This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
The fashionable house completed for wealthy Portland broker A. H. Maegly in Arlington Heights overlooking downtown Portland in 1915 is the foremost example of Oregon architecture clearly influenced by the Prairie School — Frank Lloyd Wright and his followers. It was designed by John V. Bennes, who received his early training in Illinois and whose admiration for the Prairie School architects was well known. With its tile roofs and ornament taken from the Italian Renaissance, Bennes 1 design is Mediterranean in spirit, but its slab-like roof overhangs, the Wrightian decorative brackets, the cantilevered second story bays, and the strong horizontal emphasis created by ribbon windows and tile string course and frieze are stylistic characteristics of Prairie School architecture. Source: National Register Nomination., National Register of Historic Places (Listed, 1981)
The fashionable house completed for wealthy Portland broker A. H. Maegly in Arlington Heights overlooking downtown Portland in 1915 is the foremost example of Oregon architecture clearly influenced by the Prairie School — Frank Lloyd Wright and his followers. It was designed by John V. Bennes, who received his early training in Illinois and whose admiration for the Prairie School architects was well known. With its tile roofs and ornament taken from the Italian Renaissance, Bennes 1 design is Mediterranean in spirit, but its slab-like roof overhangs, the Wrightian decorative brackets, the cantilevered second story bays, and the strong horizontal emphasis created by ribbon windows and tile string course and frieze are stylistic characteristics of Prairie School architecture. Source: National Register Nomination., National Register of Historic Places (Listed, 1981)
The fashionable house completed for wealthy Portland broker A. H. Maegly in Arlington Heights overlooking downtown Portland in 1915 is the foremost example of Oregon architecture clearly influenced by the Prairie School — Frank Lloyd Wright and his followers. It was designed by John V. Bennes, who received his early training in Illinois and whose admiration for the Prairie School architects was well known. With its tile roofs and ornament taken from the Italian Renaissance, Bennes 1 design is Mediterranean in spirit, but its slab-like roof overhangs, the Wrightian decorative brackets, the cantilevered second story bays, and the strong horizontal emphasis created by ribbon windows and tile string course and frieze are stylistic characteristics of Prairie School architecture. Source: National Register Nomination., National Register of Historic Places (Listed, 1981)
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
Fabrication, installation and conservation statement for the work Braille Rail, keithjellum@isp.cm, http://keithjellum.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Artist Statement for the work Braille Rail, keithjellum@isp.cm, http://keithjellum.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Four large sculptures placed in an open air plaze between The Urban Center and Academic and Student Recreation Center., The sculptor John Aiken studied at the Chelsea School of Art (1968-73) and British School at Rome (1973-75). In 1986 he was appointed Head of Sculpture at the Slade School of Fine Art in London. His interest in military architecture and in archaeology underpins much of his work, German fortifications in Northern France being for him ‘the most impressive sculpture park in the world.’ He has exhibited extensively and has been awarded many commissions including a 40 metre frieze in Belfast City Hospital (1986), a steel sculpture for the Arts Council of Northern Ireland and two monumental sculptures in Portuguese granite for the Department of the Environment. John Aiken is also known for being the Slade Professor / Director at the Slade School of Fine Art in London. --Arts Council of Northern Ireland <http://www.artscouncil-ni.org/publicart/tour/tour18.htm>, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Four large sculptures placed in an open air plaze between The Urban Center and Academic and Student Recreation Center., The sculptor John Aiken studied at the Chelsea School of Art (1968-73) and British School at Rome (1973-75). In 1986 he was appointed Head of Sculpture at the Slade School of Fine Art in London. His interest in military architecture and in archaeology underpins much of his work, German fortifications in Northern France being for him ‘the most impressive sculpture park in the world.’ He has exhibited extensively and has been awarded many commissions including a 40 metre frieze in Belfast City Hospital (1986), a steel sculpture for the Arts Council of Northern Ireland and two monumental sculptures in Portuguese granite for the Department of the Environment. John Aiken is also known for being the Slade Professor / Director at the Slade School of Fine Art in London. --Arts Council of Northern Ireland <http://www.artscouncil-ni.org/publicart/tour/tour18.htm>, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Four large sculptures placed in an open air plaze between The Urban Center and Academic and Student Recreation Center., The sculptor John Aiken studied at the Chelsea School of Art (1968-73) and British School at Rome (1973-75). In 1986 he was appointed Head of Sculpture at the Slade School of Fine Art in London. His interest in military architecture and in archaeology underpins much of his work, German fortifications in Northern France being for him ‘the most impressive sculpture park in the world.’ He has exhibited extensively and has been awarded many commissions including a 40 metre frieze in Belfast City Hospital (1986), a steel sculpture for the Arts Council of Northern Ireland and two monumental sculptures in Portuguese granite for the Department of the Environment. John Aiken is also known for being the Slade Professor / Director at the Slade School of Fine Art in London. --Arts Council of Northern Ireland <http://www.artscouncil-ni.org/publicart/tour/tour18.htm>, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Colorful, abstract, organic forms created by multiple reclaimed bottlecaps., Laurel Kurtz has been an M.F.A. candidate in the Art and Social Practice Program at Portland State University. Steven Beatty received an M.F.A. in Studio Art with an emphasis on sculpture from Portland State University in 2006. (2009), sbeatty@pdx.edu, http://stevenbeatty.blogspot.com/; http://lorol.blogspot.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Fabrication, installation and conservation statement of the work Eco-Baroque: Universal Variance, Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
The brash, strutting crows / impress themselves. / Their secret joke / aloft in the wind., keithjellum@isp.cm, http://keithjellum.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
The brash, strutting crows / impress themselves. / Their secret joke / aloft in the wind., keithjellum@isp.cm, http://keithjellum.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/