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1. Untitled (West)
Untitled (West)
Description
Beyond what has been provided herein, we have no additional information regarding this artwork., From 1997 - 2005, Bruce West was Head of the Sculpture Department and Senior Lecturer at Lewis & Clark College in Portland, Oregon., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
2. Untitled (8 kite windvanes)
Untitled (8 kite windvanes)
Description
A close-up view of a kite sculpture with a wavy tail. The kite isgreen with blue shapes and yellow and red triangles. The kite is held up by a long pole on top of a building., Cook received a B.S. (Liberal Arts, 1979) and B.F.A. (1980) degrees from the University of Oregon. (resource obtained 2007-08-22 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html)., The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
3. Untitled (8 kite windvanes)
Untitled (8 kite windvanes)
Description
A view of a kite sculpture with a wavy tail. The sculpture is held up by a long pole on top of a building., Cook received a B.S. (Liberal Arts, 1979) and B.F.A. (1980) degrees from the University of Oregon. (resource obtained 2007-08-22 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html)., The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
4. Luminous Glass Floor
Luminous Glass Floor
Description
The Casey Eye Institute building is situated on a steep, inclined site above the City of Portland. The main entrance of the building is inset below and behind a white, metal panel facade that appears to float in front of the primary building facade. The Glass Floor serves as the boundary separation between the main building and the extended portion of the two storey high entry atrium above the main entrance. The Glass Floor, in conjunction with vertical glass side windows and an overhead clear skylight, define a wrapping boundary of light and transparency. The floor panels consist of two fully tempered sheets of 1/2" glass, a chemically strengthened sheet of solar collecting glass and multiple colored interlayers which comprise a 1-3/8" thick panel of essentially bullet resistant glass to withstand the structural requirements of the site. In particular, the Glass Floor distinguishes itself by respecting the simplicity of the architecture and establishing a bold color to the otherwise monochromatic setting. The use of one color, a rich luminescent aquamarine blue, reflects and transmits its hue both into the atrium and down onto the. main entry. The floor changes at different times of the day and night depending upon the angle of the sum and upon the use of artificial lighting. This aspect of changing qualities of color and luminosity is further enhanced by seeing from below the movement of people across the translucent floor. As viewed and experienced from the interior, the floor provides a sense of depth with muted shadows and highlights of the ground below. A brightness and translucency of surface is enhanced by the use of a textured, light collecting glass. The Glass Floor is a plane that subtly mediates between the exterior and interior of the building. It is a surface which has a life on its own through ever changing levels of transparency, translucency and luminosity. The. Glass Floor is a work which brings life, animation and color to the Casey Eye Institute. Project Completion: 1991 Design Team: James Carpenter Janet Fink Neil Logan Modelmakers: Erika Hinrichs Richard Kress Structural Engineering: Guy Nordenson Ove Arup & Partners, NY Component Engineering: Tim Eliassen TriPyramid Structures, James Carpenter; 1989-91 ©; LUMINOUS GLASS JOIST FLOOR; Oregon Health Sciences U.; Arch: Richard Meier & Part; Casey Eye Institute; OHSU-Portland, http://findarticles.com/p/articles/mi_m1571/is_n13_v11/ai_16720960, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
5. Huddle: Together in Unity to Plan for Success
Huddle: Together in Unity to Plan for Success
Description
This highly shiny silver sculpture consists of three, very tall spires that each bend outward at the middle. They are arranged as though around a circle, and the tappers at the top of each form coverge toward each other., James@RussellSculpture.com, http://www.russellsculpture.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
6. Encounter
Encounter
Description
This large metal sculpture consists of two stacks of square forms stacked on top of each other. A long, thin pyramid shape connects them on a horizontal plane., http://www.brucebeasley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
7. Encounter
Encounter
Description
This large metal sculpture consists of two stacks of square forms stacked on top of each other. A long, thin pyramid shape connects them on a horizontal plane., http://www.brucebeasley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
8. Luminous Glass Floor
Luminous Glass Floor
Description
The Casey Eye Institute building is situated on a steep, inclined site above the City of Portland. The main entrance of the building is inset below and behind a white, metal panel facade that appears to float in front of the primary building facade. The Glass Floor serves as the boundary separation between the main building and the extended portion of the two storey high entry atrium above the main entrance. The Glass Floor, in conjunction with vertical glass side windows and an overhead clear skylight, define a wrapping boundary of light and transparency. The floor panels consist of two fully tempered sheets of 1/2" glass, a chemically strengthened sheet of solar collecting glass and multiple colored interlayers which comprise a 1-3/8" thick panel of essentially bullet resistant glass to withstand the structural requirements of the site. In particular, the Glass Floor distinguishes itself by respecting the simplicity of the architecture and establishing a bold color to the otherwise monochromatic setting. The use of one color, a rich luminescent aquamarine blue, reflects and transmits its hue both into the atrium and down onto the. main entry. The floor changes at different times of the day and night depending upon the angle of the sum and upon the use of artificial lighting. This aspect of changing qualities of color and luminosity is further enhanced by seeing from below the movement of people across the translucent floor. As viewed and experienced from the interior, the floor provides a sense of depth with muted shadows and highlights of the ground below. A brightness and translucency of surface is enhanced by the use of a textured, light collecting glass. The Glass Floor is a plane that subtly mediates between the exterior and interior of the building. It is a surface which has a life on its own through ever changing levels of transparency, translucency and luminosity. The. Glass Floor is a work which brings life, animation and color to the Casey Eye Institute. Project Completion: 1991 Design Team: James Carpenter Janet Fink Neil Logan Modelmakers: Erika Hinrichs Richard Kress Structural Engineering: Guy Nordenson Ove Arup & Partners, NY Component Engineering: Tim Eliassen TriPyramid Structures, James Carpenter; 1989-91©; LUMINOUS GLASS JOIST FLOOR; Oregon Health Sciences U.; Arch: Richard meier & part; View from upper level shows light projecting through glass and steel floor from level below; Casey eye institute; OHSU-Portland, http://findarticles.com/p/articles/mi_m1571/is_n13_v11/ai_16720960, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
9. Tecotosh
Tecotosh
Description
This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
10. Untitled (8 kite windvanes)
Untitled (8 kite windvanes)
Description
A close-up view of a kite sculpture with a wavy tail. The kite is black, green, and red. The kite is held up by a long pole., Cook received a B.S. (Liberal Arts, 1979) and B.F.A. (1980) degrees from the University of Oregon. (resource obtained 2007-08-22 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html)., The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
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