stainless square tubing. The poles are embedded into concrete footings that are 2 feet in diameter and about 8 feet deep. The overall shape of the fence traces out a gentle arc that sweeps towards the north entrance to the building and extends back into the grove of trees to the east. The intent of the artwork is to reveal the invisible passage of wind through the fence. The curve of the fence echoes the curved facade of the architecture. ((Kahn, 2003), nedkahn@earthlink.net, www.nedkahn.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A mixed media art piece of a rectangular drawing in the middle of a silver aluminum diamond. The black and white drawing is of a waterscape with mountains in the back and large clouds. Those two layers are placed on a large rectangle of gold leaf with arrows, formed by dots, going counter-clockwise., Kathleen Caprario; Towards the Light-Filled Shore; pencil & metal leaf on paper; 23x30.5 inches; 1994; CapK94090060, caprariok@lanecc.edu, http://caprarioart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
This view depicts three of seven whimsical metal sculptures whose forms imply abstractions of cloven animals. Bright colors and bold shapes adorn the pieces., Barry Gunderson; pendleton critters; sculpture painted aluminum; eastern or training center, Barry Gunderson has been a Professor of Studio Art at Kenyon College, Ohio. He joined the department in 1974 after receiving his MFA from the University of Colorado-Boulder. He has taught all the sculpture courses in the Department from the intro level "Three Dimensional Design" to the more unusual courses such as "Art with a Function" and "Art with Four Legs." His work also deals with the third dimension from outdoor public commissions to smaller studio pieces. "Learning to be an artist is a very complex process. Learning to enjoy Art by trying to make it is also complex. Once it is started the process has to be practiced and explored - perhaps for a lifetime. As an Artist/Teacher I think it is important to share my studio trials and tribulations for art-making is always fun but rarely easy. It is also important to share the joys of this activity - those times when an idea in combination with carefully selected and worked materials yields a product I am proud to exhibit. It is also a joy to help students dig deeply into themselves, then to use all their energies and resourcefulness to create a work they never thought possible." (http://art.kenyon.edu/studioart/academicprogram/studenthandbook.htm), gunderson@kenyon.edu, http://art.kenyon.edu/studioart/facultypages/gunderson/gundersonart.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at: http://www.artseast.org/